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Divided into three parts—Body, Mind, and Soul—Brianna Pastor’s intimate collection of poems invites us inside a highly sensitive mind and explores what it’s like to discover neurodivergence in adulthood and view life through an empathetic lens. Hopefully, by deepening our understanding of sensitivity and how it affects others, we can move one step closer to a more connected, healed world.

Dear listener, I bare you my heart like an olive tree bares its fruit in the Levant sun. Written in both North Levantine Arabic and English, this is a poetry book on love as I have experienced it. I wrote it with a vision, an image of myself being back on the olive field where my late grandfather used to harvest ripe olives whilst I sat between the rocks and the olive trees.

In the tradition of Rupi Kaur, Lang Leav, Atticus, and Nikita Gill, The Echo Within is a lyrical exploration of self-discovery, healing, and inner wisdom. Through 170 beautifully woven poems, this collection invites you to pause, reflect, and embrace the quiet truths that shape our lives.

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

In her second large collection of poetry, Jenna Citrus chronicles her adventures with diet as poison, the new aboration laws, and her search to find a way to express her bisexuality while in a heterosexual relationship.

A new poetry collection from Britain's foremost truth-teller, in Divisible by Itself and One Kae Tempest masterfully steers a path between their more public-facing performance and dramatic work and the contemplative voice that came to the fore in Running Upon the Wires. Questions of integrity – hence the prime number of the title – are addressed in direct, affecting terms: how can we be true to ourselves while under constant pressure to conform? Throughout the poems, ideas of form – of the body, gender, and in nature – resurface and resolve.

“Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead.

Marlanda Dekine’s debut collection is a holy, radical unlearning and reclamation of self. What does it mean to be a Gullah-Geechee descendant from a rural place where a third of the nation’s founding wealth was harvested by trafficked West and Central Africans? Dekine’s poems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines and calls to task the Works Progress Administration narratives, modern-day museums, and intergenerational traumas.

La colección «Poesía portátil» nos brinda en No creo poder tocar el cielo con las manos una traducción inédita de algunos de los escasos textos que se conservan de la poeta griega Safo, figura clave en la tradición poética femenina europea.

A follow up to "I Watched Through Windows".

These artfully crafted poems capture the thrill of sex and love, sorrow and joy, and all the nuances in between. Written by a Greek American gay poet who is at once businessman, athlete, and avid reader and writer, The Oculus is a journey of the eye. It captures the contradictions of memory, constantly evolving and unresolved, seen through the wisdom of the present.

Poetry. Literary nonfiction. Fiction. Drama. LGBTQIA studies. Women's studies. Compiled in one book for the first time, featuring both new and out-of-print pieces, the contents of The Judy Grahn Reader span four decades of work by the prominent writer and activist. This volume contains writing from every phase of Judy Grahn's career, including poems from all of her major poetry collections, a number of her groundbreaking essays, as well as selected fiction and the full-length play The Queen of Swords.

Secrets Unfolded: And Not a Care Was Given illustrates the experience of an unapologetic person that chooses to capitalize on the private innerworkings of their life to make money.

In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David's gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.

Part expression, part confession, part question, it is an intimate look at the impact of mental illness, trauma, and neglect. A critical dissection of the interconnected roles that family, religion, society, education, and government play, as well as their impacts upon an individual. A commentary on current affairs, historical trends, and the bleak potential of our collective future, Can’t Quite Express is also both an example of, and an encouragement for, writing therapy.

Toda la obra de Federico García Lorca está rodeada de misterio, toda vez que las balas asesinas de Franco le arrebataron la vida. Y aún más aquellas partes de su obra que podemos considerar inacabadas. Es el caso de "Sonetos del amor oscuro", el único texto conocido en el que el poeta habla abiertamente del amor entre dos hombres. Once composiciones de una belleza inigualable, escritas durante el último año de su vida, que no sabemos si iban a formar parte de un determinado conjunto o de qué forma Lorca las había concebido.

Destined from birth to become a legend, Achilles grew up training to be a warrior to fulfill his prophecy. When the time comes, however, he begins to doubt the heroism of his bloodshed. With war raging all around him, will Achilles find a reason to join the battle?

Rosie Garland's enthralling new poetry collection, What Girls Do in the Dark, invites us to leap into deep space. Rooted in the realm of gothic imagination, mythology, and the uncanny, it contains magnitudes and magic, feminist fables starstruck with science and astronomy. Like comets, these dazzling poems explore containment and liberation, asking what it means to dismantle expectations, escape the drag of gravity, and blaze your own path with "strangeness that makes you strong".

The poems in this two-part collection look at the loneliness of a newborn for her sick mother, the first stirrings of sexual desire for a best friend, the treacherous leap from a sheltered world of faith into lesbian life, the frustrations of falling for straight women, the alchemy of falling in love, and the aftermath of losing it. In the first section, the poet sings back to the many women she has loved. In the second, she sings back to the one who sang the sweetest and the saddest songs.

Prelude to Bruise is a song from a tightrope, balancing ecstatic existence and the chaos that always threatens to engulf a life on the margins. How do we reckon our past without being ravaged by it? How do we use people, their bodies, to express ourselves? Danger is everywhere in these poems, but never overwhelms them; the poet is always an anchor on the other side. And his story carries us relentlessly along.