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Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

Nobody has a “normal” family; but Vesper Wright's is truly... something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn't return. But then an envelope arrives on her doorstep.

On his 59th birthday, Tyson Parks—a famous, but struggling, horror writer—receives an ornate antiquarian desk in the hopes it will rekindle his creative juices. Perhaps inspire him to write another best-selling book and prove his best years aren’t behind him… As Tyson begins to use the new desk, he finds himself writing copy at an unfathomable speed, becomes so focused on writing that he binges on all-night, all-day sessions that take a serious physical and psychological toll. Soon, Tyson begins acting strange. Violent.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor's stories are just fiction. There isn't a man in Hollywood who you can call to find out the time you'll die. There's not a haunted hotel bar in Los Angeles that the devil likes to frequent. There's no such thing as magic. But, most students don't have the same tragic past as Holland St. James.

Everyone knows about Ashburn House. They whisper its old owner went mad, and restless ghosts still walk the halls. They say it's the dwelling place of something cruel and sinister. But when Adrienne, desperate and in need of a place to stay, inherits the crumbling old mansion, she only sees it as a lifeline...until darkness falls.

A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.

Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back - though the price will be bloody and terrible...and there will certainly be hell to pay.

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, narrated by Christian Neale, is a classic tale of good and evil, exploring the duality of human nature. Set against the eerie backdrop of foggy Victorian London, this psychological thriller delves into the life of Dr. Henry Jekyll, a well-respected scientist, who secretly unleashes his darker, violent alter-ego, Mr. Edward Hyde.

Nemo Frisby used to be a detective. Now he drives an Uber between billionaire mansions in California. But he never lost the nose for the case - and when his housecleaner, Trinity Fox, discovers a young woman lying dead in her neighbourhood, she persuades him to help her prove it wasn't suicide. Their investigation leads them to the Bel Air home of a wealthy movie producer, who built his mansion over a Native American burial site. Ancient mythology tells of a demon who, if unearthed, can imbue evil men with terrible power.

Caught behind the lines of Hitler's Final Solution, Saul Laski is one of the multitudes destined to die in the notorious Chelmno extermination camp. Until he rises to meet his fate and finds himself face to face with an evil far older, and far greater, than the Nazis themselves. Compelled by the encounter to survive at all costs, so begins a journey that for Saul will span decades and cross continents, plunging into the darkest corners of 20th century history to reveal a secret society of beings who may often exist behind the world's most horrible and violent events.

The story blends a bit of imagination with the true story about six-year-old Paddy and his life in New York City, to rural Kilkenny County in Ireland, in the 1960s, and back again to New York, and how he learned that Banshees are real while also managing to navigate and survive a broken home and a variety of other early-life challenges. The boy’s name may not really be Paddy, but to tell this story, a hint of Irishness and anonymity may be necessary.

In The Crimson Oath by Nathanial J. Blackthorne, sisters Mary and Chrestian Oliver navigate the aftermath of their mother Bridget Bishop’s 1692 execution for witchcraft in Salem. Bound by a mystical crimson ribbon that pulses with their mother’s curse, they face exile, betrayal, and the dark shadow man’s temptations, their oath becomes a timeless legacy of vengeance, weaving eternal.

When an introverted groundskeeper finds an unusual item at an estate sale, he accidentally unleashes an all consuming evil hellbent on death and destruction. The Haunting of Luke Schumer is a grotesque tale of demonic possession, mental manipulation and deceit. No one is safe.

In the heart of 18th century London, a tale of darkness and vengeance unfolds. "Within the Fog 5: The Arrival of Croatoan" plunges readers into a world where the line between humanity and monstrosity blurs. Agnes and her brother Auggie find themselves entangled in a web of betrayal, supernatural power, and ancient curses. As Auggie transforms into a creature of the night, driven by rage and a thirst for revenge, Agnes must navigate a treacherous path to save him. Their journey is further complicated by the arrival of an ancient vampire with ties to their bloodline and a vendetta of his own.

James adores his family and their ancestral home, perched high above Seattle. But at age forty-eight, he's viewed as a tech-industry dinosaur, and he yearns for a chance to make a name for himself. When an ambitious idea strikes him to revolutionize high-end interactive home security, James sees it as his ticket to success. With unwavering determination, he transforms his own house into a testing ground for an innovative prototype system, confident it holds the key to a bright future. However, as with any technological marvel, things can and do go horribly wrong.

The Countess Luchia de Sarracenia comes from a long line of very powerful vampires. She is accustomed to getting her way. Her greatest wish, however, has always eluded her — the ability to see her own face. She hires artist after artist to paint her portrait. But when they fail to capture her perceived ethereal beauty, the consequences are dire. Enter Venus Faucher. Coming from humble beginnings, she has spent her life trying to make a name for herself as a woman painter in a world which underestimates her.

Nestled deep in the frozen wilderness, the family’s idyllic Christmas retreat was supposed to be a time for reconnection and peace. But when three eerie, sharp-toothed figures appear at their door during a raging snowstorm, the cabin becomes a blood-soaked battleground for survival. Trapped far from help and with no escape in sight, Clara and her family face a relentless nightmare. As the visitors shed their false civility, the family discovers the creatures’ hunger is as insatiable as their cruelty. What begins as a chilling encounter, spirals into a harrowing game of life and death.

Whether it’s renovating her home, running her online boutique, or taking care of her daughter, Veronica Marquette is no stranger to handling things on her own. So when her beloved Grandma Maddie passes away, she thinks nothing of hauling her cherished credenza home herself.

With the last breath of autumn, a blizzard rises, and the circle is closed. Trapped at the Iron Skirt Inn, Friar Loric awaits his comrades, however, something is amiss. The first snows are stained carnage red, and there will be more gore. Stalking death haunts the winter woods, ancient horrors awaken, hungry for the blood of man. Loric wades knee deep in dead as gnawing cold and ultraviolence consume the mining village of Fehrberg. A wintry tale of looming dread, monsters and men, and unbidden dead.

Einst symbolisierten Margery und die Sieben das Gute, doch nun stellen sie sich gegeneinander. Kann jemand, der den Tod eines anderen will, wahrhaft gut sein? Ist jemand böse, nur weil er überleben will? Wenn sich das Gute nicht mehr vom Bösen unterscheiden lässt, steht das Ende bevor. In einem letzten Kampf zwischen Mutter und Tochter zeigt sich, ob dieses Märchen gut ausgeht.