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Raj Ladlani is one of thousands in LA: an unemployable actor. He has reasons to believe he is spectacularly talented - a legend in every way but for the success. His anonymous life - working at Yogurtland, obsessively reading Vanity Fair, and fantasizing about stardom - comes to an end when he answers a job ad detailing a relentless, laughable parade of menial responsibilities for a 'Hollywood Family'. So begins the astonishing decline and fall of Raj Ladlani.

Danielle MacKinnon's nearly thirty and still hasn't got her life sorted. Danielle can stay at Westerley, the sprawling Yorkshire estate where Jeannie grew up. At Westerley, Danielle luxuriates in her idyllic, borrowed life as lady of the manor - but the house is big, old and uneasy. Soon their relationship slides into something older, stranger and harder to name. Something is happening at Westerley. Things where they shouldn't be.

When Lili Lowe gets caught having an affair with her married boss, an admired local politician, she finds herself at the epicenter of a scandal that could dismantle her life as she knows it. She turns, as many women would, to her mother. But Lydia Lowe is not the kind of mother to offer gentle words of consolation. Instead she devises a strategy that doesn’t just manage the fallout, it actively exploits it, and Lili goes from making coffee and booking meetings to making headlines and booking talk shows.

At twenty-six, Linli Feng is still trying to escape her mother Fanny’s orbit. But after three years of estrangement, just when Linli has been accepted into a prestigious graduate program, she is dragged back by Fanny’s latest medical catastrophe and forced to return home. For decades, Fanny has been addicted to plastic surgery, getting bargain procedures in the basements of LA’s bootleg beauty industry. Now Fanny’s disfigured face is in dangerous revolt, infected and collapsing yet again from black-market injectables.

Clarice’s breakup with P.T. began the usual way—she discovered he was cheating. Then came the constant texts, the nonstop emails from burner accounts, hundreds of phone calls from dozens of different numbers. He showed up outside her house and her office. He sent her flowers and poems, and, perhaps most sinister of all, a link to the music video for Dido's “White Flag.” Relief only arrived when Clarice finally obtained a restraining order and one-way ticket from New York to L.A.

Washed-up New York journalist Frankie Miller is getting desperate. Since the twenty-nine-year-old lost her dream job at a glossy magazine three months ago, her days have been filled with overdue bills, cereal for dinner, and a flood of rejection emails (not to mention her ex has a new girlfriend). So when she’s offered a job at The Scoop, a notorious tabloid website run by tyrannical editor-in-chief David Brown, she can’t exactly afford to say no—even if it means swallowing her pride for clicks. Besides, for Frankie, it’s just a paycheck, a temporary detour. It’s not forever.

Edwards, a freelance writer and Black Studies professor at a small college in New York City, is assigned a story for New Black Woman magazine: a profile of Mona Pariss, an aging former singer whose popularity in Europe once rivaled Josephine Baker's. With his creditors at the door, Professor Edwards beats a path to the crumbling Harlem apartment house where Mona Pariss, once the toast of Europe for her singing, now lives in squalid obscurity. As his interviews progress, Edwards is gradually drawn into Mona's strange, mystical world.

In the present day, a Black American expat to Rome called D. reconnects with his former Army friend Tillman and their former commanding officer Joe Stabat to organize a gospel summit for the singer Little Antioch. In the 1940s, as D. becomes enmeshed in Tillman's large and boisterous family, Tillman recounts the story of his fabled ancestor King Comus. And in the early nineteenth century, master musician King Comus embarks on a grand journey to freedom.

Forty-five-year-old Jean Dornan cannot escape the shadow of something she did several decades ago. On a study abroad program to France in the summer of 1998, she embarked on a deeply inappropriate relationship with her professor. When the professor contacts her out of the blue to invite her to his retirement ceremony, she is jolted out of her malaise and filled with the need to understand why the affair derailed her life.

World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime.

Meet Sam, an adjunct professor at a public university in Baltimore who takes a last-minute gig at the private liberal arts college down the road. Overworked and underpaid, her life is a blur of back-to-back classes, side hustles, and job applications as she attempts to claw her way toward a full-time position. But her already precarious existence is thrown into disarray when she runs into her former grad school adviser, Dr. Tom Sternberg, on campus.

In Luke Kennard's audacious new novel, a penniless and out-of-work actor picks up a job working for Dr Blend, a university professor who is conducting a psychological experiment. How will Dr Blend's students react to someone zipped into an oversized bag, sitting at the back of the lecture hall over a series of autumn term lectures? he role, eagerly accepted, soon has unexpected consequences. A professor of post-humanism develops research questions of her own, in particular can you love someone secreted away inside a black bag?

Camille lives to embody the perfect traditional wife—cooking, cleaning, homesteading, and documenting it all for her followers. When Camille discovers a crumbling well hidden in the wheat field behind her new house, she is drawn to it, despite its proximity to an intimidating local forest. Soon, she's haunted by vivid dreams she believes are divine. Then something visits her—something not quite angelic.

It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be working at a steady job and married to her Drew, a man who says he loves her. Celia’s contentment with her little life is shattered, though, when a woman she knows from work is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die for love—or to kill for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her last?

Charles Highway, a bright, egotistical Oxford student and soon-to-be Great Novelist, spends the eve of his twentieth birthday reflecting on his adolescence—at times stimulating, often embarrassing, and never nearly as debauched as he’d have liked. Until he meets Rachel Noyes, an elusive, unattainable, manic pixie mystery of a girl whom Charles quickly becomes entranced by. He meticulously draws up battle plans and strategies for how to seduce Rachel, and thus the “Rachel Papers” are born.

Richard Tull, a failed and disillusioned novelist, seethes with envy as he watches his longtime friend Gwyn Barry, a talentless, populist charlatan, rise to literary superstardom. Barry is adored by readers, celebrated by critics, and constantly in the public eye, while Tull sinks deeper into middle-aged obscurity, unable to escape the evidence of his own defeat. In a trance of impotent rage, Tull devises a vicious plan to ruin his friend—or at least hurt him as badly as possible—and finds himself tumbling into London’s criminal underworld, as well as the darkest precincts of his own soul.

Named one of Time’s 100 best novels in the English language, Money is “savagely hilarious. It risks, it boils with energy . . . it even manages to shock” (The Washington Post). Including a new introduction by Lorrie Moore, author of I Am Homeless If This Is Not My Home Originally published...

There's a dead body in my living room. I've not called the police because it was I who stabbed him. In case you're wondering, the dead man is not my husband. Right now, I have far more pressing concerns: scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse. A woman's work is never done. I've created the perfect life – and I'll kill to keep it.

A thirty-two-year-old sex worker is shocked when she’s approached by undercover government agents to aid them in a top-secret plot to assassinate a politician known as “Meat Neck.” But once the deed is done, she realizes what made her the perfect recruit: She’s 100% disposable. Holed up in an off-the-grid cabin in the woods, she now has only two days, her wits, and a laptop to save her own life.

My coach wants me to take figure skating lessons so I can gracefully pivot around the net. That's a whole lot of hockey hooey if you ask me. Making matters worse, the class is with my sister's best friend, who I'm convinced hates me after what happened back in high school. We're faced with something of a Mr. Darcy and Elizabeth Bennet reversal—she said it's her favorite, so I read it. Since she's totally over me and I shouldn't be interested in her, I set her up on a few dates that go sideways, which does not help me shake these newfound feelings.