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A clergyman is murdered in his bed in the dead of night, triggering a chilling chain of events, each more bizarre and unnerving than the last – brutal killings, corpses vanishing, decomposed bodies digging their way out of graves. These shocking events seem unconnected but, at each scene, people report witnessing swarms of flies – hundreds, thousands, even millions of them.

Helena Scheuberin should be doing what every other young wife is doing: keeping house, supporting her husband, bearing his children. But when her husband's footman, Leopold, with whom she was having an affair, is found dead, Helena is accused of killing him. Worse, she is accused of being a witch. Imprisoned with six other women, Helena is plunged from her bejewelled life of comfort into a world of terror. When a cursed witch totem is smuggled into the prison, the prisoners attempt to use it to conjure escape. But the totem is the severed hand of a murdered woman.

When Everly’s husband and young daughter die in a car crash. A lawyer appears on her doorstep and tells her her husband was not who he said he was and she is a very rich widow. She retreats to a lonely house in the countryside to recover. But there’s a well in the cellar, a spectacularly cold room, and one night, Everly wakes up with a foot hanging over the emptiness of the well and the echo of her daughter’s voice in her ears…

In the titular Man, F*ck This House, Sabrina Haskins and her family have just moved into their dream home. At first glance, the house is perfect. But things aren’t what they seem. Sabrina is hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina’s already-fraught relationship with her son is about to be tested in a way no parent could ever imagine. Because while the Haskins family might be the newest owners of this house, they’re far from its only residents …

After the death of the woman who raised him and the realization that the girl he loves will never love him back, young Mark Callahan decides it's time to leave the small harbor town of Miriam's Cove for good. All that remains is one last shift at The Windcrest Hotel, a seaside resort that has seen better days.

Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered.

For as long as Adam can remember, the legends passed down from his world-traveling grandfather have called him to a crumbling manor in the Highlands. His closest friend Nicola longs for the same adventure, as well as for Adam himself. She'll follow him just about anywhere—even to the remote wilds of Scotland—if it pushes the pair to surrender to their shared attraction.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor's stories are just fiction. There isn't a man in Hollywood who you can call to find out the time you'll die. There's not a haunted hotel bar in Los Angeles that the devil likes to frequent. There's no such thing as magic. But, most students don't have the same tragic past as Holland St. James.

There are places on earth where nature’s powers gather. Girls raised there are bequeathed strange gifts. A few have powers so dark that they fear to use them. Such a place is Wild Hill, on the tip of Long Island. For centuries, the ghost of a witch murdered by colonists claimed the beautiful and fertile Wild Hill…until a young Scottish woman with strange gifts arrived. Sadie Duncan was allowed to stay.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor’s stories are just fiction, but Holland St. James has always been convinced that magic is real. When she tracks down a local legend named the Watch Man, who can supposedly tell you when you’ll die, the world finally makes sense. Except that the Watch Man tells her she will die at midnight tomorrow unless she finds an ancient object called the Alchemical Heart.

December, 1914: After the death of her aunt, Alma Timperley is surprised when she suddenly finds herself the heiress to the Timperley Spiritualist Hotel in a pretty coastal town in Cornwall. But not everything is as it seems... the hotel offers guests a very special service: the chance to communicate with the dead.

Nestled in the shadowy embrace of ancient oaks, the Idlewood Plantation whispers with secrets of the past. Carrie Jo and Ashland, bound by fate and mysteries untold, find themselves once again at Idlewood's enigmatic threshold. A fortuitous stroke of luck grants them a chance to complete their unfinished work, but the plantation's eerie corridors are not done with them yet.

Longtime residents of Harper’s Cove believe that something is wrong with the Widow’s Point Lighthouse. Some say it’s cursed. Others claim it’s haunted. Originally built in 1838, three workers were killed during the lighthouse’s construction, including one who mysteriously plunged to his death from the catwalk. That tragic accident was never explained, and it was just the beginning of the terror. In the decades that followed, nearly two dozen additional deaths occurred in or around the lighthouse.

A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.

There'd always been something wrong with Charlie Hall. Crooked from the day she was born. Never met a bad decision she wasn't willing to double down on. She may be good enough to steal a shadow from a tower, but will she be good enough to steal back a heart?

Sarah Parker thinks she has found the perfect place for a fresh start when she moves her family from the Midwest to a sleepy suburban neighborhood in an idyllic southern town. Leaving a position as a serious journalist to write fluff pieces for a local paper is a compromise she is willing to make to escape the past and rebuild her family. Ten years earlier, Ben and Mary moved to the same neighborhood in search of their own fresh start, leaving a trail of death and disfigurement in their wake.

In the present day, following the break-up of a controlling marriage, single mother Nell moves into the crumbling Victorian Merry Hall with her teenage daughter, Fern. She’s determined to make a new life but the noises, moving objects, and strange smells in her new home make her increasingly unsettled.

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage. Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her ... except vengeance.

The Berisha family runs one of the largest import-export companies in the world, and they’ve always been lucky. Their rivals suffer strokes. Inconvenient buildings catch on fire. Earthquakes swallow up manufacturing plants, destroying harmful evidence. Things always seem to work out for the Berishas. They’re blessed. At least that is what Zef, the patriarch, has always told his three children.

Rachel Galloway is bored in class. She spends the dreary fall days sketching in her notebook—adorable pigs munching on her boring teachers—and imagining a utopia where all the horrors of Burnskidde High School disappear. But when her classmates start to believe this utopia could be real, Galloway finds herself at the center of an elaborate, and quickly spreading, new religion. Before long, the town is split between believers and nonbelievers. As tensions rise and the rituals become more dangerous, Galloway can’t be sure what’s real and what’s not, or who she can trust.