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HEADCASE is a ten-episode comedy about neurotic rising hip hop star Ghost (Chris Redd) and his bumpy mental health journey as he navigates therapy, fame, and chaos. After a very public breakdown, his label forces him into sessions with a dorky, white therapist, Gordon (Will Stephen), who has never heard of Ghost.

When a troubled young comic meets a bold, unpredictable woman, their story spirals into dark comedy, spiritual questions, and the unexpected hope of redemption. This short-form audiobook delivers a cinematic punch — part redemption story, part black comedy, all heart. Chris is a young alcoholic who wants nothing to do with his family’s bizarre mortuary business. He dreams of being a comedian, of making people laugh — but the economy is brutal, his drug habit is getting worse, and his life is unraveling fast. Then there’s Zoie.

Frankie Gallows has spent seven years paying his dues on the stand-up comedy circuit with only limited success, but when he finally lands a headline slot at London’s legendary King Alfred’s Theatre, the opportunity comes with a sinister catch: perform a joke handed to him by the theatre manager—or risk everything.

Trowbridge Dispatch is part of the Trowbridge, Vermont series of novels and stories, wherein I.M. Aiken draws on her roots in public safety to narrate tales of the everyday heroes that every community depends on.

She is going to be murdered on stage every night. All Ian has to do is make sure she is safe off stage. No one would want to murder the leading lady, would they? Don’t be too sure. After a few days at the Dundas Farm opera camp, Ian is beginning to think that everyone the diva meets would be more than pleased to see the back of her. Two weeks listening to music on a Scottish alpaca farm is twisting and turning in a distinctly sinister direction. And if she continues to treat him like a servant, refusing to tell him anything about her fears, how on earth is Ian going to prevent a tragedy?

Joe Orton was among the towering geniuses of 1960s theatre. His life was tragically cut short in 1967, but he left behind him a handful of shocking and scabrous black comedies that will live on in the public imagination for years to come. Featured here are two of his lesser-known works, The Erpingham Camp and The Ruffian on the Stair, collected together as a double bill.

Un giorno al Biondo e a Quello con la cravatta capita un incarico che richiede un salto di qualità: l'obiettivo è un arcimilionario, un esponente dell'altissima finanza che vive in una favolosa non-zona sospesa tra Londra e Milano. Incassato l'anticipo, però, piovono le complicazioni, in un ottovolante di equivoci, colpi di scena, incidenti, avventure e sconvolgimenti vertiginosamente intrecciati, in ambienti esclusivi ed extra lusso dove si mischiano fondi di investimento e realtà inconfessabili.

Opening in the late 1980s as rave culture is born and moving into the 1990s, Men In Love reunites the Trainspotting crew for a riotous new journey. Renton, Spud, Sick Boy and Begbie leave heroin behind and seek joy, and the hope of redemption, on the dance floor. Each wants to feel alive in the closing years of Thatcher’s Britain, and they fill their days with sex and romance and trying to get ahead. Taking in Edinburgh, London, Amsterdam and Paris, the group charges towards an unexpected event: Sick Boy’s wedding day.

Nicholas has plenty of reasons to feel unstable: he’s fifteen, the child of divorced parents, living with his absent dad in the bleak Chicago suburbs, and an outsider at school. Then, one day in geometry class, he forgets how to breathe. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body.

Wentworth is at his wit’s end. He has no money, his cat’s been kidnapped, and every time he tries to kill himself, he fails. Worst of all, he lives in Kidderminster. But sometimes you’re given a lifeline. For some it’s a lottery win, for others a promotion. For Wentworth, it’s an out-of-shape 50-something named Norman wearing an "I was on Naked Attraction" t-shirt and scuffed Reeboks. Wentworth thinks he’s in luck but makes a series of progressively worse decisions and soon finds himself on the run from a gang of criminal reprobates.

