検索キーワード： 制作 "--Tyson Hanks" アート・エンターテインメント

Like many others on the autism spectrum, 20-something stand-up comic Michael McCreary has been told by more than a few well-meaning folks that he doesn’t “look” autistic. But, as he’s quick to point out in this memoir, autism “looks” different for just about everyone with autism spectrum disorder (ASD).

Adam and Callie live in a world recovering from devastating plagues that have killed billions. In their rigid society everyone must be ranked as Leet, Mid or Sub. As High Leets, they enjoy all the privileges that this superior rank can offer. But something is terribly wrong. A scandal is breaking that implicates their famous father, Professor Richard Stillman, in an unthinkable crime: the fabrication of human beings, the Frankenstein monsters of the 21st century. Now Adam and Callie are beginning to wonder about their long-dead brother, David.

While scavenging in the desert, Jansi stumbles across PIM, a stelcorp starship, embedded in the sand. PIM is damaged and needs the boy's help, but Jansi has never encountered a starship before, much less one capable of thought and expression. Together they forge an unlikely friendship, until a Stelcorp shuttle arrives, threatening PIM with destruction. For the boy and the starship, there will be no future unless they triumph against the galaxy's mightiest force.

In an attempt to lose weight, Izzie tries everything: one diet after another, a punishing exercise program and every bit of conflicting advice everyone can give her. Her constant worrying about her weight causes her to lose her confidence, and she stops appreciating the things in her life that are special - her supportive friends, the fact that she has been selected for a TV teen panel and a cute boy at the TV studio who seems to appreciate her just the way she is.

Boys are like buses for TJ. No sign of one for ages and then two come along at the same time! First there's charmer, Ollie Axford, and just when TJ has decided that he could be the one, old flame, Luke De Biasi tells her that he wants to re-kindle their romance.TJ is torn between the two boys, and unhappy that events have conspired to make her appear to be a two-timer.

Nesta's life is thrown into upheaval when she gets involved in charity work thinking that it might be a cool way to meet people (mainly boys.) But as her eyes are opened to the plight of the world, she begins to genuinely want to get involved and help others. On top of this, Nesta meets William, a boy who questions her motives. At times, she's convinced he hates her and the feeling is mutual. But Izzie, Lucy and TJ think it is something more like love.

It all started as stories - playground tales handed down for generations, stories of plague graves, vanished children and hidden steps leading to a festering underworld. A world so real you could almost smell it.... But when another child goes missing, Fraser wonders if there's some truth in the tales.

This audiobook describes drag racing and why it is only legal in a closed track. It provides information about the history of the sport, characteristics of the vehicles, important events, and famous drivers.

The crowd sways to the melodic strumming of a bossa nova guitarist. A vocalist belts out lyrics that blend English and Spanish. These are the sounds of Latin music. Before Latin music exploded into the mainstream in the 1990s, it was on the sidelines of American pop. Ritchie Valens fused Latin dance music with rock. Julio Iglesias popularized Latin ballads in the United States. And Gloria Estefan was the first crossover artist. But after Ricky Martin's "Livin' la Vida Loca" exploded onto the pop scene in 1999, Latin music took center stage.

One wakeful night in the aftermath of his mother’s death, Jack enters a land devoid of color or scent. Here he meets the tragic laughing beast and Alice, a strange girl with a secret. Will Jack escape before the terrifying wolvers find him? Or is he destined to be trapped in the Greylands forever? Only the cats know.

Dead in Bed by Bailey Simms: The Complete First Book follows Ashley Young after a sexually transmitted plague breaks out in her small town. When the plague begins leaving its victims with a bizarrely amplified libido, Ashley has to be willing to do anything - no matter how difficult or morally questionable - in order to survive.

What you see isn't always what you get in this funny and heart-wrenching story about two girls from different crowds who find common ground, by National Book Award finalist Julie Anne Peters.

The Branch is in shambles, but Anna, Sam, Cas, and Nick can't rest easy. Remnants of the organization lurk unseen and the flashbacks to their old lives are only getting stronger - especially Nick's. Following scattered memories and clues from his Branch file, Nick sets off alone in search of answers and in search of the girl who haunts his dreams. But the sleepy town where she lives in full of secrets and Nick soon learns that uncovering their shared past may have deadly consequences.

After fleeing the Branch with Sam, Cas, and Nick, Anna is trying to make sense of the memories resurfacing from her old life. At the same time, she's learning how to survive in hiding, following Sam's rules: Don't draw attention to yourself. Always carry a weapon. Know your surroundings. Watch your back. Then a figure from Anna's childhood reappears. Is it a Branch setup, or could it be the reunion Anna has hoped for? Uncertain of where her loyalties lie, Anna must fight to learn the truth - before she is betrayed again. Ultimately, the answers hinge on one question: What was the real reason her memories were erased?

Zoe has an unconventional pen pal - Mr. Stuart Harris, a Texas Death Row inmate and convicted murderer. But then again, Zoe has an unconventional story to tell. A story about how she fell for two brothers, betrayed one of them, and killed the other. Hidden away in her backyard shed in the middle of the night with a jam sandwich in one hand and a pen in the other, Zoe gives a voice to her heart and her fears after months of silence. Mr. Harris may never respond to Zoe's letters, but at least somebody will know her story...

New York City, uptown, Harlem. In the 1920s it was the most exciting place in the world. Poets, writers, dancers, and musicians all came together and invented a new American culture - a dazzling and revolutionary African American culture of music and poetry and art. Everyone who was anyone wanted to come to Harlem and hear the music of jazz genius Duke Ellington, the rap-like stylings of Langston Hughes, and the classical lyricism of Countee Cullen.

Everybody knows Cate Cahill and her sisters are eccentric. Too pretty, too reclusive, and far too educated for their own good. But the truth is even worse: they're witches. And if their secret is discovered by the priests of the Brotherhood, it would mean an asylum, a prison ship - or an early grave.

Seventeen-year-old Amy joins her parents as frozen cargo aboard the vast spaceship Godspeed and expects to awaken on a new planet, 300 years in the future. Never could she have known that her frozen slumber would come to an end 50 years too soon and that she would be thrust into the brave new world of a spaceship that lives by its own rules.

Through the telling of events from his own life, Wes Moore (author of the best-selling adult title The Other Wes Moore) explores the issues that separate success and failure. He also counterpoints his story with another man, someone who shared the same name, was almost the same age, grew up fatherless in a similar Baltimore neighborhood, but is serving a life sentence for murder. Compelled to write to the other Wes, the author was surprised to receive a reply. And so began a friendship, as letters turned into visits and the two men got to know one another.

Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. In this installment, arts writer and co-editor of Black Futures Kimberly Drew shows us that art and protest are inextricably linked. Drawing on her personal experience through art toward activism, Drew challenges us to create space for the change that we want to see in the world. Because there really is so much more space than we think.