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Nestled between the smoky, rolling peaks of Southern Appalachia lies the town of Brevard, North Carolina. When Chris Avery's family moves to Brevard in the early 1970s, Chris quickly becomes immersed in a world untouched by the mire of life outside the mountains.

Set in the underground bar and club scene of 1970s Tokyo, Set My Heart On Fire tells the story of Izumi in her turbulent twenties. Through a series of disarmingly frank vignettes, author Izumi Suzuki presents an unforgettable portrait of a young woman encountering missteps and miscommunication, good music and unreliable men, powerful drugs and disorientating meds. Izumi usually keeps her relationships short but complicated, until she meets Jun.

A frantic young girl flees the reservation to escape the horrors of abuse at the hands of her adoptive family. Despising her white father they blame for the death of the girl's mother. The man is driven out only to be found dead along a lonely stretch of dirt road. Suffering through a long and desperate struggle on the back streets of Albuquerque, the girl somehow manages to survive, and against all odds, eventually claws her way up from the depths of degradation to a life of success beyond her wildest imagining.

It's been five years since Bridget Theroux's death shocked the small town of Dalton, Maine, leaving behind husband Nate and daughter Sophie, now a vibrant young child. Nate doesn't always know how to answer her questions, but he is intent on raising her with joy—and shielding her from her grandmother, Annette, who remains dangerously locked away in her grief.

Pretending to date my rich, sexy, and caring friend Gabriel could grant us the deal of a lifetime . . . or ruin my chances of ever running my family's company. Gabe is handsome and surprisingly down to earth for a billionaire. Teaming up with him for a massive project shouldn't have required us to fake a relationship. My machista Latine family is to blame for forcing us into it. They think my goal should be to settle down and make babies, not run a corporation. But I won't let anything come between me and my career plans . . .

Yellow dirt gathers in the creases of the toddler's dirty blue jeans and on the little hands used to brush away a pesky fly. The same yellow particles that cling to the walls of the Hogan, contaminates the drinking water and fills the air where his father works only to come home covered with yellow dust. Yellow dirt. That enriches the powerful, but at the expense of the unsuspecting Dine.

Deadfall tracks Charlie Yazzie, Thomas Begay, and Harley Ponyboy into unfamiliar territory. When a family member unexpectedly dies, a debilitating sense of loss overcomes our friends on the reservation. The ties that have bound them begin to unravel. What witch's evil is at work? Is the bond forever broken? Or is there a connection to the ancient past that might bring this malevolent aura to an end?

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers' drug addictions.

When RaeLynn Shaffer is found on the highway near the Black Horse Campground-drugged, beaten, and unconscious-the mystery behind her disappearance weeks earlier only grows deeper. Soon it's apparent that she wasn't meant to be found alive . . . and what she knows could be fatal to the people she cares about . . . especially campground owner, Corrie Black.

As a sergeant for the Apache Tribal police, Al Victor considers it his responsibility to protect traditional Apache culture while enforcing the law. But now those two duties are coming into direct conflict as he tracks a vagrant medicine man onto sacred ground.

Jamie O'Neill loves the color red. He also loves tall trees, patterns, rain that comes with wind, the curvature of certain objects, books with dust jackets, rivers, cats, and Edgar Allan Poe. At age thirteen, there are two things he wants most in life: to build a Perpetual Motion Machine, and to connect with his mother, Noelle, who died when he was born. In his mind, these things are intimately linked, and at his new school, despite the daily barrage of bullies and cathedral bells, he meets two teachers who might be able to help him, though each struggles against inertias of their own.

Henry David Thoreau was a leading figure in the American Transcendentalist movement and the era of US literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and experiments in back-to-basics living.

Jake is a giant with the strength to handle my curves and the sweetness to write love songs. He likes it when I push him, wondering if he'll pin me against the wall and break—again. For years we resisted. He's too loyal to my brother and my parents, who treat him like a son. To make matters worse, I'm his boss, so we shouldn't pursue it. Until too many hours alone planning his upcoming promotion and a family event make us forget all about rules. Soon we can't keep our hands off each other. When I hear the songs he wrote about me? I'm done for.

Six years ago, one fight ended it all . . . And now Tracey Walker has bittersweet memories and a secret that she keeps close to her heart. A fresh start in a new town is just what she and her five-year-old son need to move on from the past. But when she discovers her old flame lives a few doors down from her, she's confronted with the urge to tell him everything.

A man travels to Lisbon ahead of his wife to prepare their new home, while she stays in New York to oversee a research project on the neuroscience of memory and fear. Leaving behind a phase of their relationship indelibly marked by 9/11, the man revels in the Portuguese capital's temperate weather and the neighborhood's calmness, meticulously planning the details of their future.

October 1502. As Cesare Borgia sets out to invade the Florentine Republic, Niccolò Machiavelli is sent to spy on him and to glean details of his nefarious plan. But when Borgia asks Machiavelli to write his life story, their bond gains complexity and nuance: ultimately, they both aspire to everlasting fame and to achieve it, they need each other, for the one's sword can only rule in eternity via the pen of the other.

Fanny Price, in Mansfield Park, tells her persistent suitor that "we have all a better guide in ourselves . . . than any other person can be." Sometimes, however, we crave external guidance: and when this happens we could do worse than seek it in Jane Austen's own subtle novels. Written to coincide with Austen's 250th birthday, this approachable and intimate work shows why and how—for over half a century—Austen has inspired and challenged its author through different phases of her life.

Populated by a cast of imagined con artists, holy fools, drag queens, and partisans—as well as some very factual politicians, priests, and generals—this novel started life as a pseudonymous blog written "live" by "Shalash" during and after the Second Iraq War. Shalash the Iraqi is here presented in its first authorized translation, with the blessing and commentary of "Shalash" himself.

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip's place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

For months, I've tried to stop loving her. Begged myself in the darkness of the night as I lay awake, to let her go. So badly, I've wanted to move on from the hurt inside and the love I still cling to, but I can't. Telling myself not to love her is like telling myself to stop breathing. Impossible. Unfathomable. But watching her prepare to marry another man is like a searing knife to the heart that keeps twisting. Beginning a new life in California seemed like the only option, but seeing her while I lie in my hospital bed, I can sense something is amiss.