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"The Wild Road" is a deeply introspective poetry collection examining human emotions and experiences with rich imagery and philosophical depth. In the opening section, poems like "The Wild Road (part one)" and "The Velvet Darkness" use mystical natural imagery to explore the connection between the external world and our inner lives, highlighting both beauty and chaos.

The Poetry of Law is a collection of 25 narrative poems about the human experience of an international lawyer. In a general sense, such a practice deals with laws applying to the movement of people and goods and services across national boundaries. The title seems an apparent oxymoron, but the poetry is in the people. The poetry is in the author’s journey from a wilderness log cabin beginning as the Northernmost lawyer in Michigan at the dawn of the Internet and ending with a practice in Manhattan.

Crystal has worked as a Registered Nurse in the city for more than 30 years, caring for many of the homeless during her career. She has written this collection of small poems to share in snippets, the complexities and consequences of homelessness.

This marvelous collection opens with the practical wisdom and unforgettable wit of the poet’s grandmother, who said (among other things) “Turmeric can heal anything / but a broken heart” and “Read that to me at / my funeral, boy, right now my show is on.” From the foundation of the matriarchal, Majmudar turns to the impact of women as lovers and partners, exploring the contours of passionate, romantic, and married love; he and his wife are “two fireflies/ scooped out of the same evening” to meet in the jar where their constancy contains and sustains them.

America’s beloved Julia Alvarez returns to her first form, poetry, in her latest collection, with scintillating poems drawn from across her life like stars from the sky. As I approach the closing stanzas of a long life practicing my craft, I feel the need to collect the many loose poems I've...

A decade into the Depression, Millicent Green is a 25-year-old "old maid" living with her marriage-obsessed mother and domineering older brother in the stiflingly small Jewish community of New Bern, North Carolina. Smart and prickly, she’s struggling to find her place in the world following the loss of her beloved younger brother, and with him, her dreams for the future. One humid August day, Millie is sent to run an errand and discovers a young woman unconscious on the ground. This mystery woman, mute and without identification, will upend Millie’s life.

Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart.

Though most of the virtues that interest Carl Dennis in Earthly Virtues have traditional names, they are provided with contexts that give them fresh implications, moving us in two directions at once, toward a recognition of limits and a recognition of possibilities. On one hand, they confront what it means to lack the knowledge and power we need to make our lives as consequential as we may want them to be. On the other, they reach out to widen the circle of our concern, suggesting a kinship of the local with the distant, enlarging the passing moment with history and prophecy.

When Ingram is forced by overwhelming poverty and spiritual exhaustion to walk away from his home, he leaves behind a neglectful childhood on a dirt farm on a dead-end road. With no family, no resources, and no practical understanding of the world, Ingram’s only compass is the daily fight to survive and the narrow dream of one day owning a truck.

“Genius . . . [This] is Bolaño playing with sharp, twisting knives.” —Stacey D’Erasmo, The New York Times Book Review “Imaginative, full of a love for literature, and . . . exceptionally entertaining.” —Michael Dirda, The Washington Post Nazi Literature in the Americas is Roberto...

In There is No Humor in Heaven, Dwayne Eutsey challenges the persistent view of Twain as a hostile critic of religion by placing him within the prevailing liberal religious ethos of his time. Eutsey contends Twain’s vocation as a humorist was rooted in his frustrated youthful ambition to become a preacher of the Gospel. Throughout his life, his friendships with several influential liberal ministers, each of them espousing various forms of the era’s diverse progressive theology, informed not only Twain’s evolving religious worldview but his lecture performances and literary output.

As she nears the end of her life, Addie Bundren wants nothing more than to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. A captivating and stylistically innovative work, the narrative revolves around the grim, yet darkly humorous, pilgrimage as the Bundren family sets out to fulfill her last wish.

Calista and Athena Dempsey were once inseparable until their father’s ambition drove a wedge between them. When a very public betrayal shattered their bond, Calista walked away from her family, determined to rebuild her life on her own terms. Athena stayed behind, shouldering the weight of expectations and guilt in silence. Now, with their mother gone, the sisters are summoned to Hobby Island, a secluded retreat where their mother spent her final days, with one final request: come together and make peace. But the past isn’t so easily buried.

Five years after the death of his youngest brother, Dan Moran is now the published trans author of the autofictional novel Sorry to Disrupt the Peace. He is teaching fiction in Brooklyn and working on his next book—a psychological thriller—when a mysterious envelope arrives for him in the mail. Addressed to the wrong name, it includes a childhood photo of his deceased brother. But who would send such a thing, and why?

A second chance stand-alone from small-town romance author Brooke Montgomery about a literary agent from NYC who returns to her Southern hometown and the cowboy high school sweetheart she left behind…

Teo Anand, former ne’er-do-well second son of the Anand Tech empire and current solar fugitive, has just crash-landed on the Moon after escaping the latest attempt on his life. But if anyone can help exonerate him, it’s his best friend, bold Korean space pilot Ocean Yoon. Falsely accused of murdering his family, Teo is running out of both time and options. But loyalties are uncertain in their group of steadfast comrades and tentative new allies, and it’s difficult to know who to trust in the tangled web that awaits them in Artemis.

Villa Sepulveda is a storied relic of the Philippines' past: a Spanish colonial manor, its moldering stonework filled with centuries-old heirlooms, nestled in a remote coconut plantation. When their patriarch dies mysteriously, his far-flung family returns to their ancestral home. Filipino-American student Adrian Sepulveda invites his college girlfriend, Sophie, a transracial adoptee who knows little about her own Filipino heritage, to the funeral of a man who was entwined with the history of the country itself.

When the Chinese premier visits Harvard, international student Pei Lulu encounters a lone woman protesting who will drastically change her understanding of the People's Republic and her own place in the world. For the first time, Lulu learns of the 1989 protest movement and the government’s violent response. Determined to find out more, she seeks answers from her family, who share surprising stories of their involvement. A formative university course prompts Lulu to pursue a line of PHD research focused on the protest movement.

I Climb the Mesas: Collected Poems of Paula Gunn Allen span the landscapes of the Southwest, excavate popular misunderstandings of Native women through history, and perhaps most importantly shines a light on a foremother of Native poetry, who was herself an icon to feminist legends like Gloria Steinem.

José Fernandez, el protagonista de la novela que presentamos, es un joven aristócrata bogotano que, durante una velada a finales del siglo XIX, y a petición de sus amigos más cercanos, lee de su diario las entradas correspondientes a un periodo de su vida en que viajó y vivió en Europa y en el que conoció y sufrió por cuenta de un enamoramiento que casi lo lleva a la tumba.