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When a troubled young comic meets a bold, unpredictable woman, their story spirals into dark comedy, spiritual questions, and the unexpected hope of redemption. This short-form audiobook delivers a cinematic punch — part redemption story, part black comedy, all heart. Chris is a young alcoholic who wants nothing to do with his family’s bizarre mortuary business. He dreams of being a comedian, of making people laugh — but the economy is brutal, his drug habit is getting worse, and his life is unraveling fast. Then there’s Zoie.

Frankie Gallows has spent seven years paying his dues on the stand-up comedy circuit with only limited success, but when he finally lands a headline slot at London’s legendary King Alfred’s Theatre, the opportunity comes with a sinister catch: perform a joke handed to him by the theatre manager—or risk everything.

Rose Cutler defines herself by her exacting standards. As an anti-racist, Jewish secular feminist eco-warrior, she is convinced she knows the right way to do everything, including parent her six-year-old nephew Nathan. When Rose offers to look after him while his parents visit Mexico for a week, her brother and sister-in-law reluctantly agree, provided she understands the rules—routine, bedtime, homework—and doesn’t overstep. But when Rose’s Newfoundland attacks and kills a corgi at the park, Nathan starts acting strangely: barking, overeating, talking to himself.

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones. When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pellegrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

She is going to be murdered on stage every night. All Ian has to do is make sure she is safe off stage. No one would want to murder the leading lady, would they? Don’t be too sure. After a few days at the Dundas Farm opera camp, Ian is beginning to think that everyone the diva meets would be more than pleased to see the back of her. Two weeks listening to music on a Scottish alpaca farm is twisting and turning in a distinctly sinister direction. And if she continues to treat him like a servant, refusing to tell him anything about her fears, how on earth is Ian going to prevent a tragedy?

Emerie Fox's New Home Comes with Unwanted Surprises . . .Leaky pipes, moldy basements—and a mischievous demon poltergeist who's redecorating her home, stealing her stuff, and leaving blood-soaked messages on the mirror. Sure, the messages are helpful (like reminders to buy milk or grab an umbrella), but Emerie is not the kind of person who tolerates vermin—supernatural or otherwise.

Mrs. Shim needs money. She’s lost her husband and her job, and she's got three mouths to feed at her kitchen table. If she doesn't find work soon, she and her children are going to lose their home. So when she answers a vague job ad for the Smile Detective Agency, Mrs. Shim expects the job will be some kind of cleaning position. But when they only ask her questions about her experience as a butcher and what she can do with a cleaver, she begins to realize they want her to do a very different kind of cleaning—they want her to be an assassin.

When overworked department store manager Izzy Russo downloads an AI boyfriend app to fill the emotional void left by her inattentive real one, she thinks she’s just venting to a harmless chatbot named “Caleb.” In reality, she’s been pouring her deepest, dirtiest fantasies into the ears of Callahan Knight—her store’s brooding new head of security. Because Cal? He’s been listening. The moment he saw Izzy, he knew she was his. Did he hack her phone? Absolutely. But who could blame him?

Wentworth is at his wit’s end. He has no money, his cat’s been kidnapped, and every time he tries to kill himself, he fails. Worst of all, he lives in Kidderminster. But sometimes you’re given a lifeline. For some it’s a lottery win, for others a promotion. For Wentworth, it’s an out-of-shape 50-something named Norman wearing an "I was on Naked Attraction" t-shirt and scuffed Reeboks. Wentworth thinks he’s in luck but makes a series of progressively worse decisions and soon finds himself on the run from a gang of criminal reprobates.

Benjamin lives with a name he hates in a run-down San Francisco apartment, until his brother Billy finds him. Billy's a war veteran who sleeps under a bridge with his loyal band of phone thieves, trying to avoid the police and the VA. Thirty years earlier, Benjamin had an Ivy League degree and was getting noticed for his Peace Corps work on the Ecuadorian coast. But Felicia also noticed, seducing him into a life of cajoling secrets from others to be peddled to the highest bidder. Felicia's talented protégé lived a privileged life until he made a mistake and had to flee with the name Gloria.

Trevor Malloy is just your average dead-inside council admin from the crumbling northern town of Smackleton—single, depressed, and one Greggs sausage roll away from a breakdown. Then one night, he smokes crack. Now he’s hurtling face-first into the seedy underbelly of small-town Britain: from pimping his girlfriend out of a stolen ice cream van to launching a crypto-dogging empire called DoggChain. Along the way, he botches robberies, runs a cactus porn studio in a garden centre, sells fake funerals to real pensioners, and starts an OnlyFans agency for people with extremely niche fetishes.

