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Years ago, they were all the best of friends. But as time passed and circumstances changed, they grew apart, became adults with families of their own, and began to forget about the past—and the terrible lie they all shared. But now Gordon, the youngest and wildest of the five, has died and the others are thrown together for the first time in years.

In the third trimester of her pregnancy, Baltimore private investigator Tess Monaghan is under doctor's orders to remain immobile. Bored and restless, reduced to watching the world go by outside her window, she takes small comfort in the mundane events she observes... like the young woman in a green raincoat who walks her dog at the same time every day. Then one day the dog is running free and its owner is nowhere to be seen.

In the summer of 1985, when she was fifteen, Eliza was kidnapped by Walter and held hostage for almost six weeks. He had killed at least one girl and Eliza always suspected he had other victims as well. Now on death row in Virginia for the rape and murder of his final victim, Walter seems to be making a heartfelt act of contrition as his execution nears. Though Eliza wants nothing to do with him, she's never forgotten that Walter was most unpredictable when ignored.

New York Times best-selling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories - and reveals another level of mastery.

Each of these ingenious tales is a gem, sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to listen to Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers" ( San Diego Union-Tribune). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

Juggling a family and a career is never easy - and it's becoming a real challenge for Sheriff Joanna Brady. Coping with the impending delivery of her second child as well as a staff shortage, the last things Joanna needs are two serious crimes. First, the body of an unidentified man is found in the desert, all of his fingers savagely severed. Following the scant clues, Joanna learns that the victim was an ex-con who had served 20 years in prison after confessing to the murder of his pregnant wife. During his last days, he was seen following and photographing a young woman.

After more than 20 years of distinguished service with the Seattle Police Department, Jonas Piedmont Beaumont is now working for the Washington State Attorney's Special Homicide Investigation Team or, as it's more commonly referred, the SHIT squad. But the more things change, the more they stay the same.

The three girls have been inseparable best friends since third grade: Josie, the athletic one; Perri, the brilliant, acerbic drama queen; and Kat, the beauty, who also had brains, grace, and a heart open to all around her. But their last day of high school becomes their final day together after one of them brings a gun to school to resolve a mysterious feud. When the police arrive, they discover two wounded girls. The third girl is dead, killed instantly by a shot to the heart.

In his 16th Matthew Scudder novel, All the Flowers Are Dying, New York Times best-selling author Lawrence Block takes the series to a new level of suspense and a new depth of characterization. Block puts Scudder, and the listener, at the very edge of the abyss.

Sleeping with a client's gorgeous girlfriend may have been the gutsiest move in Jack Hammond's formerly booming law career, but it wasn't the smartest. Booted from his elite law firm, Jack now scrapes by as a court-appointed attorney, his client list a revolving door of small-time drug offenders and petty thieves.

Brandon Walker, once the sheriff of Pima County, Arizona, no longer feels he has purpose. A reluctant retiree living in the long shadow of his wife, Diana Ladd, a successful author of true-crime books, he is bored with life. Salvation comes with an invitation to join The Last Chance, an exclusive fraternity of former cops and forensic experts who look into unsolved murders.

Following the death of his wife and daughter, Colm Truesdale is left mentally scarred. After time off, and with no desire to return to the courtroom, Truesdale is brought back into the investigation of the murder of a young woman who ran a beauty salon outside of town. When a page from her appointment book goes missing, and then the crime scene burns down, it’s up to Colm to untangle the web of deception that implicates a powerful judge and his family.

Detroit businessman Harry Mitchell has had only one affair in his twenty-two years of happy matrimony. Unfortunately, someone caught his indiscretion on film, and now wants Harry to fork over one hundred grand to keep his infidelity a secret. And if Harry doesn’t pay up, the blackmailer and his associates plan to press a lot harder—up to and including homicide, if necessary.

The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—Leonard demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies.

Sheriff Joanna Brady is looking forward to the holidays with her busy family, and to celebrating her daughter Jenny’s graduation from the police academy. But the family is interrupted when a body is discovered beneath a flooded bridge in the Arizona desert, and Joanna is called onto the case. A young boy was murdered, and the details of the crime scene tell Joanna two things: This was not the killer’s first murder. And it’s only a matter of time before he kills again.

Joe La Brava is an ex–Secret Service agent who gets mixed up in a South Miami Beach scam involving a redneck former cop, a Cuban hit man who moonlights as a go-go dancer, and a one-time movie queen whose world is part make-believe, part deadly dangerous.

Driven by a compulsion that challenges his self-control, the man calling himself Charles Milton prowls the rodeo circuit, hunting young women. He chooses those he believes are the most vulnerable, wandering alone and distracted, before he strikes. For years, he has been meticulous in his methods, abducting, murdering, and disposing his victims while leaving no evidence of his crimes—or their identities—behind. Indigenous women have become his target of choice, knowing law enforcement’s history of ignoring their disappearances.

Former Seattle homicide cop J. P. Beaumont faces trouble in the small town of Ashland, as both his personal and professional lives are thrown into turmoil. Beau’s daughter and son-in-law are having marital troubles, and his grandson, a senior in high school, shows up on his doorstep, wanting to live with Beau and his wife Mel as he finishes out the school year. Meanwhile, a friend from his past asks for Beau’s help in looking into what appears to be an accidental death.

A skilled mechanic and certified spitfire, Twinkle Winkleman is as hard as nails; she has to be with a name like hers. Twinkle learned everything there is to know about cars from her time in her daddy’s garage in Anchorage, and when her father dies, she gains ownership of the shop and Maude, her dad’s prized 1973 International Harvester Travelall. Life has not been kind to Twinkle: she grew up without her mother, her daddy’s gone, her ex-husband betrayed her, and her son Tad was killed after a trip to Seattle to handle some “unfinished business.”

Joe Flood is the professional assassin known as “the Slugger.” He’s made a career out of murder for hire, but only those who deserve it. Then a routine physical turns into a reckoning. Joe has cancer, his doctor tells him, with maybe six months to live. Joe decides to take fate into his own hands. Accessing the underground network of fellow hit men, he puts out a contract on himself: six million dollars from a Swiss bank account to the professional who will end his suffering quickly.