検索キーワード： 戯曲

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.

The Emporor of Rome and the Queen of the Nile as only Shaw could have imagined them! He is a self-doubting cynic who is experiencing a mid-life crisis and she is an imperious and impertinent child on the threshold of womanhood. This recording also includes Shaw's alternate Prologue and his post-text notes.

The Parliamentry troops believe he will hide in the home of Colonel Beverly, a famous Cavalier - they surround the house believeing they will smoke him out. No King is found and they are told that they have killed the four children who were in the house - but they escape with the old forester, Jacob Armitage, who must now teach them to lose their lace, and velvet manners and behave and look like Puritans

Komedija napisana na osnove dejstvitel'nogo proisshestvija. «Jeto udivitel'noe i zabavnoe prikljuchenie, - rasskazyvaet Gol'doni, - proizoshlo s odnim krupnym gollandskim kupcom, i Dva ego poverennyh v Venecii soobshhili mne ego kak sjuzhet, dostojnyj komedii. Ja izmenil tol'ko mesto dejstvija i imena lic».

14 let p'esa Ivana Turgeneva "Nahlebnik" nahodilas' pod cenzurnym zapretom. Otnoshenie k nej bylo neodnoznachnym. Gogol' schital p'esu beznravstvennoj, zato Gercen otzyvalsja o nej vostorzhenno: "Drama, kotoruju pishet Turgenev - prosto objaden'e." Sjuzhet p'esy prost: v dome Ol'gi Petrovny Eleckoj zhivet "na hlebah" obednevshij dvorjanin Kuzovkin - chelovek dobryj, no besharakternyj. I mog li hot' kto-nibud' predpolozhit', chto odno sluchajno proiznesennoe im slovo mozhet tak kruto izmenit' sud'bu vseh geroev jetoj istorii...

"Vishnjovyj sad" - komedija v chetyrjoh dejstvijah Antona Pavlovicha Chehova. P'esa napisana v 1903 godu, vpervye postavlena 17 janvarja 1904 goda v Moskovskom hudozhestvennom teatre. Unikal'naja radiopostanovka, zapisannaja v 1949 godu, s uchastiem aktrisy Ol'gi Knipper-Chehovoj, zheny pisatelja.

Odnoobraznuju zhizn' provincial'nogo gorodka Verhopol'e narushaet priezd stroitelej zheleznoj dorogi - inzhenerov Cherkuna i Cyganova. Na smenu patriarhal'nomu varvarstvu gorodskogo golovy Redozubova jeti "poborniki civilizacii" nesut novoe varvarstvo: moral'nuju degradaciju i zhestokoe ravnodushie k cheloveku. Potrebovalos' nemnogo vremeni, chtoby obnaruzhilis' plody ih razrushitel'noj dejatel'nosti.

V dome pojeta i kritika Iespersena idet podgotovka k torzhestvu po sluchaju prem'ery ego p'esy. Sam Iespersen v jeto vremja gotovit hvalebnuju recenziju, kotoruju nazavtra opublikujut v gazete. Vernuvshis' domoj, on zastaet tam svoego starinnogo druga, propavshego mnogo let tomu nazad, doktora Vendelja.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

Part wolf, part Husky, he was born to the wilderness and carried his burden among men stoically. He had known starvation, bitter cold, overwork and suffering at the cruel hand of man. He was a giant among his kind and as fearless as the men who drove him mercilessly through the perils of a frozen world. And now, through the uncertain hand of fate, he is free...he is called Kazan, the Wild Dog. But his journey has just begun and survival against the unforgiving wilderness with his blind mate, Grey Wolf, is a personal challenge. He had never known fear...until now!

The Broadway Rapture: A Drama of the Gouldium. Against uncomfortable competition in national telegraphy, the Western Union Company, led by Jay Gould, with a number of new telegraphic firms warred to maintain her primacy. When the murderer of Jim Fisk becomes a partner in one of his competitors, revengeful competition is pursued by Gould. The Broadway Rapture is of historical fights for capital superiority. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays there are seven scenes of dialogue and seven choral episodes.

Un giallo straordinario, dove il colpevole non sa di esserlo. Un'indagine senza precedenti, in cui assassino e detective sono la stessa persona. Reo dei più turpi delitti, eppure innocente, Edipo è vittima e artefice del Fato che lo travolge, in una trama micidiale che solo gli Dei potevano concepire. Il capolavoro di Sofocle torna in una traduzione che viene da lontano, potenziato da una colonna sonora dei nostri giorni.

Glavnye geroini, miss Emilija Sedli i miss Rebekka (Bekki) Sharp, uchatsja vmeste v chastnom pansione miss Pinkerton. Bekki - sirota, doch' spivshegosja hudozhnika i francuzskoj tancovshhicy. Ona energichna, polna ambicij i uverena v svoem uspehe. Emili - doch' uspeshnogo kommersanta, krotka, mila i dobrodetel'na. Sud'by dvuh sovershenno raznyh devushek otrazhajut nravy togo vremeni. Pokazana zhizn' razlichnyh sloev obshhestva.

Povest' «Drama na ohote» velikogo russkogo pisatelja Antona Pavlovicha Chehova (1860-1904) byla sozdana v 1885 godu i izvestna vsem pochitateljam otechestvennogo kinematografa. Po povesti byl snjat kinofil'm «Moj laskovyj i nezhnyj zver'». «Drama na ohote» imeet podzagolovok «Iz zapisok sudebnogo sledovatelja» i napominaet ugolovnyj roman.

Spektakl MHAT im. Gorkogo. 20 fevralja 1598 g. Uzhe mesjac, kak Boris Godunov zatvorilsja vmeste so svoej sestroj v monastyre, pokinuv «vse mirskoe» i otkazyvajas' prinjat' moskovskij prestol. Narod ob#jasnjaet otkaz Godunova venchat'sja na carstvo v nuzhnom dlja Borisa duhe: «Ego strashit sijanie prestola».

Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.

The major texts of Western culture are a gateway to wisdom that can widen your views on self and society in enduring ways. And now you can examine its most important works - whether drama, poetry, or narrative - in this series of 64 penetrating lectures that reveal astonishing common ground.

After Zeus has learned that Prometheus stole his sovereign property, fire, and conveyed it to mankind, he orders Hephaistos, under the direction of Power and Force, to bind his adversary to an arduous crag of most difficult remoteness on the earth. As the Titan responds to this punishment, the reader is inspired with the fire of individual affirmation, devoted indomitably to life and liberty.

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

Prince Kreon, enforcing an arbitrary mandate, is enraged that Antigone would abide by a natural law of sisterly respect in contradiction of his will. As neither can be reconciled with the other's acts, the drama grows devoutly tenebrous. This translation is iambic, as is most of the text in Greek.