In dieser Fortsetzung von "Oh nein! Ein Esel kommt selten allein", müssen Yusuf und Marie erneut mit einer Menge seltsamer Zwischenfälle fertig werden, von sehr verdächtigen Gästen gar nicht erst zu reden. Damit nicht genug, taucht auch noch die Familie auf und macht keinerlei Anstalten, wieder abzureisen. Ganz im Gegenteil: Oma hat Karrierepläne. Damit nicht genug, trifft auch noch ein Kuckuck auf einen Esel. Mit gänzlich unerwarteten Folgen.

Un giorno al Biondo e a Quello con la cravatta capita un incarico che richiede un salto di qualità: l'obiettivo è un arcimilionario, un esponente dell'altissima finanza che vive in una favolosa non-zona sospesa tra Londra e Milano. Incassato l'anticipo, però, piovono le complicazioni, in un ottovolante di equivoci, colpi di scena, incidenti, avventure e sconvolgimenti vertiginosamente intrecciati, in ambienti esclusivi ed extra lusso dove si mischiano fondi di investimento e realtà inconfessabili.

One wealth-obsessed man – who is also dead. One status-obsessed woman – who is the perfect accessory. Their four inheritance-obsessed children – each with a killer instinct. And a murder-obsessed outsider looking to expose them all. But there’s one thing money can’t buy… and that’s the truth.

It’s 1974 in London and Connie Costa’s already pitiful life has gone off the rails. She’s spiraling from the loss of her mother and younger brothers in a tragic accident. And the man responsible is her Dad—otherwise known as “The Fat Murderer.” Kept at home under his increasingly tyrannical rule, Connie is an outcast who spends her nights conversing with the David Bowie poster on her wall and raiding her stash of whiskey and chocolate. Her only social outlet is the weekly gatherings with her father and their immigrant community of Greek “Freaks.” T

Tracy Turnblad, a spunky, full-figured Baltimore teen, wants nothing more than to be a featured dancer on The Corny Collins Show. So when she gets chosen to be on the air, it seems like all her dreams are about to come true. But when she and some of the Black cast of the show try to integrate the segregated dancing, things take on a life of their own. A sweet, hopeful parable about the dangers of conformity and segregation, Hairspray is perhaps the one optimistic entry in John Waters’ shocking and delightfully deranged oeuvre.

John Waters takes us back to the scene of his original crime against good taste. Listen as Babs Johnson fights to hold on to her title as “Filthiest Person Alive,“ fending off the craven attempts to dethrone her by her nemeses Connie and Raymond Marble. Listen along as Waters takes us on a romp through his camp and filthy vision of Baltimore, from nefarious baby-stealing lesbians to scenes of unspeakable things done to unsuspecting chickens, to the film’s iconic and revolting coup de grace (no spoilers, but it is just as stomach-churning more than fifty years later!).

Fifteen years after the events of Pink Flamingos, Babs Johnson returns to Baltimore from a life spent largely in bus station lavatories, only to find that she once again has to fight for the right to claim the title of “World’s Filthiest Person.” Her nemesis Connie Marble’s sister, Vera Venninger, and her necrophiliac husband, Wilbur, are in her way. So begins a new battle of filth.

It all goes to hell when Baltimore bad girl Dawn Davenport doesn’t get the cha-cha heels she’s been demanding for Christmas. In this hilarious, irreverent, pyrotechnic melee of high-trash hijinks, Dawn ruins Christmas, skips town, and embarks on a wild ride that involves hitchhiking, robbery, murder, pregnancy—and, of course, modeling and glamour, too. The second installment of John Waters’ classic Trash Trilogy, Female Trouble explodes conventional norms of good behavior (and art) and is all the proof you’ll ever need that sometimes being bad can feel so, so very good.

For months, Luke and his underground revolutionary group have been planning their biggest operation yet: kidnapping 23-year-old Adeline Woolsaw. They don’t want a ransom—they want to expose the Woolsaw Group, the source of Adeline’s parents’ enormous wealth, a vast yet largely anonymous company that runs everything from military bases and mental hospitals to commuter trains, call centers, and prisons.