検索キーワード： 制作 "Blackstone Publishing" 世界文学

James Still left eastern Kentucky for Europe in 1941 after enlisting in the US Army during World War II, leaving behind a recently published, semi-autobiographical work of fiction, On Troublesome Creek. Even as he developed a broader worldview, his work continued to draw from the agrarian and regional sources of life in the Cumberland Plateau that supported the American war effort. Like the riverbeds and creeks he so often evoked, Still reminds listeners of the local and regional founts that they were fighting for in the century’s second global war.

Nivedita (a.k.a. Identitti), a well-known blogger and doctoral student, is in awe of her supervisor—postcolonial and race studies professor Saraswati. But her life and sense of self are turned upside down when it emerges that Saraswati is actually white. Nivedita’s praise of Saraswati during a radio interview just hours before the news breaks calls into question her own reputation as a young activist. Following the uproar, Nivedita is forced to reflect on the key moments in her life, when she doubted her identity and her place in the world.

Nida, intelligent and lonely, has married into an affluent political family and is desperately searching for meaning in her life, while impulsive, lovely Sasha, from the ordinary middle class, willingly consorts with rich men who can satisfy her frantic longing for designer labels and upmarket places. Nida and Sasha meet at the famous Data Sahib Dargah and connect—their need to understand why their worlds feel so alien and empty bringing them together.

Marian Elliot Adams, an outspoken advocate for sensible undergarments for women, sweeps onto the Chautauqua stage under a brown canvas tent on a sweltering August night in 1917, and shocks the gathered town of Emporia with her speech: How can women compete with men in the work place and in life if they are confined by their undergarments? The crowd is further appalled when Marian falls off the stage and sprains her ankle, and is forced to remain among them for a week. As the week passes, she throws everything into turmoil.

Scholastique Mukasonga’s five autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or “igifu,” gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent’s bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls.

Nine years after the Fukushima Daiichi nuclear power plant disaster, Japan is preparing for the 2020 Tokyo Olympics. An unnamed narrator wakes up in a cold, sterile room, unable to recall her past. Across the country, the elderly begin to hear voices emanating from black stones, compelling them to behave in strange and unpredictable ways. The voices are a symptom of a disease called “Trinity.”

A teenager in pre-revolutionary Tehran, Massoumeh is an average girl, passionate about learning. On her way to school she meets a local man and falls in love, but when her family discover his letters, they accuse her of bringing them dishonor. She is badly beaten by her brother, and her parents hastily arrange for her to marry a man she has never met. Facing a life without love and the prospect of no education, Massoumeh is distraught, but a female neighbor urges her to comply: “We each have a destiny, and you can’t fight yours.”

Saeed is the comic hero, the luckless fool, whose tale tells of the aggression and resistance, terror and heroism, reason and loyalty, that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian—no hero still, but a simple man intent on survival and, perhaps, happiness.

When Rana finds herself not only falling for a man of the wrong faith, but also getting into trouble with him, where can they go to escape? Can Hayat’s secret liaisons really suppress the memories of her abusive father? When Ali is pressured by society’s homophobia into a fake heterosexual marriage, how long can he maintain the illusion? And when spinsterhood and divorce spell social catastrophe, is living a lie truly the best option for Leila?

Three Wishes in Bardo draws an intimate picture of twentieth-century Hong Kong while telling the story of a typical Hong Kong bright boy and his devoted mother. It is also a story of scientific labor and discovery, where single-mindedness, integrity, talent, and skill rise from the mire of academic sharp-practice and envy. Different strands of the plot weave together to form a climactic ending where all characters’ lives resolve into fulfillment with a touch of humor and true catharsis created from genuine surprise.

Throughout Southern India, eighty-six villages are set to completely submerge due to a government-sanctioned dam across the Krishna River. Nilgi, one such village on the banks of the mighty River Krishna, has so far escaped unscathed from the illegal iron-ore mining and floods that have ravaged the rest of the district for decades. The village believes itself to be indestructible and incorruptible despite warnings of impending doom.

Seventeenth-century northern Nigeria. A royal messenger has died under suspicious circumstances. Tasked with investigating the death, a Durbar warrior and his young apprentice must endure trials of loyalty, betrayal, and sacrifice to solve the mystery and prevent the bitter rivalry between two kingdoms from descending into a bloody war.

Where do writers go when they die? The forgotten ones, at least, go to the Café of Minor Authors where they drink endless cups of cappuccino, self-obsess, and nurse their shattered dreams. Some authors, it’s rumored, can escape Oblivion if they try hard enough to write something the universe can’t ignore, even after death. This is the story of one ambitious writer stuck in Oblivion who not only risks upturning his own fate but also the fate of his literary hero and that of his great grandmother, Hanna, an aspiring actor in the Yiddish theater in the Prague of 1911.

Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Em is not a romance in any usual sense of the word, but it is a word whose homonym—aimer, to love—resonates in every minute, a book powered by love in the larger sense. A portrait of Vietnamese identity emerges that is wholly remarkable, honed in wartime violence that borders on genocide, and then by the ingenuity, sheer grit, and intelligence of Vietnamese people.

When Timur remarries, the girls’ new stepmother has none of their mother’s warmth, so Gül feels compelled to take on the role of mother to her younger siblings. Their village upbringing is full of simple pleasures: summer evenings sat outside listening to the radio, games played in the street. But the world is evolving, and with an emerging focus on economic growth and prosperity as modernity creeps in, Gül’s future is unknown.

The hero of The Invisibility Cloak lives in contemporary Beijing—where everyone is doing their best to hustle up the ladder of success while shouldering an ever-growing burden of consumer goods—and he’s a loser. Well into his forties, he’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall. He gets by just by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. Then an old friend tips him off about a special job....

Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer), is on the brink of suicide. He has just been served divorce papers by his wife, Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat … until a semi-feral girl shows up, fascinated by the canoe Buck is building.

Solitario Cisneros thought his life was over long ago. He lost his wife, his family, even his country in the late 1870s when the Rio Grande shifted course, stranding the Mexican town of Olvido on the Texas side of the border. He’d made his brooding peace with retiring his gun and badge, hiding out on his ranch, and communing with horses and ghosts.

After the tragic death of her parents when she was just four years old, Raqi is sent to live with her uncle Dodge in Escondido, California. Taking after her Mexican father, Raqi immediately faces hostility from the members of Dodge’s all-White, one-percenter motorcycle club, the Lawless, and from her uncle himself. Being raised by a drug addict is no picnic, and Raqi must quickly learn how to survive. She manages to form a few friendships. Still, as soon as she can, she leaves the violence and bigotry behind and doesn’t look back.

In 1943, the 20-year-old Polish poet Tadeusz Borowski was arrested and deported to Auschwitz as a political prisoner. What he experienced in the camp left him convinced that no one who survived Auschwitz was innocent.