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The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

COVID-19 was deadly, but the real killer was the coverup, led by America’s most durable medical bureaucrat—a man for whom the truth was too often expendable. Senator Paul makes a powerful case that funding dangerous bioengineering in a totalitarian country is madness.

“God isn’t really good.” "God doesn’t want the best for you.” “God could never forgive that sin." “God could never truly love you." These lies are as old as time, and yet how readily we still believe them to this day. Believing the lies of Satan leads to a life of defeat and despair. But it doesn’t have to be this way! In The Devil’s Newsroom, Pastor Jeff Schreve tackles Satan’s fake news head on.

" Alors que j’achevais la rédaction de ce livre, la cérémonie d’ouverture des Jeux olympiques est venue raviver le feu de ma plume : la France est la victime d’un mémoricide. Une ablation de sa mémoire. Une spoliation, une péremption de ses souvenirs. L’Esprit français a été immolé. Toute ma vie, je me suis battu. Contre un progressisme en quête incessante des figures nouvelles de l’insolite et du fantasque.

When Richard Charnin saw the film Executive Action in 1973, he was astounded when the narrator disclosed that an actuary engaged by the London Sunday Times calculated a one in 100,000 trillion probability of eighteen material JFK-related witness deaths in the three years following the assassination. As a quantitative analyst with three degrees in applied mathematics, Charnin recognized that the calculation was mathematical proof of a conspiracy.

In a world flooded with fake news, clickbait, and manipulated narratives, how do we separate truth from deception? This audiobook takes you on a journey through the murky waters of modern media and politics, exposing the tactics used to misinform and divide us.

From pro wrestling and Pokémon to Vince McMahon and Jerry Springer, this look at the low culture of the late '90s reveals its profound impact and how it continues to affect our culture and society today.

From WORDLE to SPELLING BEE, we live in a time of word game mania. Crosswords, in particular, gained renewed popularity during the Covid-19 lockdown, when games became another kind of refuge. Today, 36 million Americans solve crosswords once a week or more, and nearly 23 million solve them daily. Yet, as longtime New Yorker crossword contributor Natan Last will tell you, the seemingly apolitical puzzle has never been more controversial.

Over the past twenty-five years, pop culture has suffered from a perplexing lack of reinvention. We’ve entered a cultural “blank space”—an era when reboots, rehashes, and fads flourish, while bold artistic experimentation struggles to gain recognition. Why is risk no longer rewarded, and how did playing it safe become the formula for success? Acclaimed cultural historian W. David Marx sets out to uncover the answers.

Through the voices of key disabled media makers and collaborators, the author highlights the ways in which their contributions are changing society's understanding of disability and shaping mass media and culture. Spanning a range of media formats—television/streaming productions, performances, podcasts, TED Talks, films, reality TV, graphic novels, and social media channels—the book illustrates how disabled people are confronting the marginalization they have faced in mass media for decades.

Sinn, wo steckst du? – Warum wir über die falschen Dinge zu viel nachdenken. Jede Generation hat ihre eigene Krise.Um die Last des Informationszeitalters zu bewältigen, riskiert unser Verstand so manches Ausweichmanöver: Wir lassen uns von Online-Astrologen in Jobfragen beraten, vergöttern (oder verdammen) Taylor Swift, als sei sie unsere eigene Mutter, klicken uns paranoid durch Insta-Profile und bringen unser Weltbild durch Algorithmen ins Wanken.

Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

In THE INSPIRED CHOICE: Chronicles of Transformation Beyond Imagination (Volume 1), Caroline Biesalski embarks on a transformative journey, sharing how she became a successful and sought-after podcast host over the past 365 days. With honesty and insight, Caroline reveals the challenges, breakthroughs, and discoveries that fueled her growth, offering readers practical steps and inspiration to launch their own impactful ventures.

In Racism Within Race: The Colours That Divide Us, I invite you to explore an often overlooked aspect of human prejudice: the biases, discrimination, and hierarchies that exist within racial and ethnic communities. This book delves into the complexities of colourism, caste systems, and ethnic divisions that fracture communities from within, and it explores how these forces shape our identities, our relationships, and our societies.

The creators of the internet promised us jetpacks: better experiences, more choices, and deeper relationships. Built on a diversity of voices, our online freedom was supposed to spark a democratic transformation. But our platforms don't work for us—we're the inventory and our outrage fuels a tech revolution optimized for profit, not civic life. As one of the top digital strategists for Barack Obama's two presidential campaigns, Michael Slaby saw the beginning of a new kind of national division.

Shadowland soberly and frighteningly exposes occult influences hidden within Washington's Deep State and modern culture. From Jeffrey Epstein to the Clintons—from Obama and Biden to the Occult Elite—Dr. Thomas Horn uncovers terrifying realities animating from today's polarized culture and the energies operating behind the contest for dominance over values, beliefs, and religious practices.

In the midst of widespread mass shootings in America, a common motif stands out: the perpetrators of these attacks often view themselves as vigilante saviors, whose job it is to regulate society in a way that exterminates their enemies. In this critique, Rachel Wagner makes the case that this unfortunate phenomenon is best understood through the idea of the cowboy apocalypse. She shows that across US media, from video games and movies to novels and TV, a story arc has been created that provides a complete myth about the end of the world and the future after that.

In the second half of 2020 and continuing into 2021, protests against racial injustice spread across the United States after the death of George Floyd while in the custody of Minneapolis Police Department officers. What transpired during this troubled time cast a bright light on the contemporary relationship between the press and police in the United States. The relationship between these two fundamental institutions is, however, a long and complicated one.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.