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is a stunning fiction debut by one of the most promising new writers in Canada. The novella and stories in these pages startle and engage the reader with their humour, warmth and grace. The novella traces one week in the life of a young, unmarried Irish woman about to give birth. The heroine is a hip, independent woman who muses on memory, love, loss and inheritance in a clever, wry and moving way.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

"If there’s a lesson to be learned, it’s that logic is the sworn enemy of grief," writes Halimah Marcus, co-editor of Electric Literature, in her introduction to “Firewood," a hilarious and devastating story by J. Robert Lennon. "When the narrator’s wife (expectedly) leaves him, too devastated to admit the obvious, he concocts an impossible explanation for her disappearance. All I’ll say is that it involves the woodpile. The invented story is more horrible than the truth, but somehow easier to manage."

This is not, and never has been, about you. Any of you. This is not, and never has been, about good and bad. This makes no sense to you, I know. I have taken all who are worthy. There will be no further messages. w w w Twenty-one short stories by Brett Alexander Savory, featuring three tales original to this collection.

Relationships and extreme adventures collide with deadpan humor and female wisdom in Pam Houston's transcendent follow-up to her bestselling Cowboys Are My Weakness. Through eleven interlinked stories, we follow roving photographer Lucy O'Rourke as she survives a home life where her parents engage in rather peculiar feeding rites for the family cat in a "title story that deserves to be anthologized into eternity" (The Washington Post Book World), a near-drowning on a white water rafting trip, and a grand cayman attack in the Amazon.

Scott Snyder’s protagonists inhabit a playfully deranged fictional world in which a Wall Street trader can find himself armed with a speargun, guarding a Dumpster outside a pawnshop in Florida; or an employee at Niagara Falls (his job: watching for jumpers) will take off in a car after a blimp in which his girlfriend has escaped. But in Snyder’s wondrous imagination there’s a thin membrane between the whimsical and the disturbing....

Do not go gentle into that good night, wrote Dylan Thomas, and Canadas notorious Ladies Killing Circle has taken his advice to heart. In Going Out with a Bang, the dangerous dames have brought together an explosive mix of authors from across the country. Whether its the boom of drums, the cacophony of a train wreck, or the thud of a body crashing down the stairs, no one goes out without a fight. Twenty authors, along with poet Joy Hewitt Mann, will chill you, entertain you or plain blow you away in this eclectic fictional brew.

In this heartbreakingly beautiful book of disillusioned intimacy and persistent yearning, beloved and celebrated author Andre Dubus III explores the bottomless needs and stubborn weaknesses of people seeking gratification in food and sex, work and love. In these linked novellas in which characters walk out the back door of one story and into the next, love is "dirty" - tangled up with need, power, boredom, ego, fear, and fantasy.

The adulterous son of a Florida hotel owner steals money from his family and departs for Paris, where he takes up with a young woman and finds himself outsmarted in turn. Fools ponders the circle of winners and losers, dupers and duped, and the price we pay for our beliefs. Fools is a luminous, intelligent, and rewarding work of fiction from the author for whom the Boston Globe said, "No other writer can make a few small decisions ripple across the globe, and across time, with more subtlety and power."

In 1990—after the Iron Curtain has lifted but before East and West Germany become one—an uneasy truce exists between the spy agencies of Berlin’s two halves. As the governments of the divided state negotiate reunification, espionage continues quietly. That calm is about to explode. An English agent, on a routine collection of microfilm on the other side of Checkpoint Charlie, is arrested for spying, and all hell threatens to break loose.

From an alien spy who falls in love with one of the earthlings he's monitoring to a woman whose souvenir dream catcher calls to her bedroom more than she bargained for to a genetically engineered sex object aboard a space station, these thought-provoking tales of alien sex open up new worlds for fantastical exploration.

In these linked tales about the Cuban-American experience and the immigrant experience in general, Ana Menendez has instantly established herself as a natural storyteller who "probes with steady humor and astute political insight the dreams versus the realities of her characters" (Elle). From the prizewinning title story - a masterpiece of humor and heartbreak - unfolds a series of family snapshots that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past.

In this short story from his Mere Anarchy collection, Woody Allen delves into particle physics, string theory, and how the relativity of space-time can make a person late for work.

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

Even if you think you don't know him, you know him. Few in the Hollywood orbit have had greater influence; few have experienced more humiliating failure in their lifetime. Thanks in part to the biopic directed by Tim Burton, starring Johnny Depp, and bearing his name, Ed Wood has become an icon of Americana. Perhaps the purest expression of Wood's théma - pink angora sweaters, over-the-top violence, and the fraught relationships between the sexes - can be found in his unadulterated short stories.

Three stories reflecting California’s intense pressures and addictions: "Sparkling Arabella", high on crystal meth astride a Harley, ascends into the stars. Will she find grace at last? A boy, a girl, and a dog meet in the Viper Room, looking for love on the eve of a devastating Los Angeles earthquake. And "Silicon Valley", once filled with apricot orchards, becomes a dream killer for a workaholic on the verge of cashing in.

Here, in her first collection in eight years, McCorkle collects 11 brand-new stories bristling with her characteristic combination of wit and weight. In honeymoon shoes, mud-covered hunting boots, or glass slippers, all of the women in these stories march to a place of new awareness, in one way or another, transforming their lives. They make mistakes, but they don’t waste time hiding behind them. They move on. They are strong. And they’re funny, even when they are sad.

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

On the release of her first novel in 1948, Elizabeth Spencer was immediately championed by Robert Penn Warren and Eudora Welty, setting off a remarkable career as one of the great literary voices of the American South.

When acclaimed mystery writer Dorothy L. Sayers first began compiling anthologies of the best crime stories in the 1920s and ’30s, the genre was in the flush of its first golden age. While it is hard to imagine today - after every possible mystery plot has been told, retold, subverted, and played straight again by hundreds of writers over nearly a century - in Sayers’s day there were still twists that had never been seen, and machinations of crime that would shock even jaded Jazz Age fans.