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Between 1923 and 1954, Weird Tales magazine shaped the landscape of modern horror, fantasy, and science fiction. It was the crucible of cosmic terror, sword-and-sorcery, and supernatural fiction, a publication that launched the careers of some of the twentieth century’s most enduring genre writers. Weird Tales presents a carefully curated selection of standout stories from the magazine’s golden age. This anthology brings together a wide spectrum of speculative fiction, ranging from mythic fantasy and Gothic mystery to tales of metaphysical horror and existential dread.

Cuentos para Dormir de Las Mil y Una Noches ¿Quieres sumergirte en un mundo de magia, aventuras y sabiduría antes de dormir? Cuentos para dormir de Las mil y una noches te llevará a tierras exóticas donde los deseos se cumplen, los genios habitan lámparas encantadas y los valientes héroes desafían el destino. Inspirado en la legendaria colección de relatos narrados por Sherezade, este libro reúne algunas de las historias más entrañables jamás contadas.

From summer vacations soaked in blood to cursed castles buried deep in Europe, Allen DeShawn’s life has been anything but ordinary. This pulse-pounding omnibus collects all five terrifying, action-packed books in the I Kill Cursed Creatures series—a coming-of-age saga drenched in horror, heartbreak, and tooth-and-claw survival.

Die Hörbuchbox Was können wir leben und wissen? aus der Bibliothek Europa präsentiert Meisterwerke der Literatur und Philosophie in großer Vielfalt der Genres, Themen und Epochen, jeweils mit einer kurzen Erläuterung eingeleitet vom Herausgeber Sven Görtz.

One of the most oft-used themes for an author to explore is that of themselves and how they see authors in stories coping with everything around them.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

Conversations happen everywhere. A few words to pass the time or a detailed examination of views. But on trains they seem to be different. Speaking whilst in motion gives the whole discussion a momentum that often takes us into uncharted territory.

The first installment of the Stories of the Undead Series offers an innovative, unique perspective on survival horror. Let the massacre begin. Stories such as Residential Home for Coma Patients tell the chilling tale through a letter detailing the events that followed the initial outbreak. Will Phillip wake from his coma? Or will the undead devour every morsel from his body as he sleeps? In The Cabin, love and resilience are tested when a Sick enters Tom and Patty’s vacation cabin. The Emergency Broadcast System crackles to life for the first time.

This haunting horror anthology, narrated by The Writer, blurs memory, place, and dread across ordinary settings that twist into something you’ll never leave the same way. Calm, conversational, and not entirely trustworthy, The Writer invites you into stories where every second is an echo, and every echo demands you listen closer.

The Writer Vibe is an original horror anthology series where every book is stitched together by a single, unsettling narrator—The Writer. Conversational, casual, and almost too familiar, The Writer drifts between memory and invention, weaving tales that blur the line between what’s written and what’s lived.

In Spine Chillers Volumes 21–25, the nightmares cut deeper, twisting familiar places into traps you cannot escape. Empty roads whisper with voices that shouldn’t exist. Locked doors swing wide to invite you inside. And shadows you thought were harmless reach out with claws.

All too often the talents of women have been scorned, mocked and laughed at. In reality that was more usually by those whose own talents were hardly fit to even grace their shadows. But society in general still connived and set women to one side in almost everything that men considered their rightful territory. And literature was one such territory. Remarkably resilient as well as talented these women strove to be published, to show themselves as equals. The results more often than not proved that they were.

There are two types of entities: the Hunter and the Hunted—and revenge, guilt, lust, and desperation drive all of them. Darkness falls quickly when you're being stalked—but it is always dark when you' re the stalker. From shadowy city streets and Amazon jungles to deep-South swamps, this collection of eight stories involving elements of mystery, science fiction, and horror is sure to entertain.

From raging ex-cons on the streets of L.A. to cold-blooded crime sprees in Chicago, nail-biting suspense make this classic collection of murder, crime, and horror stories a thrilling audio experience not soon forgotten.

Emanuela Ciafrei, Manuela Fucci, Maria Carolina Guidotti, Giovanni Mandruzzato, Franca Pellizzari e Claudio Righenzi. Sei autori per sei racconti noir sul tema della vendetta.

La scoperta ci accarezza il cuore, è il filo che attraversa lo spazio e il tempo, le radici che ci tengono ben saldi alla terra. Quella che scopriamo in noi non è la madre che abbiamo avuto, ma la donna che è stata. Scrivere una lettera è quello di cui abbiamo tutti bisogno, a un certo punto. Per fare pace con la madre. Per riconoscerle il diritto di essere stata donna.

Vampiri. Vampiri in Italia. Vampiri succhiasangue, succhiatalento, succhiasogni. Quattordici racconti dedicati a questa affascinante figura dell'immaginario popolare, di cui in Italia si è scritto poco.

Dopo la fortunata antologia Lettere alla madre, il secondo volume che raccoglie le voci più interessanti e amate della narrativa italiana. Con la prefazione di Michele Neri.

Venti racconti, il Brasile, luoghi, città, paesaggi e persone di una sola voce narrante. I racconti costituiscono un reportage di viaggio, che descrive il Paese nel suo insieme e poi si concentra sul dettaglio, inquadrandolo in modo poetico e simbolico. Storie di città, ma anche storie di uomini, come quelli, antichissimi, che incisero e dipinsero le rocce della Serra da Capivara, o come quelli, moderni, che si raccontano nelle meravigliose scoperte di Sao Raimundo.

Dieci allievi, coadiuvati dai giallisti Bruno Morchio (Premio Scerbanenco 2023) e Antonella Grandicelli, si cimentano con un compito non facile: scrivere un racconto noir di poche pagine, facendo tesoro degli esempi di Chandler, Montalbano e Scerbanenco, della supervisione dei due insegnanti del corso e dei consigli “tecnici” di Giuseppe Battarino. Il risultato è questa divertente antologia di dieci racconti dove gli autori sapranno tenervi incollati alla pagina.