検索キーワード： 言語学

Linguistics, the study of language, has a reputation for being complex and inaccessible. But here's a secret: There's a lot that's quirky and intriguing about how human language works-and much of it is downright fun to learn about. But with so many potential avenues of exploration, it can often seem daunting to try to understand it. Where does one even start?

A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us, written with humor and playfulness that challenges words and phrases and how we use them. Montell effortlessly moves between history and popular culture to explore these questions and more. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light into the biases that shadow women in our culture and our consciousness.

There are so many Latin phrases in everyday use that often we use them without understanding the background and context within which they were actually used. 'Carpe diem'; 'Stet'; 'Memento mori'; 'Et tu Brute' – examples would fill a book. And often these phrases are also used in English translation: 'The die is cast'; 'crossing the Rubicon'; 'Rome was not built in a day'.

What is language? Why do we have it? Where does it come from? Why does that matter? Upending centuries of scholarship (including, most recently, Chomsky and Pinker) The Language Game shows how people learn to talk not by acquiring fixed meanings and rules, but by picking up, reusing and recombining countless linguistic fragments in novel ways.

What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join - and more importantly, stay in - extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has.

All they could hear was the wind, and the waves crashing on to the rocks. All they could see was the night. They could not see the ship, broken in two. They could not see the people holding on to the dark wet rock, slowly dying of cold. And they could not hear the cries for help - only the wind. How could they save the people on the rock? Was their wooden boat stronger than the iron ship?

From the author of Proust and the Squid, a lively, ambitious, and deeply informative epistolary book that considers the future of the reading brain and our capacity for critical thinking, empathy, and reflection as we become increasingly dependent on digital technologies.

William Shakespeare. Born April 1564, at Stratford-upon-Avon. Died April 1616. Married Anne Hathaway: two daughters, one son. Actor, poet, famous playwright. Wrote nearly forty plays. But what was he like as a man? What did he think about when he rode into London for the first time... or when he was writing his plays Hamlet and Romeo and Juliet... or when his only son died? We know the facts of his life, but we can only guess at his hopes, his fears, his dreams.

In the ancient country of Orn an old man called the Bee-man spends his life in the company of bees. He lives humbly and contentedly until a Junior Sorcerer happens by with some disturbing news: The Bee-man, he says, has been transformed - he once was someone (or something) entirely different. But who? Or what? A giant or a prince? A dog or a dragon? The now restless Bee-man sets out on a quest to ascertain his original form, telling himself, "When I see it, I shall be drawn toward it."

Sì, si dice "supercàzzora" e non "supercàzzola". Rigorosamente con la R e non con la L. Questo è assodato, dimostrato, dimostrabile, granitico, inamovibile e definitivo e costituisce una delle poche, pochissime certezze della vita. Tutto il resto è pura illusione.

Daniel Hahn is a generous and winning guide. Traveling the world, he speaks to writers engaging with Shakespeare’s work and shares stories of his own. If This Be Magic does not require knowledge of any other language or more than a passing acquaintance with the Bard’s canon, but draws out surprising and fascinating insights on both. As nerdy as they come (there is an unapologetic chapter on commas) and often funny, this is a book for everyone and a fitting tribute to the Globe’s Bard.

In Why We Talk Funny, linguist Valerie Fridland unlocks the secrets of what linguistic science, psychology and history can tell us about the evolution of human speech, why accents develop, and how they shape our professional and social lives. With a healthy dose of her signature humor and captivating anecdotes, Fridland explores how the twin forces of physiology and psychology along with the need to fit in changes the trajectory of speech over languages and lifetimes, divingdeep into the history and social forces driving the way people talk.

In Decolonizing Language and Other Revolutionary Ideas, Ngugi wa Thiong'o presents a series of essays that build on his vast wealth of work on language and its constructive role in national culture, history, and identity. Intricate, nuanced and accessible, it reaffirms the revolutionary power of African languages to fight back against both the psychic and material impacts of colonialism, past and present.

Part encyclopaedia, part miscellany, The Language-Lover's Lexipedia is a delightful tour of the world of words, from the origin of Abracadabra to Zyzzyva and the end of the dictionary. Meticulously researched, witfully written and beautifully designed with hand-drawn illustrations by Caroline Church, each page is a lucky dip into the English language. This deliciously original book takes listeners around the sidelines and ley lines of language.

L’Autobiogrammatica che avete tra le mani è un gioco sorprendente e vertiginoso: il racconto di un’esistenza – unica e comune – come la storia di un linguaggio. Esiste un legame segreto tra le due linee sinuose lungo cui si snoda la nostra vita: da una parte l’apprendistato dell’alfabeto, dei nomi, del lessico famigliare, dell’insulto, dello scherzo, delle lingue straniere, dei codici segreti, della poesia; dall’altra l’invadente amore per i genitori, la scuola che è un viaggio nell’ignoto, le seduzioni e dilazioni dell’amicizia e del desiderio, la contrattazione di un posto nel mondo.

A skillfully updated edition of The F-Word which renders a comprehensive portrait of English's most notorious and colorful word.

In The Gaeilge Guide, Mollie Guidera - Ireland's leading online Irish teacher and creator of the hit platform 'Irish with Mollie' - brings her joyful, down-to-earth approach to the page in a book guaranteed to spark your connection to the Irish language and legacy. Mollie shows us how to reconnect with our ancient and endangered language - and with ourselves - by demystifying the shame and frustration many still feel around Irish, and replacing it with a fun, accessible path back to the richness of our native tongue.

MERAKI: (Greek. n) The love, creativity, and passion you put into something; the act of leaving a piece of yourself in your work. Have you ever felt an emotion so profound, so unique, that you couldn't find the words to describe it? Meraki explores the breathtaking beauty of language, offering a captivating collection of over 100 words from around the globe – words that capture feelings you've experienced but never knew how to name. This exquisite book is a linguistic journey for the soul.

In Why Do We Say That, we've rounded up 101 of the most commonly used idioms and "hit the nail on the head" by providing the historical context behind each one. Don't be a "deer in the headlights" when someone asks you the meaning of "straw man" or "up a creek without a paddle." This book has got you covered.

From television shows to the manosphere, and from alt-right communities to fatherhood forums, debates about masculinity have come to dominate the media landscape. This growing cultural tension around masculinities has been discussed and analyzed both for general audiences and in burgeoning academic scholarship. What has been typically overlooked, however, is the role that language plays in these mediated performances of masculinity. In Language and Mediated Masculinities, Robert Lawson draws on data to explore language and masculinities across a range of media contexts.