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Music, murder...and Madeleine. William has a lot on his mind. Firstly there's The Alaska Factory, the band he plays in. They're no good, and they make his songs sound about as groovy as an unpressed record. In fact they're so bad he's seriously thinking of leaving to join a group called The Unfortunates. Secondly, there's Madeleine, his high-maintenance girlfriend, whose idea of a night of passion is an Andrew Lloyd Webber musical followed by a doorstep peck on the cheek. Maybe they're not soul mates after all? Lastly, there's the bizarre murder he's just witnessed.

At Tuppenny-Hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-Hapenny Cottage. Disaster and chaos, it seems, are just around the corner.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

A good job, a beautiful wife, a big house in a nice neighbourhood; there's really only one thing missing from the picture: a baby. But motherhood is a serious undertaking, especially for a wife who has always valued her selfhood above all else. And there's also a bigger problem: Temi, the wife's best friend who swears she knows her better than her husband. Set over the course of one day, husband, wife and friend toe the lines of compromise and betrayal.

No one in Lily Lennox’s life can understand why each of the past five summers, she has shut her successful business and chosen instead to be paid minimum wage life-guarding at the exclusive Riovan Wellness Resort in a sun-soaked Caribbean island. Fortunately for her, they also aren’t aware of the mysterious deaths that have occurred on the island every time she’s there. Lily always tries to avoid bringing attention to herself. But this year (ridiculously gorgeous) guest Daniel Black is asking a few too many inconvenient questions.

'He left you some money.' Mickey felt her mouth drop open. The first half of that sentence had rung clear and true. The second half had not. Her father was one to take, not give. After he left them for his new family, Mickey resolved never to think of her father again. She's fine without him; yes, she drinks, but only sometimes and, really, she can’t not. But with only $181 to her name, she’s not above attending some mandated therapy to access her inheritance. She’ll kneel at the Kleenex alter and soon be bingei

Years on from Trainspotting Sick Boy is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity which to him represents one last throw of the dice. However, to realise his ambitions within the Adult industries, Sick Boy must team up with old pal and fellow exile Mark Renton.

Kinga is a woman who is just trying to make it through the week. There's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps. By Friday, Kinga E is happy to spend the days soaking, wine-drunk, in the bath. Kingas A-G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic.

Can 'no' be a declaration of love? What happens when love is savage, dangerous and all-consuming? In this gorgeous and unsettling collection, women navigate the complexities and cruelties of desire across time and place, from a medieval convent to a Victorian parlour to a 1990s high school. Intensely atmospheric, surprising and darkly funny, this collection is a richly flavoured feast from a brilliant writer in full command of the form.

Years after escaping her unbearable artworld friends in New York for a new life in London, an unnamed writer finds herself back on the Lower East Side attending a dinner party hosted by Eugene and Nicole – an artist-curator couple – and attended by their pretentious circle. It’s the evening after the funeral of their mutual friend, a failed actress, and if the narrator once loved and admired Eugene and Nicole and their important friends, she now despises them all.

It’s Hester’s fortieth birthday when she’s diagnosed with terminal cancer, and she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and sets off. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States. From five-star Midwestern hotels to cultish Southwestern compounds, the two make their way across the country.

When Sally kills her husband with a cast-iron skillet, she’s more fearful of losing her kids than of disposing of a fresh corpse. That just wouldn’t be fair—not after twenty years of marriage to a truly terrible man. But Sally isn’t the only woman in town reaching the brink. Soon, Sally finds herself leading an extremely unusual self-help group, and among them there are four bodies to hide. Can they all figure out the perfect way to bury their husbands . . . and get away with it?

Vita Woods is on the brink. She produces a popular podcast and lives with her successful doctor boyfriend, Max, with whom the sex is great and the future promising. Her brilliant if unreliable sister, Gracie, is her best friend and sparring partner. And her steadfast goldfish, Whitney Houston, brightens even her dimmest days. But as much as things are going right, the days are dark. Vita is not leaving the house. In fact, she can barely make it out of bed. Instead, she spends long, blurred hours falling in and out of The Pit, dead to the world and to herself.

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

Bo is running out of time. Yet time is one of the few things he’s got left; his body is failing him and his quiet existence is only broken up by the daily visits from his home care team. His hands soon too weak to open the precious jar housing the scarf of his Alzheimer-stricken wife Frederika, which still bears her scent. Fortunately he still has his beloved dog Sixten for company, only now his son insists upon taking the dog away. The very same son that Bo is wanting to mend his relationship with before his time is up.

Former policeman Ray ‘Sugar’ Leonard is no stranger to bad breaks. But even Walter White never had to open up and share his feelings with a bunch of misfits like Ray’s chemotherapy group: a giant God-bothering Welsh bouncer, a sharp-suited wannabe Wolf of Wall Street, and a misanthropic, potty-mouthed little old lady. Compared to that lot, getting mugged on his way home from the clinic was almost a relief.

The Aurora management team are so close to their wildest dreams. Yes, there are tensions. Bitter grudges. Illicit affairs. But if they can just hold it together for a few days at a corporate retreat in Miami, the sale of the company will go through, and each of them will be set for life. But after one night out, they wake up to discover one of the group is missing. They knew they couldn’t trust each other. But they never suspected anyone might be capable of murder.

We meet our ill-tempered protagonist—the story’s titular “brat”—at a low moment, but not yet at rock bottom. The Gabriel of the novel is mourning the death of his father as well as a recent breakup and struggling to finish writing his second book. Alone and aimless, he agrees to move back into his parents’ house to clear it out for sale. Here, the clichés end.