Benjamin lives with a name he hates in a run-down San Francisco apartment, until his brother Billy finds him. Billy's a war veteran who sleeps under a bridge with his loyal band of phone thieves, trying to avoid the police and the VA. Thirty years earlier, Benjamin had an Ivy League degree and was getting noticed for his Peace Corps work on the Ecuadorian coast. But Felicia also noticed, seducing him into a life of cajoling secrets from others to be peddled to the highest bidder. Felicia's talented protégé lived a privileged life until he made a mistake and had to flee with the name Gloria.

Trevor Malloy is just your average dead-inside council admin from the crumbling northern town of Smackleton—single, depressed, and one Greggs sausage roll away from a breakdown. Then one night, he smokes crack. Now he’s hurtling face-first into the seedy underbelly of small-town Britain: from pimping his girlfriend out of a stolen ice cream van to launching a crypto-dogging empire called DoggChain. Along the way, he botches robberies, runs a cactus porn studio in a garden centre, sells fake funerals to real pensioners, and starts an OnlyFans agency for people with extremely niche fetishes.

Jonathan and Barbara Rose are the perfect couple, living the dream in their beautiful house, filled with their precious antiques, their darling children, and their prized Ferrari in the garage. It’s all any red-blooded American could possibly want. But when Jonathan experiences a sudden heart attack (or so he thinks) Barbara realizes that she wants a new life, without him. There’s just one problem: they both want the house. For husband and wife, it’s not just a residence: it’s a passion, one that will escalate an ugly divorce into a full-blown battlefield, complete with weapons and casualties.

For fans of Paul Murray’s The Bee Sting and Jenny Jackson’s Pineapple Street, an irresistibly funny and incisive novel about a wealthy family that is confident in its good intentions—until the discovery that their patriarch has secretly given all their money to charity ruins their lives.

Panicked by his own mortality, despondent over his many failings as a writer and a man, Dunne leaves his wife and their three-year old child for the solitude of a crummy apartment off the Vegas Strip. There he plans to write an account of the city as he finds it; the book he ends up writing is "a fiction which recalls time both real and imagined."

As the only Black women at an antebellum-themed wedding, Kayla and Zorie should’ve known this heist was doomed from the start. They should never have come, but when their financial situation became dire, they agreed to hit one last wedding. Jaded and cynical Kayla has spent the last decade trying to fix her life since an angsty teen prank led to her arrest. Now, with her housekeeping job at a subpar hotel and her disappointing, Cinderella-esque relationship with her dad and obnoxious stepsister, she hates the life she’s built.

In dieser Fortsetzung von "Oh nein! Ein Esel kommt selten allein", müssen Yusuf und Marie erneut mit einer Menge seltsamer Zwischenfälle fertig werden, von sehr verdächtigen Gästen gar nicht erst zu reden. Damit nicht genug, taucht auch noch die Familie auf und macht keinerlei Anstalten, wieder abzureisen. Ganz im Gegenteil: Oma hat Karrierepläne. Damit nicht genug, trifft auch noch ein Kuckuck auf einen Esel. Mit gänzlich unerwarteten Folgen.

For Damir, time is money. He bikes around the city collecting food orders, rushing through the cycle lanes next to Uber drivers and grocery vans – and all the other people delivering your every desire. He arrives with your sushi rolls and fries and disappears into the night – Ping! Onto the next drop. He is invisible; one player in the boardgame of the city. But one summer’s evening, a chance encounter changes all the rules. Damir arrives on Decca’s doorstep with a bag of spilled edamame beans, in a postcode that could be another universe, and there’s an immediate connection.

The name’s Jett Turner and my early retirement to a lake on the Texas–Mexico border was supposed to be fun and easy going. It didn’t involve me writing up the twisted exploits of the head of the Acuña Cartel, reporting such to the DEA, or watching pandas blow up, people being fed to tigers, or learning about the bodily functions of the tortured.

Arthur Candlewick spends three days in a disused mineshaft with only his son’s drug stash, a book on the concept of ‘effective altruism’ and a bottle of medium-priced Bordeaux for company. When he emerges, he has made the life-changing decision to become a good man. Deciding to sell the family timber business and give away his wealth to charity, Arthur’s family become convinced that he has lost his mind. His university-bound daughter, Evangeline, wants to change the world but perhaps not at the cost of her own privileged life.