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It’s 1963, two years since Barbara Feldman’s husband died. Raising two kids, she’s finally emerging from her cocoon of grief. Not yet a butterfly, but she’s anxious to spread her wings. Then one day her mother-in-law, Ruth, shows up on her doorstep with five suitcases, expecting a room of her own with a suitable mattress. Abrasive and stuck in her ways yet well meaning, Mother Ruth arrives without warning to help with the children. How can Barbara say no to a woman who is not only a widow herself but also a grieving mother?

From one of the preeminent literary voices in Israel comes a darkly funny collection of surrealist stories exploring the increasingly complex relationship between humans and technology. Set in our world, alternate realities, distant futures, and the immortal realm, the stories in Autocorrect...

שמונת הסיפורים שבקובץ מתרחשים בקיבוץ הדמיוני יקהת, ומשרטטים דיוקנאות מפליאים בעדינותם של נשים וגברים החולמים חלומות אינטימיים וחווים מכאובים פרטיים בצלו של אחד החלומות הקולקטיביים הגדולים בתולדות המאה העשרים. אב מבוגר שבתו הצעירה עוברת להתגורר עם חבר קיבוץ בן גילו; אישה הכותבת מכתב מצמרר לאישה שלמענה נטש אותה בעלה; ילד חוץ היוצא לבקר את אביו בבית חולים לתשושי נפש; וגנן מזדקן הנושא על כתפיו את כל אסונות העולם - כל אחד מן הסיפורים הפרטיים האלה הוא פנינה של אנושיות ספרותית ויחד הם נשזרים למחרוזת שהיא גם דיוקן של רעיון ושל תקופה.

Alma Alt, the sheltered youngest daughter of an interfaith, interracial Jewish-Mexican couple, rarely ventures far from her home on a wealthy tree-lined street in Ottawa, where nothing ever happens. The one time she did, striking out to visit her older sister, Marnie, in Montreal, things ended in disaster as she found out that beautiful, blonde Marnie had been lying about their family’s background, trying to pass herself off as white. The unintended fallout from that betrayal leads to a devastating accident, one that claims Alma’s arm and someone’s life.

The Weimar Journals, A Confluence of the 1920s and 2020s explores the similarities between the challenges within the Weimar Republic and what is being experienced today in the United States. Several story lines come together in Hans Brown’s journal entries written over the span of fifty years.

Krakau, 1942: Als die Nazis im jüdischen Ghetto eine Razzia durchführen, bleibt Sadie und ihrer Familie nur die Flucht in die Kanalisation. In der Finsternis unterhalb der Stadt sehnt sich Sadie nach Licht und den glücklichen Tagen ihrer Kindheit. Auf einem ihrer Streifzüge in den Tunneln schaut sie durch ein Gitter hinauf nach draußen und entdeckt ein Mädchen, das auf dem Markt Blumen kauft. Eine Freundschaft scheint nahezu unmöglich, doch allen Gefahren zum Trotz beschließt die 18-jährige Ella, Sadie zu helfen.

In 1962, opportunities are typically few for nice Jewish girls clacking away at ninety words per minute in a newspaper typing pool. Except Judy Greenberg isn’t typical. An aspiring reporter in DC, she’s aiming for journalistic greatness—not finding a husband. Just don’t tell her mother. Then one day she answers her boss’s private line. The message is curiously cryptic. It’s also delivered in a Russian accent. Judy is certain she has stumbled upon a scoop.

Poland, 1943. 'We owe you our lives.' The elderly woman clasps my hands before climbing the attic ladder to hide with her family. I am filled with anger, sadness and fear, but I can't give in to my tears now. Not when this isn't the only secret I'm keeping from the German soldiers next door... When German soldiers take over the neighbouring farm in her little village, Aneta tries to pretend life with her four-year-old son, Janek, is continuing as normal. No one can ever know about the Jewish doctor's family she's hiding.

1941, Krakow. Lidia Sobieska hears a knock on the door and is shocked to find a baby in a basket on her doorstep. Attached to the basket is a letter from the baby’s mother, begging to save her daughter Suzanne from the Nazis. Always wanting children of her own but unable to conceive, Lidia knows there is only one right thing to do. She names the baby Sophie and vows to do everything she can to love and protect her.

Beginning in 1930s Germany and based on their real lives, four cousins as close as siblings—Bettina, Trudi, Gustav, and Gertrud—share the experiences of the young, including first loves, marriages, and children. Bettina, the oldest, struggles to help her parents with their failing business. Trudi dresses in the latest fashions and tries to make everything look beautiful. Gustav is an artist at heart and hopes to one day open a tailoring shop. Gertrud, the youngest, is forced by her parents to keep secrets, but that doesn’t stop her from chasing boys.

#1 New York Times Bestseller and #1 International Bestseller Now a Peacock Original Series starring Harvey Keitel and Melanie Lynskey This beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist...

Brought to you by Penguin. It is the year 2000 when Dinah, a Jewish teenager from London, arrives in Israel with her family. Still reeling from the death of her beloved dad, the idea of having to start all over again daunts her. Dinah isn’t quite sure what to make of this seemingly pristine...

A NEW YORK TIMES BESTSELLER A Telegraph Book of the Year A New York Times Notable Book of the Year A Washington Post Book of the Year A Wall Street Journal Book of the Year A Slate Book of the Year ‘Probably Chabon’s greatest, a piece of sustained writing that will be...

1940. Aiyi Shao is a young heiress and the owner of a formerly popular and glamorous Shanghai nightclub. Ernest Reismann is a penniless Jewish refugee driven out of Germany, an outsider searching for shelter in a city wary of strangers. He loses nearly all hope until he crosses paths with Aiyi. When she hires Ernest to play piano at her club, her defiance of custom causes a sensation. His instant fame makes Aiyi’s club once again the hottest spot in Shanghai. Soon they realize they share more than a passion for jazz - but their differences seem insurmountable....

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

The Tattooist of Auschwitz is based on the true story of Lale and Gita Sokolov, two Slovakian Jews who survived Auschwitz and eventually made their home in Australia. In that terrible place, Lale was given the job of tattooing the prisoners marked for survival - literally scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust.

As children, Eva Rosselli and Angelo Bianco were raised like family but divided by circumstance and religion. As the years go by, the two find themselves falling in love. But the church calls to Angelo and, despite his deep feelings for Eva, he chooses the priesthood. Now, more than a decade later, Angelo is a Catholic priest and Eva is a woman with nowhere to turn. With the Gestapo closing in, Angelo hides Eva within the walls of a convent.

1939, Poland: Would you save a child in a warzone? Marcin is just hoping to keep himself safe during the Nazi invasion. But once he befriends his Jewish neighbors, his fate is sealed, and when their building is raided by the Nazis, Marcin finds himself hiding their son, Adam. Marcin vows to keep Adam safe at all costs. But as he starts an impossible journey across the borders of wartorn Europe towards safety, he begins to realize Adam isn’t the only child who needs his help. And when they encounter more orphaned children in hiding, Marcin becomes determined to save as many as possible.

In this improbably joyous novel about two recovering concentration camp survivors, love is the best medicine. July 1945. Miklos is a twenty-five-year-old Hungarian who has survived the camps and has been brought to Sweden to convalesce. His doctor has just given him a death sentence — his...

Fate takes many forms. . . . When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler...