検索キーワード： 制作 "--Tyson Hanks" 大衆文化

From Emperor Commodus to Rupert Murdoch, Count Dracula to Kim Kardashian, Genghis Khan to Gina Rinehart, Sins of the Filthy Rich explores how the mega wealthy have exploited, indulged, and misbehaved appallingly throughout history.

From the creator of the highly popular Kardashian Kolloquium comes a New Media manifesto for the TikTok age, blending theory and cultural analysis to explain the meteoric rise of the Kardashians and explore what their fame can teach us about the way media functions today.

¿Qué papel tiene la música en la vida sexual de las personas? ¿Cuáles son las representaciones de la sexualidad en las obras musicales clásicas y populares? Desde Mozart hasta Adorno, desde Wagner hasta Cardi B, pasando por Pink Floyd, Guy Debord y Madonna, por el tango, la música de películas y la vanguardia, cada uno de los dieciséis capítulos que componen Playlist. Música y sexualidad aborda estas cuestiones desde una entrada singular, como una serie de variaciones sobre un tema musical.

¿Qué papel tiene la música en la vida sexual de las personas? ¿Cuáles son las representaciones de la sexualidad en las obras musicales clásicas y populares? Desde Mozart hasta Adorno, desde Wagner hasta Cardi B, pasando por Pink Floyd, Guy Debord y Madonna, por el tango, la música de películas y la vanguardia, cada uno de los dieciséis capítulos que componen Playlist. Música y sexualidad aborda estas cuestiones desde una entrada singular, como una serie de variaciones sobre un tema musical.

¿Qué papel tiene la música en la vida sexual de las personas? ¿Cuáles son las representaciones de la sexualidad en las obras musicales clásicas y populares? Desde Mozart hasta Adorno, desde Wagner hasta Cardi B, pasando por Pink Floyd, Guy Debord y Madonna, por el tango, la música de películas y la vanguardia, cada uno de los dieciséis capítulos que componen Playlist. Música y sexualidad aborda estas cuestiones desde una entrada singular, como una serie de variaciones sobre un tema musical.

¿Qué papel tiene la música en la vida sexual de las personas? ¿Cuáles son las representaciones de la sexualidad en las obras musicales clásicas y populares? Desde Mozart hasta Adorno, desde Wagner hasta Cardi B, pasando por Pink Floyd, Guy Debord y Madonna, por el tango, la música de películas y la vanguardia, cada uno de los dieciséis capítulos que componen Playlist. Música y sexualidad aborda estas cuestiones desde una entrada singular, como una serie de variaciones sobre un tema musical.

In der Schule, in der Arbeit, unter Freunden, in der Zeitung, am Handy – überall und ein Leben lang begegnen uns Gerede und Gerüchte. Aber warum fällt es manchmal so schwer, pikante Neuigkeiten für sich zu behalten? Woher kommt unsere Faszination für das Leben anderer und warum reden wir so gerne über andere? Und sind wir deshalb schlechte Menschen? McKinney verwebt persönliche Erlebnisse, Medienereignisse, Studien und popkulturelle Phänomene zu einer ehrlichen und erfrischenden Gegenwartsanalyse.

A free-wheeling philosophical essay, Hypochondria is expansive in its range of references, from the writings of Franz Kafka to original yet accessible readings of theorists like Lauren Berlant. Whether he is discussing Seinfeld, John Donne, or his own hypochondriac past, Rees reveals himself to be a wry and perceptive critic, exploring the causes—and the costs—of our desire for certainty. With wit and erudition, Hypochondria demonstrates both the rewards and the perils of reading (too) closely the common but typically overlooked aspects of our everyday lives.

Hatred is typically characterized as ugly, destructive and, above all, the political tool and dominant emotion of intransigent right-wingers. But is something important lost in this simplistic depiction? Don’t those engaged in anticolonial, feminist, or class struggles—the very people who, in mainstream narratives, are usually portrayed as victims and objects of hate—have just reasons for feeling hatred?

In RNJesus They Trust: Game Design, Your Time & Your Luck is a witty, sharp-eyed exploration of randomness in modern gaming — and how it blesses, tests, or exploits the players who kneel before it. From the ecstatic thrill of a rare drop to the soul-crushing grind of gacha pulls, game developers have turned RNG (random number generation) into a design pillar that fuels excitement and monetization. But where does randomness stop being fun and start wasting your time — or draining your wallet?

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style.

Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.

A horror-story history of capitalism and its relationship to the haunted and the gothic, and a manifesto of Gothic Marxism, which finds revolutionary hope in the nightmare of modernity. What does it mean to see horror in capitalism? What can horror tell us about the state and nature of capitalism?

Building off her wildly popular viral essays “Losing My Ambition” and “The Mindfuck of Mid-Life,” Amil Niazi explores what life looks like “post-ambition.” With sly humor and a deep literary sensibility, she interrogates her own evolving ambitions, and how it intersects with adulthood, motherhood, age, identity, class, and race, and how it has shaped her and a generation of Millennials. And—most importantly—now that she is done with ambition: what happens next?

Es sieht nicht alles schlimm aus in den achtziger Jahren. Aber vieles. Es ist das Jahrzehnt der explodierenden Dauerwellen und Pornoschnauzbärte, der aufgepumpten Schulterpolsterjacketts und schrillen Herumprotzerei; in den Achtzigern werden die Yuppies zu Vorreitern einer neuen Egoistenkultur. Doch gleichzeitig herrscht die Angst vor der Apokalypse, vor dem Atomtod und der Umweltzerstörung; die Menschen sehnen sich nach Utopien und Zukunft, nach neuer Gemeinschaft und Wärme.

Despite their phenomenal decades-long success, the Harry Potter novels have attracted relatively little attention from literary critics and scholars. This book challenges that oversight, assembling and foregrounding some of the best literary critical work by scholars trying to move the needle on these novels to reflect their importance to twenty-first-century literary culture. In Open at the Close, contributors consciously address Harry Potter primarily as a literary phenomenon rather than a cultural one.

Algorithms—rules written into software—shape key moments in our lives: from who gets hired or admitted to a top public school, to who should go to jail or receive scarce public benefits. Such decisions are both technical and moral. Today, the logic of high stakes software is rarely open to scrutiny, and central moral questions are often left for the technical experts to answer.

Fueron los amos y señores del Pachá, el Look, el Oh, Madrid, el Tartufo y otros locales pijos de la capital. Vestían camisetas Caribbean, pantalones Levi's y cazadoras vaqueras y los expulsaban de los mejores colegios privados. Era un grupo de pijos malos que aterrorizaron a muchos en el Madrid de los ochenta.

Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity.

As traditional powers of pre-modernity - church and throne - waned, a new myth took their place: that of the 'self-made man', whose unique powers of personality - or canny self-presentation - give him not just the opportunity, but the obligation, to remake reality in the image of what he wants it to be. From the Renaissance genius to the Regency dandy, the American prophets of capitalism to the aspirational übermensch of European fascism, Hollywood's Golden Age to today's Silicon Valley, Self-Made takes us on a dazzling tour of modern history's most prominent self-makers.