検索キーワード： キリスト教の文学・美術

One of the most popular and beloved introductions to the concept of faith ever written, Mere Christianity has sold millions of copies worldwide. This audiobook brings together C. S. Lewis' legendary radio broadcasts during the war years, in which he set out simply to "explain and defend the belief that has been common to nearly all Christians at all times."

A delightful new recording of T. S. Eliot's beloved cat poems. Cats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr. Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there! In 1925, T. S. Eliot became codirector of Faber & Faber, who remain his publishers to this day.

In the middle of the twentieth century, four American Catholics, working independently of one another, came to believe that the best way to explore the quandaries of religious faith was in writing. The four writers were Thomas Merton, Dorothy Day, Flannery O'Connor, and Walker Percy.

Mere Christianity is C.S. Lewis' forceful and accessible doctrine of Christian belief. First heard as informal radio broadcasts and then published as three separate books, The Case for Christianity, Christian Behavior, and Beyond Personality, Mere Christianity brings together what Lewis sees as the fundamental truths of the religion.

At the center of The Dark Night of the Soul (La noche oscura del alma) is a poem written by the 16th century Spanish poet and mystic St John of the Cross. Consisting of eight stanzas, each of five lines, the poem outlines the journey in pursuit of divine union, within which the only source of light comes from the soul. This recording in English includes the poem itself and St John's two accompanying treatises (1584-1585), essentially commentaries, which offer line-by-line explanations of the poem. Many modern listeners have found guidance and consolation in this work.

Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars."

Have we been taught to discount the veracity and deeper meaning of our emotional resonance with the world around us? In The Abolition of Man, C.S. Lewis looks at the curriculum of the English "prep school" and begins to wonder if this subliminal teaching has indeed produced a generation who discount such a nature.

Unique among books that examine the bible as literature, this brilliantly compact introduction offers an intriguing double-edged look at this universal text - a religiously informed literary analysis. The book first explores the major sections of the New Testament - the gospels, Paul's letters, and Revelation - as individual literary documents. Keefer shows how, in such familiar stories as the parable of the Good Samaritan, a literary analysis can uncover an unexpected complexity to what seems a simple, straightforward tale.

The Gnostic Gospels provides engaging listening for those seeking a broader perspective on the early development of Christianity. Author and noted scholar Elaine Pagels suggests that Christianity could have developed quite differently if Gnostic texts had become part of the Christian canon.

A book of power, beauty and grandeur, here is a majestic rendition of the love of God. Rarely has a piece of Christian literature combined the simplicity of the storytelling art with the profound depths of the Christian faith. In this sweeping saga, spanning from eternity to eternity, you will discover some of the deepest riches afforded the believer. Who is fit to be the beautiful bride of God? How shall the Carpenter, rising from the dead, bring her forth? The story concludes at the consummation of the ages, when a victorious Lord takes his bride to himself.

Saint Augustine's contributions to Christian theology are second to no other post-apostolic author in the whole sweep of church history. Yet along side his doctrinal treatises, Augustine tells a story of his life devoted to Christ as his only satisfaction. The Confessions is at once the autobiographical account of Augustine's life of Christian faith and at the same time a compelling theology of Christian spirituality for everyone.

Every little girl has dreams of being swept up into a great adventure, of being the beautiful princess. Sadly, when women grow up, they are often swept up into a life filled merely with duty and demands. Many Christian women are tired, struggling under the weight of the pressure to be a "good servant", a nurturing caregiver, or a capable home manager.

For over half a century, scholars have labored to show that C. S. Lewis' famed but apparently disorganized Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance, and the structure of Narnia's symbolism has remained a mystery.

A Course in Miracles is profound, deeply moving, and as boring to read as a bookshelf assembly manual. Pam Grout to the rescue! Her new audiobook is for all those still struggling with the Course. Grout offers a modern-day rewrite of the 365-lesson workbook - the text at the heart of the Course. Unlike the original, it's user-friendly, accessible, and easy for everyone to understand. Grout drills down to the Course's essential message and meaning, grounding it in the context of everyday life in a way that's bound to stick.

Written between A.D. 413 and 426, The City of God is one of the great cornerstones in the history of Christian thought, a book which is vital to the understanding of modern Western society. Augustine originally intended it to be an apology for Christianity against the accusation that the Church was responsible for the decline of the Roman Empire, which had occurred just three years earlier. Indeed, Augustine produced a great amount of evidence to prove that paganism was responsible for this event. However, by the time the work was finished, the book had taken on a larger theme.

