検索キーワード： メディア研究

That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK is best described as a prosecution by Robert K. Tanenbaum of those corrupt, unscrupulous government and unelected agency officials, who from inception with predetermined outcomes, deceitfully engaged in insecure, phony pretense probes regarding the assassination in Dealey Plaza. Those responsible are prosecuted while those who speak truth to power are exonerated.

Mysteries of the Ancient World examines some of the most bizarre, surprising and unexplained phenomena of the ancient world. Ranging from cold cases millennia in the making to the sudden, baffling disappearances of entire civilizations to the creation of mysterious monuments, it searches for the truth behind these remarkable stories. With a careful analysis of the various theories that have been used over the years to try and understand these curious occurrences, the author gets to the bottom of what really happened.

For a century, magazines were the authors of culture and taste, of intelligence and policy — until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin’s press; through their boom — enabled by new technologies — as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet.

We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who’s ever grabbed a hoodie on a chilly day. Alison Kinney’s Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless—with deadly results.

The mall near Mat thew Newton’s childhood home in Pittsburgh, Pennsylvania, was one of the state’s first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center’s, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero’s zombie opus Dawn of the Dead.

Misinformation isn’t just noise—it’s a strategic weapon used to sway elections, distort reality, and weaken democracy. Democracy Unveiled exposes the tactics behind political manipulation, revealing how digital platforms, media bias, and psychological tricks shape public perception. This book breaks down real-world examples from the 2024 election cycle, illustrating the growing influence of disinformation and providing listeners with the tools to think critically, identify deception, and protect democratic values.

Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

From the nursery to the prison, from the clinic to the commune, Mother Media tells the story of how we arrived at our contemporary understanding of what a mother is and how understandings of "bad" mothering formed our contemporary panics about "bad" media.

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

En personlig fortælling om internettets storhed og fald – om at blive forført og siden forrådt af en teknologi, der er sivet ind i alle sprækker af vores liv. Mikkel Boris, en ret så gennemsnitlig internetbruger og millenial, har med denne bog sat sig for at undersøge, hvorfor internettet ikke er så fedt, som det plejede at være. Han erindrer en fjern fortid, der gik med at spille Mujaffa i skolens edb-lokaler, chatte med piger fra parallelklassen på MSN og slå sine venner ihjel på netcaféens natarrangementer.

In Why Journalism – Real News in an Age of Lies, Erik Fichtelius explores the media's role in defending truth in an era of misinformation. With democracy under threat worldwide, this book reveals the challenges faced by journalists as they navigate political pressures, digital disruption, and AI's impact on newsrooms. Drawing on five decades of experience, Fichtelius, one of Sweden's most respected journalists, delves into major global events, from Cold War smuggling operations to modern-day conflicts between the press and political powerhouses.

प्रचार प्रसिद्धीच्या या युगात जग अगदी लहान झाले आहे. जगाच्या कानाकोपर्‍यात घडणारी कोणतीही गोष्ट तत्काळ या टोकापासून त्या टोकापर्यंत सर्वांपर्यंत पोचते असे म्हणतात. या विधानातले तथ्य एवढेच की, प्रचार माध्यमे अधिक शक्तिशाली झाली आहेत व रात्रंदिवस माहिती ऐकविण्याची त्यांची क्षमता अपरिमीत वाढली आहे. पण साधन हे कधीच चांगले अथवा वाईट नसते. ते वापरणार्‍यांच्या बुद्धीवर त्याचा चांगले वाईटपणा अवलंबून असतो. प्रसिद्धी माध्यमे आज सर्वसामान्य व्यक्तीचे प्रबोधन करणे, संस्कार करणे, जगात कुठे काय चांगले चालले आहे ते इतरांपर्यंत पोचवतो या भूमिकेपासून फार दूर आहेत.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.

Shadowy groups are increasingly capable of collective action. Using military-grade encryption, rerouting software, and cryptocurrencies, anonymous and pseudonymous actors can now communicate, solve problems, recruit members, and manage resources across multiple public and semipublic spaces. This swirling mix of secrecy and openness enables people to move through cyberspace like nomads with verifiable personas, which makes them impossible to stop.

How Media Ownership Matters provides a fresh approach to understanding news media power, moving beyond the typical emphasis on market concentration or media moguls. Through a comparative analysis of the US, Sweden, and France, as well as interviews of news executives and editors and an original collection of industry data, this book maps and analyzes four ownership models: market, private, civil society, and public.

“God isn’t really good.” "God doesn’t want the best for you.” “God could never forgive that sin." “God could never truly love you." These lies are as old as time, and yet how readily we still believe them to this day. Believing the lies of Satan leads to a life of defeat and despair. But it doesn’t have to be this way! In The Devil’s Newsroom, Pastor Jeff Schreve tackles Satan’s fake news head on.

As the epidemic of male violence towards women and young girls reaches terrifying new heights through new and expanding technologies, women's rights campaigner Jess Davies will help listeners to question society's understanding - or lack of - when it comes to consent. With a toolkit to understand and tackle online misogyny, No One Wants to See Your D*ck will arm a new wave of internet sleuths to take down the manosphere, one unsolicited pic at a time.

For more than forty years, Diana, Princess of Wales, has been mythologized to the most extraordinary degree. Adored and lionized by some, ridiculed and traduced by others, Diana has always commanded a cultural presence unmatched by any other member of the royal family. In Dianaworld, Edward White offers both a portrait of the princess and a group portrait of those who existed in her orbit—from her royal in-laws, her servants, and the dilapidated ranks of the British aristocracy from which she rose, to drag performers, artists, Britain’s ethnic minorities, and the Gen Z superfans.