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The ripples from a breakup radiate outwards from the room where a married couple once loved each other, and a bizarre Lonely Hearts advert sets off a train of tragicomic events that lead to an inevitable conclusion. Tove Ditlevsen’s final novel – published a year before her suicide in 1976 – is a masterful conclusion to a great work of writing: a blackly funny and devastating tour-de-force that pulses with life even as it journeys towards death.

While on a business trip to Kobe, Tsuneo Asai receives the news that his wife Eiko has died of a heart attack. Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly spoken government bureaucrat, perplexed. How did it come about that his wife, who was shy and withdrawn, and only left their house twice a week to go to haiku meetings ended up dead in a small shop in a shady Tokyo neighbourhood?

Eliot Weiner – snob, shameless opportunist, Morris dancing-obsessive – is on a mission. He has got wind of a trunk of bawdy love letters by Warren Harding, ‘the shallowest President in history’, now guarded by his octogenarian mistress on her crumbling Hollywood Hills estate. They could reignite his failing academic career – and there’s no depth to which he won’t stoop, no preposterous scheme he won’t undertake, to get at them.

One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels.

Written immediately before Ágota Kristóf's acclaimed Notebook trilogy, the works here oscillate between parables, surrealist anecdotes, and stories animated by a realism stripped to the bone. By turns harrowing and whimsical, cruel and sharply funny, Kristóf’s world shifts our gaze to a shared reality, past and present. Here exile and existential alienation are undeniable – as is the force of every sentence, making for extraordinary and essential reading.

In a quaint village, nestled outside the bustling heart of Seoul, lies a book-lovers paradise. With its wafts of delicious food and book-filled shelves Soyangri Book Kitchen is dotingly managed by its plucky proprietor Yoojin. Her aim? To create a sanctuary, for weary souls like her own. But the Book Kitchen is more than just a place to eat or read, it’s a place which offers its guests a true escape, not just inside the pages of its many books, but in the warm embrace of an overnight ‘Book Stay’.

After fifty years in London, Alice wants to live out her days in the land of her birth. Her three children are divided on whether she stays or goes. In the wake of their father's death, the imagined stability of the family begins to buckle. Meanwhile youngest daughter Melissa is forging a new life but has never let go of a love she lost. Michael too remains haunted by the failed perfection of their past, even within the sturdy walls of his marriage to the sparkling Nicole.

A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad's highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

Denise Levertov has called the poet Pattiann Rogers “a visionary of reality, perceiving the material world with such intensity of response that impulse, intention, meaning, interconnections beyond the skin of appearance are revealed.” The consistent theme In Flickering, her new collection, is the very breadth and prodigiousness of the universe itself. These wise poems, many inspired by various kinds of flickering actions in plants, animals, and natural processes, move nimbly between inner and outer worlds.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna family. So when Ana María is secretly sent to London with her sisters to seek refuge from the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox.

Jamie O'Neill loves the colour red. He also loves tall trees, patterns, rain that comes with wind, the curvature of many objects, books with dust jackets, cats, rivers and Edgar Allan Poe. At age 13 there are two things he especially wants in life: to build a Perpetual Motion Machine, and to connect with his mother Noelle, who died when he was born. In his mind these things are intimately linked. And at his new school, where all else is disorientating and overwhelming, he finds two people who might just be able to help him.

Spring 1938. The Vienna Writers Circle meets at Café Mozart to share hopeful stories during a hopeless time. Mathias and Johannes - fellow writers, cousins, and close as brothers - thrive within this creative group of friends. But when the Nazis take over Austria, everything changes. With their families' lives now under threat, the men hide in plain sight using false identities. The safety of their loved ones and their writing is their only salvation.

On a cool autumn morning, Torie Nash heads into her village pulling a rickety wagon filled with late-season peaches. As she nears an intersection, a mysterious drifter with grimy thumbs and smudged cheeks and eyes as dark as a raven's wing stops to ask her the way. She could turn left or cross over. But she does not. 'Go as a river,' he whispers. So begins a mesmerising story that unfolds over a tumultuous lifetime as Torie begins to absorb and follow his words.

New York heiress Catherine Dohan seemingly has it all. There’s only one problem. It’s a lie. As soon as the Morro Castle leaves port, Catherine’s past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead—and why.

Yamaye lives for the weekend, when she goes raving with her friends, the “Tombstone Estate gyals,” at The Crypt, an underground dub reggae club in their industrial town on the outskirts of London. Raised by her distant father after her mother’s disappearance when she was a girl, Yamaye craves the oblivion of sound - a chance to escape into the rhythms of those smoke-filled nights, to discover who she really is in the dance-hall darkness.

Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole. With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez.

Arthur and Jake are brothers yet worlds apart. Arthur is older, shy, dutiful and set to inherit his father's farm. Jake is younger, handsome and reckless, a dangerous man to know. When Laura arrives in their rural community, the fragile balance of the brothers' rivalry is pushed to the edge of catastrophe.

1960. The border between East and West Germany has closed. For Elisabeth - a young painter - the GDR is her generation's chance to build a glorious, egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty and desire.

Sixteen-year-old Sashi wants to become a doctor. But over the next decade, as a vicious civil war tears through her hometown of Jaffna, her dream takes her on a different path as she sees those around her, including her four beloved brothers and their friend, get swept up in violent political ideologies and their consequences. Desperate to act, she must ask herself: is it possible for anyone to move through life without doing harm?