検索キーワード： 制作 "Tantor Media" SF

Maxu never expected to find his fated mate. But he recognized Meg at first sight. Sadly, she's not as pleased with the match as he is. She's guarded in a way he doesn't entirely understand and pushes him away at every turn.

Here there be gods and monsters—forged from flesh and stone and vengeance—emerging from the icy abyss of deep space, ascending from dark oceans, and prowling strange cities to enter worlds of chaos and wonder, where scientific rigor and human endeavor is tested to the limits. These are cosmic realms and watery domains where old offerings no longer appease the ancient Gods or the new and hungry idols. Deities and beasts. Life and death. Love and hate. Science and magic. And smiling monsters in human skin.

My name is Carter Riley. I am a veteran peacekeeper--once a one-armed, homeless, jobless father, now the first human ever to come into contact with the Precursors' Cube on Mars, and proud owner of the most combative hamster in the galaxy. The artifact is what brought me to Sidus, a mysterious space station at the center of the galaxy. A dozen or so alien civilizations have also found their way here, seemingly to unite against a common enemy. Or common enemies.

The Free Fleet now has a powerful partner in the Ghatazhak. Together, they will finally be able to bring peace and prosperity to the fringe, and beyond.

Supernatural Secret Service agents Owen Sharps and Calvin Springfield meet on the train to their new assignment in St. Louis, and sparks fly between them. But it's 1897, and they need to be very careful—falling in love can be dangerous for men like them.

The twentieth century's so-called golden age of science fiction produced many great writers, yet none is greater than Clifford D. Simak, named Grand Master by the Science Fiction Writers of America. His bold visions of and ingenious speculations about humankind's future, always enriched with empathy and a deep understanding of human strengths, foibles, and failings, have stood the test of time, remaining powerful, affecting, and relevant.

I'm a prisoner of the Atori. And her. There's a pull toward this woman. It's powerful. Formidable. Unbreakable. This tiny human has shackled me. Taken me captive. Taken my mind. My desires. My heart. Will she take my honor as well? Or will my need for her shatter the demons plaguing me so I can finally be free?

Between the fights about who actually left socks all over the apartment (totally her) and who was the biggest workaholic (maybe a tie), we start to realize that the past isn't going to stay buried. All it takes is one illicit moment on the back of a motorcycle for us to reignite the passion that used to burn so hot between us. Returning to a love that broke both our hearts isn't going to help us survive. In fact it might just kill us. Problem is, we were never good at resisting one another.

I was the most powerful healer in my world—the best, having devoted my entire life to mastering the art of healing. And yet, for whatever reason, my brother feared that I sought to claim his throne, and he marshaled his forces against me.

She brought me back from the brink of death, only to become my life. The woman is my only connection to what lies beyond this cell. I need her to learn what happened to: My House. My brethren. My brother. Then I find myself wanting her for other things. Things that have nothing to do with freedom. And everything to do with the female.

The stage is the surveillance society of near-future Tokyo. In order to become an idol, Rei has sacrificed her private life as she focuses on her solo activities. Haunted by guilt, the insidious manipulations of a controlling talent manager, and the corporate bioapps colonizing her body, Rei must find a way to reclaim her discarded anonymity and autonomy within a cyberpunk society where Vocaloids and V-singers flourish.

I've had a full life: wife, mom, divorcee . . . and then alien property. All of that's changing now that I'm on the ice planet. Here, I'm free again, and I've found love once more. Vaza's older and a widower, but he knows how to make a woman smile both in the furs and out of them. Everyone around me has a baby in their arms or in their belly, though, and it's hard to be the only one without. I love nothing more than being a mama . . . and when I hear there's an orphan at the Icehome camp, I want to adopt him. Vaza and I have so much love to give, but will an alien baby love us back?

Lucan now knows who—and what—Mackenzie truly is. She is Terra, the supernatural boogieman whose tales of carnage are used by parents to bring wayward children in line. But she's captive, and the longer it takes to free her, the less choice he has—break the bond, or die. Mackenzie—thrust back into the nightmare of her childhood—learns the awful truth. Her captors have no mercy . . . and now they know how to force her to do their bidding. Her Achilles' heel. And they'll use that knowledge against her in the worst possible way.

I'm a glass half-full girl, but this last week has really tested my outlook on life. First of all, aliens exist. Yeah, there's a doozy. Second of all, they steal humans from Earth, and they're not nice about it. Like at all. Anger issues abound in other galaxies apparently. My situation worsens when I learn I'm the prize in some really effed-up alien gladiator games. I'm just going to admit it now—my glass is empty, and this doesn't look good for me.

Fossi Lovejoy knows she is too odd, too intelligent, too old, and too poor to ever marry. So she busies herself in her father's ministry and her mathematical equations, choosing to focus on what she has, not what she lacks. But then Lord Whitmoor publishes one of her private theorems, taunting her to respond. Fossi is compelled to action—when you have so little in life, you defend the few things that are yours with ferocious tenacity. Even if it means matching wits with the infamous Lord Whitmoor. Can two people past their youth find unexpected love?

Captain Konrad Bradley commands the decommissioned battleship Oberon, the last remaining Titan of the fleet. Mocked as a flying museum-too expensive, too cumbersome, too old-Bradley and his crew of outcasts from a long-vanished colony lead a dull life on the farthest edge of human hegemony. Bradley's hope to go quietly into the night ends with the arrival of the legendary Strike Group 2 and the delivery of a secret so great it could end the war. That's why Lagunia was chosen for its construction.

The Changing Land picks up shortly after the events chronicled in Dilvish, the Damned. Dilvish must gain entry to Castle Timeless if he is to destroy his nemeses Jelerak. Unbenounced to Dilvish, Jelerak is also seeking to gain entrance to his own castle as his apprentice has blocked him out while attempting to lean the castles secrets so that he may become lord of Castle Timeless. The castle is protected by a lethal, chaotic, ever-changing land. In a race against time and reality itself both Dilvish and Jelerak must survive the maze-like changing lands.

Lieutenant Art Burkett is called up to take part in a rescue mission. Three scientists have been kidnapped by the terrorist group Thieves in Law. The rescue is swift. Art and his team return to military craft SubOrbital 7, intending to return to safety with hostages rescued and prisoners in tow. But Thieves in Law are not the only people looking for them. Art and his team must fight an ever-growing threat before time runs out for them, and possibly for the rest of the world.

I was a Hunter, and I honored the Code. For my services to humanity and for leading a "proper" life, I was to be rewarded. A new life after death, and a new world to give me some well-deserved rest. But something went wrong. Once again, I must fight. The Monsters that face me here are far more terrifying than those of my past life. They are cleverer, crueler, more unpredictable. And their name is.

The new Dragon Host goes operational with a mission for the Terrans. But as their numbers and skills rise, so do the questions. Why did the last Host end? Why are dragon kind so scattered? Are there any more to be found? And most importantly, where did the dragons come from originally? But what gets Bud started on all of these is an even deeper mystery. Why do the Keerah fear the dragons and no-one else? The Host must quest for its own past. But for Bud, it's become the Dragon Imperative.