Nine essential works by C. S. Lewis in one deluxe audio edition: Mere Christianity, The Screwtape Letters, The Great Divorce, Miracles, The Problem of Pain, A Grief Observed, The Abolition of Man, The Weight of Glory, and George MacDonald.

Alone among the creatures of the world, man suffers a pang both bitter and sweet. It is an ache for the homecoming. The Greeks called it nostalgia. Post-modern man, homeless almost by definition, cannot understand nostalgia. If he is a progressive, dreaming of a utopia to come, he dismisses it contemptuously, eager to bury a past he despises. If he is a reactionary, he sentimentalizes it, dreaming of a lost golden age. In this profound reflection, Anthony Esolen explores the true meaning of nostalgia and its place in the human heart.

Each chapter unpacks a particular name for the Holy Spirit and examines its significance, using examples from a variety of artistic mediums—music, poetry, visual art, film, and even landscape architecture. Far from being just a theoretical exploration, the book seeks to be a catalyst for renewal in theology and the arts, aiming to inspire new avenues of thought and engagement within classrooms, churches, and beyond.

What can the call to discipleship, the adherence to the word of Jesus, mean today to the businessman, the soldier, the laborer, or the aristocrat? What did Jesus mean to say to us? What is his will for us today? Drawing on the Sermon on the Mount, Dietrich Bonhoeffer answers these timeless questions by providing a seminal reading of the dichotomy between "cheap grace" and "costly grace."

At the heart of Tolkienian fantasy is "recovery," a "cleaning of the windows" of our perception that we may learn to see the world again in all its strange beauty. And, for Tolkien, to recover the world anew is to recover a sense of the world as a meaningful act of creation by a living and loving Creator. How does Tolkien accomplish this? Through "sub-creation" or mythopoeia, the "fashioning of myth." For it is in creating an imaginary world ourselves through poetry, fairy-story, and myth that we come to "see" our "primary world" as itself an act of creation.

In How Catholics Encounter the Bible, award-winning biblical scholar and historian Michael Peppard explores the paradoxical role of the Bible for Catholics—a book central to their tradition, but not usually in the form of a book. Biblical ideas and beliefs are more often mediated through diverse modes of storytelling, artistic imagination, and ritual.

The Old Testament is not merely a collection of ancient writings; it is the heartbeat of history, the foundation of faith, and the unshakable framework upon which the world’s moral, spiritual, and cultural fabric has been woven. It is a saga of triumphs and tragedies, a testament to divine promises and human frailty. In its pages, we encounter the raw power of creation, the depths of human rebellion, and the unyielding grace of a God who remains faithful despite our failings.

The Holy Spirit, the third person of the Trinity in Christian theology, is fully divine and shares the same essence as God the Father and God the Son (Jesus Christ).

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Many listeners have heard C. S. Lewis's logical arguments for the Christian faith. Yet throughout his wide-ranging study and writing, Lewis often began with experience, intuition, and religious feeling rather than dogmatic assertions. The most profound questions of Lewis's own life, argues theologian and literary critic Jeffrey Barbeau, can be seen in his quest to understand the relationship between personal experience and the truth about the world around him.

Many of us have been taught to read Scripture as a collection of information that needs to be categorized, systematized, and analyzed verse by verse, concept by concept. But the Bible isn't a jigsaw puzzle, and it wasn't written in just Hebrew, Aramaic, and Greek. It was also written in the language of story. And as with every good story, we get to meet colorful characters, unravel mysteries, and see the world from a different point of view. It all makes more sense when understood from the perspective of storytelling.

To most, the term “Christian horror” probably seems like an oxymoron. Nevertheless, there are very good arguments to be made that “horror” is an eminently biblical genre and that Christian artists should be at the forefront of reclaiming it. In this work, novelist and freelance writer Mike Duran explores the Judeo-Christian roots of contemporary horror, the religious themes that frame much of the horror art, and how evangelical culture has come to distance itself from such a potentially rich and powerful medium.

R. Allen Stigger is a native Chicagoan who currently resides in the western suburbs and is father to three amazing daughters. He is an army veteran who enjoys writing about the human experience and his personal life childhood experiences.

Throughout history, Christians have pictured the relationships between Father, Son, and Holy Spirit through analogies. Such illustrations—some from the West but also from Latin America, Asia, Africa, and other places—come laden with theological ramifications that the church has rejected (heresies) or embraced (doctrines). In Three in One, William David Spencer shares a lifetime of insights from teaching within the global church, bringing fresh images and analogies of the Trinity to deepen our theological vocabulary.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.