検索キーワード： 日記・日誌

Ein Glücksfall für die Historiker: Harry Graf Kessler (1868 - 1937) beschreibt das Zeitgeschehen im Jahr 1929. Es ist schwieriges Jahr. Zwei weitere Freunde sterben: Hugo von Hoffmannsthal und Sergei Djaghilew, und zusammen mit dem Tod des beliebtesten Europäers Gustav Stresemann schließt sich für Kessler "seine Epoche" ab. Es ist sein "Année terrible". Zudem erscheint "Im Westen nichts Neues" von Erich Maria Remarque und der Knabe Jehudi Menuhin erstaunt allgemein mit seinen Beethoveninterpretationen auf der Geige.

Das Hörbuch "Susannes Tagebuch" ist ein kleiner Auszug aus dem narzisstischen Alltag. Susanne schreibt ihre Eindrücke auf und zeigt dir so den toxischen Zirkel mitten aus dem Leben. Die Begriffe verschmelzen mit dem Alltag. Sei wach und pass gut auf dich auf! Wenn etwas zu schön erscheint, um wahr zu sein, dann ist es auch nicht wahr.

Ein Glücksfall für die Historiker: Harry Graf Kessler (1868 - 1937) beschreibt das Zeitgeschehen im Jahr 1928. Das Erscheinen seines Rathenau-Buches schlägt hohe Wellen. Der Kulturbetrieb ist begeistert. Aber der Geheimdienst beanstandet Textpassagen und diplomatische Verstimmungen werden ausgelöst. Ansonsten ist "der Gesellschaftsmensch" Kessler sehr umtriebig. Oft in Frankreich aber auch in Berlin. Zum Beispiel zur Aufführung der brandneuen "Dreigroschenoper". Berührend ist das Wiedersehen mit dem Tänzer Vaslav Nijinsky.

This second volume of the best-selling diaries of Henry 'Chips' Channon takes us from the heady aftermath of the Munich agreement, when the prime minister Chips so admired was credited with having averted a general European conflagration, through the rapid unravelling of appeasement, and on to the tribulations of the early years of the Second World War. It closes with a moment of hope, as Channon, in recording the fall of Mussolini in July 1943, reflects: 'The war must be more than half over.'

DAG 5 MÅNDAG 23 JULI 2001 5.53: Solen som skiner genom gallret på mitt fönster tyder på att det måste vara en härlig sommardag. Jag har fängslats i en mycket liten cell i tolv och en halv timme och kommer inte att släppas ut igen förrän på middagstid. Totalt arton och en halv timmes isolering. I cellen nedanför min sitter en sjuttonårig kille. Han har anklagats för snatteri, det är hans första förseelse. Han är inte ens dömd, ändå låser de in honom på isoleringen i närmare ett dygn utan möjlighet att prata med någon.

Verdad, progreso, tiempo, identidad, política, realidad, conciencia, bondad.... Son palabras que, en su esencia, nos pertenecen a todos y nos unen por encima de cualquier diferencia. Pero estamos asistiendo a una transformación dirigida de sus significados para conseguir que definan realidades mucho más parciales e interesadas, mucho menos universales. Luis García Montero las recupera aquí, las alisa, les devuelve su sentido original y las rehabilita en su valor integral.

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.

Patricia Highsmith's first novel was picked up by Hitchcock and was a world-wide success. Her second novel was meant to tell everything about her true inside and dare what no-one had dared to write before: a lesbian love-story with a happy ending. But when she eventually relented to publish it under a pseudonym, it was a decision that would shape her life more than she could have guessed at the time. Henceforth she would vent her inner life either encoded in her future novels or—unbeknownst to most—in the 18 diaries and 38 notebooks she kept throughout her life.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

World War II rises in its vastness and complexity over the rest of human history. A number of victims difficult to conceive, never surpassed by any other conflict - this is an insurmountable encyclopedia on war. This diary of the Second World War has been able to cover all facets of the conflict, and it is a fundamentally empirical work that narrates events as they occurred. This episode contains, day by day, the month of October 1941.

In March 2020, at the request of the Los Angeles Times, Charles Finch became a reluctant diarist: As California sheltered in place, he began to write daily notes about the odd ambient changes in his own life and in the lives around him. The result is What Just Happened. In a warm, candid, welcoming voice, and in the tradition of Woolf and Orwell, Finch brings us into his own world: taking long evening walks near his home in LA, listening to music, and keeping virtual connections with friends across the country as they each experience the crisis.

Lo poco que me es posible prometer aquí es que si mis crónicas se leen con buen ánimo y sin mala leche entonces el viaje será compartido y nadie se arrepentirá. "La gente no es mala si tiene espacio donde moverse", se escucha decir a un personaje en Hotel Savoy, la novela de Joseph Roth.