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This guide reveals how writers can utilize cognitive storytelling strategies to craft stories that ignite readers’ brains and captivate them through each plot element. Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps...

En este manual, René busca desarrollar en el comunicador la capacidad de asombrar al público y de transmitir la emoción de descubrir hechos extraordinarios de la ciencia y la tecnología. El autor busca fortalecer el papel clave en esta época de crisis de los periodistas de ciencia, al promover el pensamiento crítico y fundamenta- do de la sociedad.

Edith Wharton made her claim in the literary world as the first woman to win the Pulitzer Prize in Literature. She is famous for her works of fiction, which include The Age of Innocence, The House of Mirth, and Ethan Frome. Breaking from this tradition, The Writing of Fiction sets itself apart as a distinctive work of nonfiction, in which Wharton pulls back the curtain to reveal the theories behind a great story. Consider it Wharton’s personal invitation to discover your own potential and jump-start your creative process.

James Marsh tells of his evolution from a troubled childhood to a long career in publishing that culminated in the creation of The Canadian Encyclopedia—what one reviewer called “the intellectual equivalent of the building of the CPR.” Through friendships, curiosity, the insights of a charismatic psychiatrist, his passion for books, and the intimate encounters with the authors he met, he championed a diverse and inclusive view of Canada, which was used to draw the great minds of an impossible nation together in a common national enterprise.

The Scribe Method is the tested and proven process that will help you navigate the entire book-writing process from start to finish–the right way.

Although there's no shortage of books on writing and publishing, there's none quite like Robert's Rules of Writing. Drawing on his many years of experience as an award-winning journalist, TV writer, and the author of over twenty books, Robert Masello addresses all the issues that confront, and all the problems that beset, writers of all stripes.

Many of us would love to jot down our fondest stories and our tallest tales to preserve forever in written form. But wanting to do something and knowing how to do it are two different things. This is not a book about sentence structure and grammar, but a book on helping you keep your head in the game once you’ve decided that writing a book is something you might like to do.

Borges in His Own Words is a fascinating work that immerses the listener in the linguistic essence of the celebrated Argentine writer Jorge Luis Borges. Through meticulous analysis, this book presents the 100 most used words by Borges, revealing the keys to his unique literary style and his profound worldview. Each word is explored in its context, intertwining the narratives and recurring themes that defined his work.

Le troisième livre audio sur la maîtrise du métier d'écrivain de romans de Fred Godefroy après "Comment écrire des romans à succès" et "Comment avoir des idées de romans à succès", "Comment créer des personnages de romans à succès" va vous faire rentrer dans la peau de vos personnages et dans leur esprit. Après cela, ce sera eux qui feront avancer votre histoire, même si vous arriverez parfois à reprendre les rênes. Mais avec les techniques et les outils que vous découvrirez dans ce livre audio, vous allez donner de la chair à vos romans.

Today, most business writing is email writing. We handle even our most important customer transactions, internal operations, and supplier partnerships solely by email. Yet many of us still struggle to write emails that get results. And we often are so overwhelmed by the sheer volume of emails that we feel as though we’re in email jail! How we handle email has a large impact on the trajectory of our career. Emails can build or destroy credibility, clarify or confuse situations for our coworkers and customers, and reduce or increase security risks and legal liabilities.

Art-Write:The Writing Guide for Visual Artists has a single intention: to teach artists how to write about their own artwork. This concise and current career resource is filled with achievable advice on how to write for art promotion and sales. The audiobook offers a step-by-step approach to create a professional artist statement, with thinking and writing exercises to ease the process and develop authentic and clear content.

When the world's biggest and most moving events took place - World War II, the Moon landing, the death of Princess Diana, and many more - Time magazine was there to tell the story with passion and clarity. This book features pieces by Barbara Ehrenreich, Henry Anatole Grunwald, Maureen Dowd, Walter Isaacson, Bono and many other famous writers, and will provide listeners with a uniquely entertaining view of 85 years of Time's history.

A unique and significant guide to selling more books through personal appearances and online interviews, brimming with information and resources as well as tips and ideas from nearly two dozen author-speaker professionals.The most powerful tool in your book promotion toolkit is your personality. The fact is that personality sells books.

With seven unpublished novels wasting away on his hard drive, Tony Vanderwarker is astonished when John Grisham offers to take him under his wing and teach him the secrets of thriller writing. The beginning and the end are easy,” Grisham tells him. It’s the three hundred pages in the middle that’s the hard part.” To ensure his plot doesn’t run out of gas, Grisham puts Tony though his outline process. Tony does one, and then Grisham asks for another and another and another.

Through their many bestselling books, Natalie Goldberg and Julia Cameron have done nothing less than deepen the way millions of us experience the art and practice of writing and creativity. Now with The Writing Life, Cameron and Goldberg join forces for the first time in this revealing dialogue...

Editing is an invisible art where the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. In What Editors Do, Peter Ginna gathers essays from 27 leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children's publishing, the contributors make the case for why editing remains a vital function to writers - and readers - everywhere.

Schreiben heißt für Doris Dörrie, das eigene Leben bewusst wahrzunehmen. Wirklich zu sehen, was vor unseren Augen liegt. Oder wiederzufinden, was wir verloren oder vergessen haben. Es ist Trost, Selbstvergewisserung, Anklage, Feier des Lebens. Doris Dörrie denkt auf diesem einzigartigen Hörbuch über das autobiographische Schreiben nach, gibt Tipps und kreative Anleitungen. Und sie legt gleich selbst los und erzählt hinreißend ehrlich von ihrem eigenen Leben.

Comment raconter une histoire pour que le lecteur soit accroché du début à la fin ? Comment structurer son roman pour qu'il ou elle le lise sans s'arrêter et dise à la fin : "c'est un bon roman" ? Que vous écriviez un policier, de la fantasy ou du fantastique, de la romance même, il existe des structures narratives qui font partie de l'inconscient collectif et que les auteurs à succès utilisent avec succès pour écrire des best-sellers.

Est-ce que le fait de préparer intensivement votre roman peut vous aider à écrire une meilleure histoire ? Les auteurs considèrent souvent les ébauches et la préparation avec peur et tremblements. Mais quand cette phase est bien comprise et correctement exécutée, elle devient une flèche redoutable dans votre carquois d'auteur.

Un auteur de romans doit être une machine à produire des idées. Pas le choix ! Mais d'où viennent les bonnes idées et comment les rendre meilleures pour écrire un roman à succès ? Vous avez une idée de roman ? OK, mais est-ce qu'une idée ça suffit pour écrire un roman de 25 000, 50 000 ou 120 000 mots ? Non ! Il en faut des dizaines et des dizaines. Et même si vous avez une bonne idée pour tout votre roman, vous pouvez encore l'améliorer pour en faire une grande idée, qui portera toute votre écriture.