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Music, murder...and Madeleine. William has a lot on his mind. Firstly there's The Alaska Factory, the band he plays in. They're no good, and they make his songs sound about as groovy as an unpressed record. In fact they're so bad he's seriously thinking of leaving to join a group called The Unfortunates. Secondly, there's Madeleine, his high-maintenance girlfriend, whose idea of a night of passion is an Andrew Lloyd Webber musical followed by a doorstep peck on the cheek. Maybe they're not soul mates after all? Lastly, there's the bizarre murder he's just witnessed.

Opening in the late 1980s as rave culture is born and moving into the 1990s, Men In Love reunites the Trainspotting crew for a riotous new journey. Renton, Spud, Sick Boy and Begbie leave heroin behind and seek joy, and the hope of redemption, on the dance floor. Each wants to feel alive in the closing years of Thatcher’s Britain, and they fill their days with sex and romance and trying to get ahead. Taking in Edinburgh, London, Amsterdam and Paris, the group charges towards an unexpected event: Sick Boy’s wedding day.

Can 'no' be a declaration of love? What happens when love is savage, dangerous and all-consuming? In this gorgeous and unsettling collection, women navigate the complexities and cruelties of desire across time and place, from a medieval convent to a Victorian parlour to a 1990s high school. Intensely atmospheric, surprising and darkly funny, this collection is a richly flavoured feast from a brilliant writer in full command of the form.

Years after escaping her unbearable artworld friends in New York for a new life in London, an unnamed writer finds herself back on the Lower East Side attending a dinner party hosted by Eugene and Nicole – an artist-curator couple – and attended by their pretentious circle. It’s the evening after the funeral of their mutual friend, a failed actress, and if the narrator once loved and admired Eugene and Nicole and their important friends, she now despises them all.

What would you do if you thought your coworker was getting away with murder—literally? Dolores dela Cruz has been dying to spot one in the wild, and he fits the mold perfectly: strangler gloves, calculated charm, dashing good looks that give a leg up in any field . . . including fields of unmarked graves. The new office temp is definitely a serial killer.

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

Bo is running out of time. Yet time is one of the few things he’s got left; his body is failing him and his quiet existence is only broken up by the daily visits from his home care team. His hands soon too weak to open the precious jar housing the scarf of his Alzheimer-stricken wife Frederika, which still bears her scent. Fortunately he still has his beloved dog Sixten for company, only now his son insists upon taking the dog away. The very same son that Bo is wanting to mend his relationship with before his time is up.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

A good job, a beautiful wife, a big house in a nice neighbourhood; there's really only one thing missing from the picture: a baby. But motherhood is a serious undertaking, especially for a wife who has always valued her selfhood above all else. And there's also a bigger problem: Temi, the wife's best friend who swears she knows her better than her husband. Set over the course of one day, husband, wife and friend toe the lines of compromise and betrayal.

Emily didn’t join the cast of The One for fame or for a relationship. She simply didn’t have anything better to do. Newly fired from her dead-end job, it doesn’t take much convincing when she’s recruited as a last-minute contestant for the popular reality dating show. Emily has been performing her entire life—for her family and friends, former boyfriends, and coworkers. How different could it be playing herself in front of cameras? But the moment Emily arrives, it becomes clear she’s been tapped to win it all.

Paula has had Robert's back since they got together as drama students. She gave up her dreams so he could make it; now he's one of the nation's most popular actors. But Paula's just discovered he's having an affair. Now, she's going to break his heart like he broke hers. It will be her greatest acting role ever. Revenge is sweet.... Isn't it?

We meet our ill-tempered protagonist—the story’s titular “brat”—at a low moment, but not yet at rock bottom. The Gabriel of the novel is mourning the death of his father as well as a recent breakup and struggling to finish writing his second book. Alone and aimless, he agrees to move back into his parents’ house to clear it out for sale. Here, the clichés end.

You probably already know my name. Lucy Chase, the woman who doesn’t remember murdering her best friend. Even though they couldn’t find enough evidence to charge me, I know you all think I did it. That’s OK. I realise being found wandering the streets the next day covered in her blood wasn't a great look. Believe me, I’m as frustrated as you are. I’d love to know if I’m a murderer – it’s the sort of thing you really should know about yourself, isn’t it? And now, thanks to true-crime podcast Listen for the Lie, I finally have the chance to find out.

When Sally kills her husband with a cast-iron skillet, she’s more fearful of losing her kids than of disposing of a fresh corpse. That just wouldn’t be fair—not after twenty years of marriage to a truly terrible man. But Sally isn’t the only woman in town reaching the brink. Soon, Sally finds herself leading an extremely unusual self-help group, and among them there are four bodies to hide. Can they all figure out the perfect way to bury their husbands . . . and get away with it?

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

With Krow’s signature blend of sardonic whimsy and unsettling insight, Sinkhole, and Other Inexplicable Voids imagines the rules to be broken, choices to be made, and even crimes to be had for the sake of the people, and places, we love.

Meet Cherry, a bandit queen on the run, driving a pink soft-top convertible through the Badlands of Southeast England. She's never felt more Thelma and Louise in her life - except there are three of them in the car and one of them is dead. How did a head nurse and mother of two end up driving a handcuffed policeman and the corpse of a murdered refugee on a journey to find justice? Pursued by a racist, roid-raged, shaven-headed officer of the law - not to mention by her husband and daughter - what else can a woman with a conscience do in modern Britain?

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.

The night after her father's funeral, Claire meets Lucas in a bar. Lucas doesn't know it, but it's not a chance meeting. One thoughtless mistyped email has put him in the crosshairs of an extremely put-out serial killer. But before they make eye contact, before Claire lets him buy her a drink—even before she takes him home and carves him up into little pieces—something about that night is very wrong. Because someone is watching Claire. Someone who is about to discover her murderous little hobby.