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In the fictional African country of Zambuena, Katmé Abbia enjoys a life of privilege and influence married to Tashun, the powerful prefect of Zambuena's capital. Yet after years spent playing the obedient, demure wife to a husband who has ceased to notice her, Katmé grows increasingly restless. Her one source of connection is Samy, a childhood friend, struggling artist, and gay man—an offense punishable by law in Zambuena.

Within the quiet walls of the Appleseed Rectory, a gorgeous five-bedroom, three-story home in rural England, anything goes: the drugs are consumed with gusto, the booze flows like water, and the sex is near constant and deliciously debauched. When six uppity twenty-somethings gather at the rectory for a careless weekend away, things quickly go awry. And when someone named Johnny begins leaving threatening letters around the house, the group is thoroughly shaken—no one has any clue who this “Johnny” could be.

Foster brothers Terence Service and Gregory Riding could not be more different from one another—Terry “a quivering condom of neurosis and ineptitude” and Greg a “bundle of contempt, vanity and stock-response.” After the shocking killing of Terry’s child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London.

David Trent is an aspiring novelist in Cambridge, Massachusetts, trying to navigate his ambitions in a place that has writers around every corner. He lives in an apartment above a Very Famous Author named Silas Hale who, beneath his celebrated image, is a bombastic, vindictive monster who refuses to allow his new neighbor even to make eye contact with him. Until young David wins a prestigious award for his new book. Suddenly Silas is interested—if intensely spiteful. But soon, the administrator of the award comes to David with an alarming update.

An aging, A-list movie star lotteries off the entirety of his mega-million blockbuster salary to a member of the general viewing public before taking up with a much younger model. His non-famous best friend (and often lover) looks on impassively, while recollecting their twenty-odd years of unlikely connection. And an aspiring filmmaker, unknown to them both, labors over a script about best friends and lovers while longing for the financial freedom to make great art.

I've got 99 problems, and picking the wrong guy might be all of them. I've always had my royal checklist: Attend the Husband Hunting Ball? Check. Find the perfect match for a princess like me? Check. Feel zero sparks with Mr. Right (aka Enzo Revera)? Sadly, double check. But then I meet Marco, Enzo's charming and rugged brother. He's everything I shouldn't want, especially since I've planned my life to avoid the messiness of love. When a twist of fate puts Marco at my side, I can't deny our chemistry, even if he's all wrong for a princess like me.

Meet Jim Greene. An ordinary detective constable trying 'not' to solve a murder. The remote and isolated Cornish island of Gallymay was meant to be the perfect place for a break. But things don’t quite go to plan when Jim stumbles across a body on his first day. Which is the last thing he needs. But it’s fine. He’ll call Devon and Cornwall Police. They’ll sort it out.

The Bovadium Fragments has descriptive copy which is not yet available from the Publisher.

In seinem neuen Hörbuch öffnet Oliver Kalkofe sein Boomer-Herz und seine persönlichen Fotoalben. Er nimmt uns mit auf eine Zeitreise in die eigene Jugend und fragt sich im Namen aller Babyboomer: War früher wirklich mehr Lametta? Oliver Kalkofe analysiert die vermeintlich goldenen Boomer-Zeiten mit bewährt drastischer Komik und raffinierter Wortkunst.

Maria, Niall and Celia have grown up in the shadow of their famous parents. Their father is a flamboyant singer and their mother is a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts.

My brother's best friend is in love with me. Or so he says. Fortunately, even with only 15% of workable eyesight, I can see right through his irritating charms. He may have fooled our coworkers, family, and friends with his nonsense, but he can't fool me. Unfortunately, when our CEO condones the organization of a thirty-day mandatory Valentine event, I'm stuck with William Ivan Delimar Hart—a man who bedazzles walkie-talkies and calls our boss "twinsie."

In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires.

Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.

On the verge of a suburban mental health crisis, frazzled and wildly unstable housewife Peggy (immortalized by Mink Stole on-screen) runs away from home with her maid and partner in crime, Grizelda (played with spectacular gumption by the sizzling Jean Hill), only to end up in Mortville, a shantytown filled with society’s rejects. Mortville is run by the evil Queen Carlotta, who parades through the cardboard streets taunting and terrorizing her subjects.

Lionel Asbo: State of England by Martin Amis is a forthcoming title from Farrar, Straus and Giroux.

All's fair in love and lore. Joonie is living in a fantasy—at least that’s what people tell her. Men in the real world have done nothing but disappoint her time and time again, so she keeps her heart reserved for Ryke, the fictional male lead of her favorite romance series, who just happens to be a merman. And so far, her book boyfriend is meeting her needs more than any other “real” man ever has.

When Vivian's kindergartner, Aria, gets bitten by a werewolf, she is rapidly inducted into the hidden community of magical schools. Reeling from their sudden move, Vivian finds herself having to pick the right sacrificial dagger for Aria, keep stocked up on chew toys, and play PTA politics with sirens and chthonic nymphs and people who literally can set her hair on fire.

In this follow-up to the critically-acclaimed The Laughter—winner of the Washington State Book Award—a middle-aged woman starts a firestorm when she holds a contest, based on an ancient Indian ritual, in which men must compete to win her affections.

Richard Tull, a failed and disillusioned novelist, seethes with envy as he watches his longtime friend Gwyn Barry, a talentless, populist charlatan, rise to literary superstardom. Barry is adored by readers, celebrated by critics, and constantly in the public eye, while Tull sinks deeper into middle-aged obscurity, unable to escape the evidence of his own defeat. In a trance of impotent rage, Tull devises a vicious plan to ruin his friend—or at least hurt him as badly as possible—and finds himself tumbling into London’s criminal underworld, as well as the darkest precincts of his own soul.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.