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It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

As Bette approached thirty, she realized something big: she’s into women. And then she fell for Mei, who’s entirely perfect. Until, out of the blue, Mei suggests they take a break. She wants Bette to have the opportunity she missed out on in her twenties: to explore the queer dating scene, and then return certain about their future, her desires, and herself. Reluctantly, Bette sets out on a mission: date hot women and have hot casual sex, before returning to her loving girlfriend. Maybe, put that way, it doesn’t sound so bad.

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister’s words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next.

Moving between Ireland, Scotland and London, Something About Her is a story about the fragility and transformative power of first love. With vivid insight and tenderness, it exposes the fear, hope, and longing that can consume us, particularly when there’s so much you still don’t know about love, about life, and about yourself.

The ghost of Kai, the love of Cam's life, won't leave Cam alone. He follows Cam from LA back home to Houston, his visits wild, tender, and unpredictable. But Cam has changed, and when he reenters the orbit of his childhood best friend TJ and his family's bakery, neither Cam nor TJ is sure how to navigate their charged estrangement. Searching for a way past all the wounds and secrets—a way to be okay together, maybe for the first time— the pair find hope and sustenance from the most unlikely source.

Intelligent but isolated recent physics graduate Annie Fisk feels an undeniable pull toward space. Her childhood memories dimmed by loss, she has left behind her home, her family, and her first love in pursuit of intellectual fulfillment. When she finally lands a job as a NASA secretary during the Apollo 11 mission, the work is everything she dreamed, and while she feels a budding attraction to one of the engineers, she can’t get distracted. Not now.

Three young brothers leave Los Angeles in the dead of night for Iran, taken by their father from their mother to a country and an ancestral home they barely recognize. They return to the Valley months later, spit back into American life and changed in inexorable ways. Under the California sun, our protagonist, the youngest brother, begins to piece together a childhood shattered by his father's violence, a queer adolescence marked by a shy, secret love affair with a boy he meets on the basketball court, and his ever-changing status as a Muslim in America.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

It took three car crashes to kill Jake. Theron David Alden is there for the first two: the summer they meet in rural New Hampshire, when he’s fifteen and anxious, and Jake’s seventeen and a natural; then six years later in New York City, those too-short, ecstatic, painful nights that change both their lives forever—the end of the dream and the longing for the dream and the dream itself, all at once. Theron is not there for the third crash.

When Obiefuna's father witnesses an intimate moment between his teenage son and the family's apprentice, newly arrived from the nearby village, he banishes Obiefuna to a Christian boarding school marked by strict hierarchy and routine, devastating violence. Utterly alienated from the people he loves, Obiefuna begins a journey of self-discovery and blossoming desire, while his mother Uzoamaka grapples to hold onto her favourite son, her truest friend.

Bright and precocious ten-year-old Kwame Akromah knows how to behave. He knows the importance of good manners, how to stay at the top of the class and out of the way when his mother and father are angry with each other. But when his charismatic cousin Yaw arrives from Ghana to live with the family while he looks for work, the rules Kwame has learned about the world can no longer guide him. Twenty years later, Kwame is a secondary-school teacher, popular with his students and depended on by his friends.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

Paris, 1866. When Baroness Sylvie Devereux receives a house-call from Charlotte Mothe, the sister she disowned, she fears her shady past as a spirit medium has caught up with her. But with their father ill and Charlotte unable to pay his bills, Sylvie is persuaded into one last con. Their marks are the de Jacquinots: dysfunctional aristocrats who believe they are haunted by their great aunt, brutally murdered during the French Revolution. Sylvie and Charlotte will need to deploy every trick to terrify the family out of their gold – until they experience inexplicable horrors themselves.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

Wyatt Wallace is a practical, super organized director of TV commercials. Biz Petterelli is a child-actor-turned-magazine-writer who thrives on spontaneity. Though polar opposites, they are fully committed to their relationship and their life in Brooklyn with their dog, Matilda. They’re also about to have a baby together. And they’re freaking out. They’ve both dreamed of becoming parents, but now that it’s happening, they’re doubting everything. Their baby is due in a few weeks and instead of flying to California just before the birth as planned, Biz has a better idea.

Newlywed Rosie has grown disenchanted with NYC. Inspired by Instagram ads, she starts thirsting for a rural life upstate—one full of beauty and authenticity. She just needs to convince her tech-bro husband, Jordan, of her vision for the future. Willing to do anything for Rosie’s happiness, Jordan signs on, and they offer—well above asking price—on a beautiful, historic fixer-upper in the Hudson Valley. But when Jordan suddenly loses his job, the couple is forced to rent out the property’s dilapidated outbuilding. There’s no heat, it’s overrun with mold, and nothing works.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory.

It’s the tabloid sensation of the year: two well-known footballers standing in the dock, charged with sexual assault, a series of vile text messages pointing towards their guilt. As the trial unfolds, Evan Keogh reflects on the events that have led him to this moment. Since leaving his island home, his life has been a lie on many levels. He’s a talented footballer who wanted to be an artist. A gay man in a sport that rejects diversity. A defendant whose knowledge of what took place on that fateful night threatens more than just his freedom or career.

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.