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Galapagos takes the listener back one million years to AD 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.

They love nothing better than sipping free-trade gourmet coffee, leafing through the Sunday New York Times, and listening to David Sedaris on NPR (ideally all at the same time). Apple products, indie music, food co-ops, and vintage T-shirts make them weak in the knees. They believe they're unique, yet somehow they're all exactly the same.

Echoing a narrative line that includes Kurt Vonnegut and Joseph Heller, William Giraldi’s Busy Monsters has been hailed as one of the most exciting fiction debuts in years. Penned with a linguistic bravado that explores the diaphanous line between fiction and fact, this "very funny, very inventive dbut novel" ( The New Yorker) has at last revived the great American picaresque tradition.

Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.

Credevamo di poter dimenticare tutto quello che abbiamo vissuto come cittadini italiani? Michele Serra si adopera perché nessuno debba, perché nessuno possa dimenticare cosa ci ha portato sin qui. Di quando Berlusconi regalò alla regina d'Inghilterra un reggiseno di pizzo, pregandola di indossarlo in sua presenza. Di quando venne finalmente chiarito che "cariche dello stato" non si riferiva agli esplosivi usati durante la prima Repubblica. E di quando il PD diede in affido i suoi elettori a chi garantiva di trattarli con umanità.

"Qui da noi, da sempre, c'è un'abitudine radicata profondamente nella nostra cultura: non si dice mai la verità, soprattutto quando si parla di sé. La frase 'Vede, io sono un uomo fondamentalmente buono' va così tradotta: 'Io sono una carogna, ho subìto troppe umiliazioni nella vita, sono capace di scrivere lettere anonime, delazioni e, spesso, ho pagato degli iettatori professionisti per nuocere ai miei amici più cari'." L'audiolibro inedito di un maestro dell'umorismo italiano, uno scanzonato e spietato ritratto dei vizi e delle supposte virtù italiche.

On the sunlit Greek island of Skios, the Fred Toppler Foundation's annual lecture is to be given by Dr Norman Wilfred, the world-famous authority on the scientific organisation of science. He turns out to be young and charming - not at all the intimidating figure they had been expecting. The Foundation's guests are soon eating out of his hand. So is Nikki, the attractive organiser. Meanwhile, in a remote villa at the other end of the island, Nikki's old friend Georgie waits for the man she rashly agreed to go on holiday with.

This comic novel, told in epistolary fashion as a sequence of exchanged letters, presents pornographer "Guy LaDouche" retreating to the wilderness with the hope of solitude and concentration to write his next book under a looming deadline. Instead of peace, he finds harassment and distraction from his publisher, his old girlfriend, and an angry father convinced that LaDouche's last novel, featuring a genuine nymphomaniac, was based on the man's daughter.

Meet Eric Nye: player, philosopher, drunk, sociopath. A ruthless young Chief Idea Officer at a New York City ad agency, Eric downsizes his department, guzzles only the finest Sancerre, pops pills, and chases women. Then one day he meets Intern, whose name he can’t remember. Will she be the cause of his downfall, or his unlikely awakening?

Gazing into the bathroom mirror one morning while shaving, Josh Kornbluth realizes that he looks remarkably like the guy on the $100 bill. Like any good Jewish son, he immediately calls his mother. From there he becomes obsessed with what it means to be a founding father, especially when your own father/son relationship (Ben had an illegitimate son named William who was a British loyalist during the Revolutionary War) is more than a bit strained.

As the Want Not opens on Thanksgiving Day, listeners are telescoped into three different worlds in various states of disrepair - a young freegan couple living off the grid in New York City; a once-prominent linguist, sacked at midlife by the dissolution of his marriage and his father’s losing battle with Alzheimer’s; and a self-made debt-collecting magnate, whose brute talent for squeezing money out of unlikely places has yielded him a royal existence, trophy wife included. Want and desire propel these characters forward toward something, anything, more, until their worlds collide, briefly, randomly, yet irrevocably.

Emmy Award-winning actor Bryan Cranston (Breaking Bad, Malcom in the Middle) follows in the exasperated footsteps of Samuel L. Jackson, giving voice to the long-suffering father whose indifferent child will just not eat in this hilarious follow-up to Adam Mansbach's international best seller, Go the F--k to Sleep.

A steamy, best-selling tale of Long Island lust, written as a daring literary hoax by Newsday columnist Mike McGrady and two dozen of his colleagues. For talk show host Gillian Blake, the suburbs have long been a paradise. On the radio, she and her husband are Gilly and Billy, local media stars and "New York’s Sweethearts of the Air". At home they’re the envy of their neighbors. Only in the bedroom is their life less than perfect. When Gillian learns that her husband has a mistress, she takes revenge the only way she can. With each lover she takes, her lust multiplies.

Tritcheon Hash is a satirical ride throught the sci-fi genre. In a futuristic world, women get tired of men and abandon them to stew in their juices on a rapidly declining Earth. They colonize their own planet, "Coney Island," and live in an all-female society.

Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband's handler would like the press to forget that Inez's father is a murderer. And, in 1975, the year in which much of this bitterly funny novel is set, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam.

From the recipient of the 1998 Nobel Prize in Literature, a "brilliant...enchanting novel" (New York Times Book Review) of romance, deceit, religion, and magic set in 18th-century Portugal at the height of the Inquisition.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

Ein kauziger älterer Herr, Geschichten über ein Land, das es nicht mehr gibt und die Frage, ob ein Leben eher durch Wahrheit oder durch Phantasie gelingt. Gemeinsam mit seiner Frau Anja Tsokos erzählt Bestsellerautor Michael Tsokos in dem Roman «Heinz Labensky – und seine Sicht auf die Dinge» von der ehemaligen DDR. Wir tauchen ein in das Leben des liebenswerten Einzelgängers Heinz Labensky und begeben uns auf eine verschmitze Reise durch die deutsch-deutsche Geschichte. Heinz Labensky hat auch nach der Wende den Osten Deutschlands nie verlassen und sitzt in einem Seniorenheim die Zeit ab.

Geraldo tem um mau-humor crônico, selvagem, misantropo e hilariante. É certamente a última pessoa que você convidaria para escrever um livro de autoajuda. A menos que você seja um editor visionário como o Aloísio. Enquanto se esforça para se manter são durante a escrita, Geraldo luta contra a sabedoria de coaches quânticos, os lugares-comuns das sapienciais milenares, as ideias malucas de sucesso do seu amigo e editor, a inocência um tanto poética da sua quase namorada e seu íntimo instinto de autopreservação.