検索キーワード： メディア研究

From WORDLE to SPELLING BEE, we live in a time of word game mania. Crosswords, in particular, gained renewed popularity during the Covid-19 lockdown, when games became another kind of refuge. Today, 36 million Americans solve crosswords once a week or more, and nearly 23 million solve them daily. Yet, as longtime New Yorker crossword contributor Natan Last will tell you, the seemingly apolitical puzzle has never been more controversial.

Over the past twenty-five years, pop culture has suffered from a perplexing lack of reinvention. We’ve entered a cultural “blank space”—an era when reboots, rehashes, and fads flourish, while bold artistic experimentation struggles to gain recognition. Why is risk no longer rewarded, and how did playing it safe become the formula for success? Acclaimed cultural historian W. David Marx sets out to uncover the answers.

From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon.

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

2025年最大の問題作がここに。隠蔽、圧力、欺瞞──フジテレビの闇が暴露された今、大手メディア崩壊のカウントダウンが始まった！「真実抹消システム」と化したテレビ局の正体とは！？

Professeure de chant de la Star Academy, Adeline Toniutti est LA révélation, sur TF1, de l'émission culte. Chaque semaine, sa flamboyance, son énergie, son expertise ont touché des millions de téléspectateurs. Derrière les feux des projecteurs, celle qu'on surnomme la « fille du facteur » ou la « soprano rock'n'roll » a réalisé un véritable parcours du combattant pour traverser les épreuves que la vie lui a infligées et pour retrouver le bonheur. Destinée à être chanteuse d'opéra, un accident domestique la prive de sa voix.

Today, trauma is everywhere, and it seems like everybody has it. Trauma shapes public debates on education, criminal justice and healthcare. It’s cited as a root cause of addiction, mental health issues, and relationship breakdowns. It permeates media, from music and television to films and books – my own included.

「テレビの裏でうごめく仕事」　テレビ局員が映しだす、業界の栄枯盛衰――枕営業ってありますか？　今、テレビ業界の闇、そしてテレビプロデューサーの裏の顔が世間の注目を集めている。私は20余年にわたりテレビ局に勤務してきた。どこからどこまでが「表の顔」で、どこからどこまでが「裏の顔」なのかももはや判然としない。

From the rise of leetspeak and words such as “unalive” to the trend of adding “-core” to different influencer aesthetics, the internet has ushered in an unprecedented linguistic upheaval. We’re entering an entirely new era of etymology, heralded by the invisible forces driving social media algorithms. And with over 7 billion internet users uploading over 2.5 quintillion bytes of media every day, the sheer volume of potential new words is astounding.

Today it's routine to take photos from an airplane window, use a camera underwater, or watch a movie or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous. In Flashes of Brilliance, New York Times photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

Thanks to the power of its "mystic" Indian origins, yoga promises peace, self-realization, and release. But what if this is just hype? In Fascist Yoga, Stewart Home sweeps away the half-truths to reveal a new origin story of modern postural practice. Starting with the world's first modern yogi—a Californian escapologist who added Hindu fairy dust to circus exercises—this history reveals a community full of grifters, occultists, and white supremacists, out to exploit and recruit via the medium of exercise.

The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

From the nursery to the prison, from the clinic to the commune, Mother Media tells the story of how we arrived at our contemporary understanding of what a mother is and how understandings of "bad" mothering formed our contemporary panics about "bad" media.

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.

Shadowy groups are increasingly capable of collective action. Using military-grade encryption, rerouting software, and cryptocurrencies, anonymous and pseudonymous actors can now communicate, solve problems, recruit members, and manage resources across multiple public and semipublic spaces. This swirling mix of secrecy and openness enables people to move through cyberspace like nomads with verifiable personas, which makes them impossible to stop.

How Media Ownership Matters provides a fresh approach to understanding news media power, moving beyond the typical emphasis on market concentration or media moguls. Through a comparative analysis of the US, Sweden, and France, as well as interviews of news executives and editors and an original collection of industry data, this book maps and analyzes four ownership models: market, private, civil society, and public.

“God isn’t really good.” "God doesn’t want the best for you.” “God could never forgive that sin." “God could never truly love you." These lies are as old as time, and yet how readily we still believe them to this day. Believing the lies of Satan leads to a life of defeat and despair. But it doesn’t have to be this way! In The Devil’s Newsroom, Pastor Jeff Schreve tackles Satan’s fake news head on.