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India, 1992. The country is ablaze with riots. In Lucknow, ten-year-old Shubhankar witnesses a terrible act of mob violence in which his family are complicit: an act that will alter the course of his life. In the two decades that follow, Shabby must wrestle with the ghosts of his past, the expectations of his family, and the seismic shifts taking place around him as the country enters the new millennium. As an adult in Mumbai, he encounters Syed and Shruti, who, like him, are seeking the freedom to rewrite their stories while navigating the contradictions of modern India.

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. With her marriage, she gave up on her own career as a concert pianist, but her husband Bowen has long rebuffed her desire to have a child. Instead, she must accommodate her mother-in-law, newly arrived from the province of Yunnan and bringing with her long-buried family secrets. Soon strange parcels start to show up on the doorstep and Song Yan's dreams become troubling and claustrophobic.

Milan, 2020. Drawn abruptly from his reclusive life in London for a friend's funeral, Frank finds himself in the eye of a pandemic he had barely registered on the news. From the relative comfort of his balcony at Hotel Milano, he surveys the train station across the piazza, seeing the mad dash for the last trains, hearing the sirens and watching the police stop people in the street. He feels himself remote from it all. Then, one night, the sound of a child's footsteps leads him to discover a family sheltering secretly above him: a family who need his help.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough” work. It is at once the chronicle of an African boy’s coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism.

In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. A century later, thousands of Ukrainian citizens gathered at Independence Square (Euromaidan) in Kyiv to protest then-President Yanukovych's failure to sign a referendum with the European Union, opting instead to forge a closer alliance with Russia. The peaceful protests turned violent when military police shot into the crowd, killing over a hundred civilians. This novel follows four individuals over the course of a the Ukrainian winter, as their lives are changed forever by the protests.

There's sibling rivalry and then there's the relationship of brothers Cal and Frank Belanger, which takes fraternal antipathy to a whole new level. Enemies seemingly since childhood, the small town of Littleford, where they are nicknamed 'The Bad Angle Brothers', just isn't big enough to hold them both. So Cal strikes out for the world's wild places—a gifted geologist in search of gold and other precious minerals, leaving Frank to develop a successful career as the town's lawyer, fixer and local hero.

Two little girls go missing on the same day in Stockholm. Their disappearances are never explained. In time, the investigations are abandoned. A chance discovery puts Detective Ewert Grens back on the trail five years later. His own personal trauma makes him determined to find out what happened to these children who were snatched from a supermarket and a car park and never seen again. His search leads him into the recesses of the dark web and the discovery of a paedophile ring that can only be cracked from the inside.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn’t always think it. You’d have to know them to know that—in spite of what the neighbors might say about raised voices and dramatic scenes—their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It’s a story of terrible betrayals and fierce loyalties, isolation and togetherness, of transgression, forgiveness, desire, and love.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself when confronted by the urgent uncertainties of experience.

Nothing ever changes in Redford, Georgia. It’s part of what freelance editor Jess Reid loves about her hometown—and part of what keeps her from ever leaving, no matter how much she might want to. That, and her relationship with her father, a car mechanic who raised her on his own after her mom left town. Jess is resigned to a safe, unremarkable existence...until Jasper Wilhelm, the town’s eccentric benefactor, dies suddenly. At his funeral, it’s revealed that he’s left his entire fortune to the people of Redford—but they’ll have to compete for it.

A woman in 15th century West Africa named Ada buries her child and confronts a Portuguese enslaver. A woman in Victorian England named Ada Lovelace, a mathematical genius and computer programming pioneer, tries to hide her affair with Charles Dickens from her husband. A woman named Ada, imprisoned in a concentration camp at Mittelbau-Dora in 1945, will survive one more day in enforced prostitution. Connected by an unknown but sentient spirit, and a bracelet of fertility beads that each Ada encounters at a pivotal moment in her life, these women share a name and a purpose.

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga - literally 'victory city' - the wonder of the world.

On a summer night in 1985, the lives of three teenagers are shattered by a horrific car crash in which a young woman is killed next to the sprawling oak tree that marks the perimeter of 18 Division Street. For the Wilfs, it will become the deepest kind of family secret, one so dangerous it can never be spoken. Secrets preside over the neighborhood along with the majestic oak. As we move through the decades, watching this family change and grow, we see how each of them is haunted by what they choose to ignore.

One day, Édouard Louis finds a photograph of his mother from twenty years ago. A picture of a happy young woman, full of hopes and dreams. Growing up, Édouard only knew his mother's sadness, as she found herself trapped in the humdrum life of a housewife, and her struggles against the dominant world of men. What happened in those years since the photo was taken? Then, at the age of forty-five, his mother frees herself from this oppression. She leaves her husband and her old life behind, to start a new one in Paris.

September 1943: German forces occupy Rome. SS officer Paul Hauptmann rules with terror. The war's outcome is far from certain. An Irish priest, Hugh O'Flaherty, dedicates himself to helping those escaping from the Nazis. His home is Vatican City, the world's smallest state, a neutral, independent country within Rome where the occupiers hold no sway. Here Hugh brings together an unlikely band of friends to hide the vulnerable under the noses of the enemy. But Hauptmann's net begins closing in on the Escape Line and the need for a terrifyingly audacious mission grows critical.

London, 1978. Yamaye, a woman in her 20s unsure of who she is, but with dreams of being a DJ and MC. Yamaye lives for the weekend, when she can go raving with her friends at The Crypt, an underground club in the industrial town on the outskirts of London where she was born and raised. Everything changes when she falls deeply in love with Moose: he offers the chance of freedom and change. When their relationship is cut brutally short, Yamaye goes on a dramatic journey of transformation.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.