検索キーワード： 制作 "HarperAudio" 大衆小説

They say a Rider in possession of a good blade must be in want of a monster to slay—and Merybourne Manor has plenty of monsters. Passionate, headstrong Aliza Bentaine knows this all too well; she’s already lost one sister to the invading gryphons. So when Lord Merybourne hires a band of Riders to hunt down the horde, Aliza is relieved her home will soon be safe again. Her relief is short-lived.

“All the tales are a variety of detective story,” wrote Bowles of this, his first short story collection, “in which the reader is the detective; the mystery is in the motivation for the charcters’ behavior.” In such stories as “A Distant Episode” and How Many Midnights,” Bowles pushes human character beyond socially defined limits and maps a transformed (often horribly transformed) reality.

It is midnight on the morning of Halloween, and Jen anxiously waits up for her 18-year-old son, Todd, to return home. But worries about his broken curfew transform into something much more dangerous when Todd finally emerges from the darkness. As Jen watches through the window, she sees her funny, seemingly happy teenage son stab a total stranger.

The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles’s writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country’s 1954 nationalist uprising. Totally relevant to today’s political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider’s House is perhaps Bowles’s best, most beautifully subtle novel.

In the title story of Walk Between the Raindrops, a woman sits down next to a man at a bar and claims she has ESP. In “Thirteen Days,” passengers on a cruise line are quarantined, to horrifying and hilarious effect. And “Hyena” begins simply: “That was the day the hyena came for him, and never mind that there were no hyenas in the South of France, and especially not in Pont-Saint-Esprit—it was there and it came for him.”

Shelly Means, a stay-at-home mom and disgraced former PTA president, is poised to get the one thing in life she really wants: a beach house in the Hamptons. Surely, once she has her beach house, Shelly will at last feel at peace, in control, and content. It might be a very small house, and it might be in the least-fancy part of the Hamptons, but Shelly is hell-bent on achieving this idea of paradise.

Nigerian author Omolola Ijeoma Ogunyemi makes her American debut with this dazzling novel which explores her homeland’s past, present, and possible future through the interconnected stories of four fearless globe-trotting women.

Maja Jensen is smart, stylish, and careful, the type of woman who considers every detail when building her dream home in the suburbs of Philadelphia. The perfect house that would compensate for her failure to have a child, the house that was going to save her marriage. But when a group of reckless teenagers trash the newly built home just weeks before she moves in, her plans are shattered. Those teenagers, two months away from graduating high school, are the “good kids”—the ones on track to go to college and move on to the next stage of their privileged lives.

Just let him go. These are the words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends. That night, Denny—optimistic, guileless, brilliant Denny—is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, an indifferent police force, and the worst heroin epidemic in Australian history.

In 1927, South Africa passes the Immorality Act, prohibiting sexual intercourse between “Europeans” (white people) and “natives” (Black people). Those who break the draconian new law face imprisonment—for men of up to five years; for women, four years. Abram and his wife Alisa have their share of marital problems, but they also have a comfortable life in South Africa with their two young girls. But then the Act is passed. Alisa is black, and their two children are now evidence of their involvement in a union that has been criminalized by the state.

As the fourth daughter of the perpetually in-mourning Queen Victoria, Princess Louise’s life is more a gilded prison than a fairy tale. Expected to sit quietly next to her mother with down-cast eyes, Louise vows to escape the stultifying royal court. Blessed with beauty, artistic talent, and a common touch, she creates a life outside the walled-in existence of the palace grounds by attending the National Art Training School—where she shockingly learns to sculpt nude models while falling passionately in love with famed sculptor Joseph Edgar Boehm.

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

In 1969, at the height of the Vietnam war, nurse Rowie Leonard is serving a 12-month tour of duty. She supports the war and is committed to caring for wounded New Zealand and Australian troops. After a few months, however, she realises that nothing at all about the conflict is as clear-cut as she'd assumed.

Molly's a millennial home organiser about to have her first baby. Obviously her mum, Annie, will help with the childcare. Everyone else's parents are doing it. But Annie's dreams of music stardom have been on hold for thirty-five years, paused by childbirth then buried under her responsibilities as a mother, wage earner, wife, and only child of ailing parents. Finally, she can taste freedom.

Glass artist Lucy Marinn has just had her heart shattered. She had envisioned a beautiful future in Friday Harbor with her fiancé Kevin. But not only has Kevin dumped her—he’s left her for her sister. Despite his betrayal, Lucy largely blames herself—apparently this was just another wrong move in a series of bad romantic choices. Kevin may not want to marry Lucy, but he still cares for her. He convinces his friend Sam Nolan, who owns a vineyard on San Juan Island, to date Lucy and help her recover from her bitterness.

Maggie Adair’s first year as a teacher at Downey House was a surprising success. After making the leap from an inner-city school in Glasgow, she’s learned to appreciate the mellower pace of the girls’ boarding school by the sea. Now engaged to her longtime boyfriend, sweet and steady Stan, Maggie’s just got to stop thinking about David McDonald, her colleague at the boys’ school down the road. Well, hasn’t she? Can Maggie take a leaf out of the Well Behaved Teacher’s exercise book and stick to her plan for a small but elegant wedding and settled life of matrimony?

A critical sensation in France, The Ghetto Within is its author’s personal attempt to confront his grandfather’s silence. Passed down, from generation to generation, the silence of Amigorena’s grandfather became his own. A gripping study of inheritance, The Ghetto Within re-imagines the life of this Jewish grandfather, a Polish exile in Argentina, whose guilt provokes an enduring silence to span generations.

At thirty-five, Mika Suzuki’s life is a mess. Her last relationship ended in flames. Her roommate-slash-best friend might be a hoarder. She’s a perpetual disappointment to her traditional Japanese parents. And, most recently, she’s been fired from her latest dead-end job. Mika is at her lowest point when she receives a phone call from Penny—the daughter she placed for adoption sixteen years ago. Penny is determined to forge a relationship with her birth mother, and in turn, Mika longs to be someone Penny is proud of. Faced with her own inadequacies, Mika embellishes a fact about her life.

In New Delhi in the 1980s, Aahan Sikand and Rajesh Kumar are childhood playmates. They have been brought up under the care of the same woman, living in the same house, but with starkly different realities - Aahan is the only son and heir of the fabulously wealthy Sikand family, and Rajesh is the son of Mr Sikand's driver.

When the pandemic hits, Kristofer is forced to shutter his successful restaurant in Reykjavik, sending him into a spiral of uncertainty, even as his memory seems to be failing. But an uncanny bolt from the blue—a message from Miko Nakamura, a woman whom he’d known in the sixties when they were students in London—both inspires and rattles him, as he is drawn inexorably back into a love story that has marked him for life.