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Time is a mystery that does not cease to puzzle us. Philosophers, artists and poets have long explored its meaning while scientists have found that its structure is different from the simple intuition we have of it. From Boltzmann to quantum theory, from Einstein to loop quantum gravity, our understanding of time has been undergoing radical transformations. Time flows at a different speed in different places, the past and the future differ far less than we might think, and the very notion of the present evaporates in the vast universe.

In Why We Talk Funny, linguist Valerie Fridland unlocks the secrets of what linguistic science, psychology and history can tell us about the evolution of human speech, why accents develop, and how they shape our professional and social lives. With a healthy dose of her signature humor and captivating anecdotes, Fridland explores how the twin forces of physiology and psychology along with the need to fit in changes the trajectory of speech over languages and lifetimes, divingdeep into the history and social forces driving the way people talk.

The culture of “safety” and its intolerance of opposing viewpoints has left many young people anxious and unprepared for adult life. Lukianoff and Haidt offer a comprehensive set of reforms that will strengthen young people and institutions, allowing us all to reap the benefits of diversity, including viewpoint diversity. This is a book for anyone who is confused by what’s happening on college campuses today, or has children, or is concerned about the growing inability of Americans to live and work and cooperate across party lines.

Status signaling isn’t just the province of the immature or insecure but a fundamental human need to secure social standing. It drives our behavior, forms our tastes, determines what we buy, and ultimately shapes who we are. It’s what’s behind “cool” and what drives fashion, music, food, sports, slang, travel, hairstyles, and dog breeds—and even the outsize influence of unpopular things with the “right” audience.

From a Gold Star polycotton shirt to a pack of Wrigley's Extra, from his teenage attempts to write songs to the Sexy Laughs Fantastic Dirty Joke Book, this is the hard evidence of Jarvis's unique life, Pulp, 20th-century pop culture, the good times and the mistakes he'd rather forget. And this accumulated debris of a lifetime reveals his creative process—writing and musicianship, performance and ambition, style and stagecraft.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

No one makes such a fuss about manners quite as much as the UK, yet in a fast-changing world, no one can seem to agree on precisely what the ‘done thing’ is, either. William Hanson, world-leading etiquette expert is on a mission to reclaim the British crown of good manners. In Just Good Manners, he shares his definitive guidance on how to behave in every situation - as well as celebrating our country’s distinctively British way of doing things!

George Mikes' perceptive manual for everyone who longs to attain 'True Britishness' provides a complete guide to the British way of life. Having been born in Hungary, he eventually spent more than 40 years in the field and the fruits of his labour include insights on important topics including the weather, how to be rude and how to panic quietly.

Welcome to the age of the algorithm, the story of a not-too-distant future where machines rule supreme, making important decisions - in health care, transport, finance, security, what we watch, where we go, even whom we send to prison. So how much should we rely on them? What kind of future do we want? Hannah Fry takes us on a tour of the good, the bad and the downright ugly of the algorithms that surround us.

At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, 'I was a devil in other countries, and I was a little devil in America, too'. Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.

The societies we live in are increasingly making our minds ill, making it feel as though the way we live is engineered to make us unhappy. When Matt Haig developed panic disorder, anxiety, and depression as an adult, it took him a long time to work out the ways the external world could impact his mental health in both positive and negative ways. Notes on a Nervous Planet collects his observations, taking a look at how the various social, commercial, and technological "advancements" that have created the world we now live in can actually hinder our happiness.

Random House presents the audiobook edition of All That Remains by Professor Sue Black, read by the author. Sue Black confronts death every day. As Professor of Anatomy and Forensic Anthropology, she focuses on mortal remains in her lab; at burial sites; at scenes of violence, murder and criminal dismemberment; and when investigating mass fatalities due to war, accident or natural disaster. In All That Remains, she reveals the many faces of death she has come to know, using key cases to explore how forensic science has developed and what her work has taught her.

Nothing "goes viral". If you think a popular movie, song, or app came out of nowhere to become a word-of-mouth success in today's crowded media environment, you're missing the real story. Each blockbuster has a secret history - of power, influence, dark broadcasters, and passionate cults that turn some new products into cultural phenomena. In his groundbreaking investigation, Atlantic senior editor Derek Thompson uncovers the hidden psychology of why we like what we like.

Culture is like a language. Art, architecture, history and philosophy are its grammar. And, like a language, anyone can learn it. In 2022, Sheehan Quirke took to Twitter (now X) as The Cultural Tutor with the aim of making culture accessible for everyone. He wrote about poetry, paintings, building design, and counter-intuitive but fascinating facts about history and geography. It wasn’t the sort of content you usually find on a newsfeed. Taught in forty-nine short lessons, Sheehan takes listeners on a delightful and fascinating journey through culture.

The routine traffic stop that ends in tragedy. The spy who spends years undetected at the highest levels of the Pentagon. The false conviction of Amanda Knox. Why do we so often get other people wrong? Why is it so hard to detect a lie, read a face or judge a stranger's motives? Through a series of encounters and misunderstandings - from history, psychology and infamous legal cases - Malcolm Gladwell takes us on an intellectual adventure into the darker side of human nature, where strangers are never simple and misreading them can have disastrous consequences.

One of Maya Rupert’s earliest memories was learning how to be inauthentic. That performance—the ability to make white people feel comfortable about race—has brought her everything from safety to success. As the third Black woman in history to run a presidential campaign, she soon realized that there was no room among society’s expectations for our real selves. In The Real Ones, Rupert reveals that for some, inauthenticity is necessary for survival.

From the rise of leetspeak and words such as “unalive” to the trend of adding “-core” to different influencer aesthetics, the internet has ushered in an unprecedented linguistic upheaval. We’re entering an entirely new era of etymology, heralded by the invisible forces driving social media algorithms. And with over 7 billion internet users uploading over 2.5 quintillion bytes of media every day, the sheer volume of potential new words is astounding.

Paranoid about the “ums” and “uhs” that pepper your presentations? Concerned that people notice your vocal fry? Bewildered by “hella” or the meteoric rise of “so”? In Like, Literally, Dude, linguist Valerie Fridland shows how we can re-imagine these forms as exciting new linguistic frontiers rather than our culture’s impending demise. With delightful irreverence and expertise, Fridland weaves together history, psychology, science, and anecdotes to explain why we speak the way we do today, and how that impacts what our kids may be saying tomorrow.

Brought face to face with the author of his obituary and his own inevitable mortality, Edward Stourton is prompted to reflect on the life he has led and the events that have shaped him. The world has changed, and so has Ed. In Confessions, he describes this remarkable journey with candour, humour and the insight that only forty years' experience of writing and reporting can provide.

Despite being unable to play an instrument, Susan Rogers became an extraordinarily successful record producer—and certainly one of the most successful women record producers in history—because of her ability to listen. (She was an engineer on Prince's "When Doves Cry", which inspired the title of the book.) This Is What It Sounds Like distils a lifetime's expertise as a producer and an award-winning professor with a PhD in cognitive neuroscience, to present a new theory of listening for everyday music fans.