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In the rural town in Pakistan where Baadal grows up, children are named like talismans to sustain life and ward off unhappiness. At seventeen, Baadal has come to understand why his parents gave him that name, with hopes that their Big River will one day flow wide again, and their thirst will be quenched after years of drought. But in the final year of his schooling, abundance seems impossibly far away. As his parents' marriage reaches a breaking point, the only comfort Baadal can afford is a budding kinship with Meena, a divorced older woman he meets on the banks of the drying river.

Lu's worry dolls are at-capacity as she tries to outrun the ghosts from her past—including loved ones stolen on 9/11—by traveling through her mother's homeland of Guatemala, to discover the painful reasons behind her own dysfunctional childhood, and why she must trust in the magic of the legend.

Ivan and Phoebe chronicles the lives of several young people involved in the Ukranian student protests of the 1990's, otherwise known as the Revolution On Granite or the "First Maidan." Married couple Ivan and Phoebe grapple with questions about family, trauma, and independence. Although Ivan tells the story, Phoebe's voice rings through the text as she divulges her own traumas through poetic monologues. The two reflect on the traumatic aftermath of revolution: torture at the hands of the KGB and each other.

Caroline McAlister, college professor and lifelong skeptic, is reeling from the loss of her father and her marriage. Her once promising career has come to a standstill. When her father bequeaths the family cabin to her, it comes with a ghost who haunted her childhood. When she discovers a century-old journal in the attic, she awakens the voice of Carson Quinn. The journal reveals Carson's love for the same hollow that enthralled Caroline growing up. A little sleuthing uncovers rumors that the kind, curious boy in the journal grew up to murder his brother.

I is Another follows the lives of two men living close to each other on the west coast of Norway. The year is coming to a close and Asle, an aging painter and widower, is reminiscing about his life. He lives alone, his only friends being his neighbor, Åsleik, a bachelor and traditional Norwegian fisherman-farmer, and Beyer, a gallerist who lives in Bjørgvin, a couple hours' drive south of Dylgja, where he lives. There, in Bjørgvin, lives another Asle, also a painter. He and the narrator are doppelgangers-two versions of the same person, two versions of the same life.

The Other Name follows the lives of two men living close to each other on the west coast of Norway. The year is coming to a close and Asle, an aging painter and widower, is reminiscing about his life. He lives alone, his only friends being his neighbor, Åsleik, a bachelor and traditional Norwegian fisherman-farmer, and Beyer, a gallerist who lives in Bjørgvin, a couple hours drive south of Dylgja, where he lives. There, in Bjørgvin, lives another Asle, also a painter. He and the narrator are doppelgangers—two versions of the same person, two versions of the same life.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers-two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose,"

One of the most significant literary events of the century, the discovery of manuscript pages containing early drafts of Marcel Proust's In Search of Lost Time put an end to a decades-long search for the Proustian grail. The Paris publisher Bernard de Fallois claimed to have viewed the folios, but doubts about their existence emerged when none appeared in the Proust manuscripts bequeathed to the Bibliotheque Nationale in 1962. The texts had in fact been hidden among Fallois's private papers, found upon his death in 2018.

Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and eleven-year-old Robert, on their small subsistence farm. They do not support the Confederacy's position on slavery, but Joetta considers her family to be neutral, believing this is simply not their fight. Her opinion is not favored by many in their community, including Joetta's own father-in-law, Rudean.

After his parents are killed in a horrific roadside execution, Alvaro flees his home in Colombia and finds work as a line cook at the seedy hotel. Together with his sister, Carmen, he begins to make a new life in the desert, earning a promotion to management along with an irresistible offer to stay at the hotel rent-free. But as beloved photographs go missing and grotesque strangers wander the corridors, the promise of the Alicia decays into nightmare.

Jazz-age Paris was the center of the artistic and literary world, and the center of the center was Gertrude Stein's salon, where the famous and aspiring creative talents gathered to gawk at Stein's Picassos and vie for status. Young Midwesterner Ida Caine arrives in Paris with her husband Teddy, a would-be Hemingway who thinks he can adventure first and write later. When Teddy falls in with the Stein set, he brings Ida to the salon, where she is shunted into a corner with the wives of famous men.

A cat and mouse game of surveillance and psychological torment develops between a middle-aged artist and her aging mother, as Vigdis Hjorth returns to the themes of her controversial modern classic, Will and Testament.

Hafiz's Little Book of Life is a lush collection of more than 250 selections from his lifework (his divan). Alongside a Quran, a copy of his divan can be found in average homes in Iran—where stars can be heard singing his poetry on the radio, and lines from his poems are quoted on the street. His poetry is sure to strike a chord in the hearts of readers everywhere. This vital collection of mystical poetry focuses on the issues we encounter in everyday life. Each brief poem may be savored as an oasis of clarity in the hurried literacy of our time, or the entire book enjoyed in one sitting.

As war overtakes the frontier, Emma's family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions-even as horror and injustice unfolds all around them.

Graham Greene's first published novel tells the story of Andrews, a young man who has betrayed his fellow smugglers and fears their vengeance. Fleeing from them, with no hope of pity or salvation, he takes refuge in the house of a young woman, also alone in the world. Elizabeth persuades him to give evidence against his accomplices in court, but neither she nor Andrews is aware that to both criminals and authority, treachery is as great a crime as smuggling.

What if you could climb into Mesu Andrews' mind while she plotted a biblical novel? Have you ever wished you knew more about a character's motivation? Or more personal history that led to the characters' emotional reactions? Prophets & Kings answer those questions. His Unfathomable Plan attests to God's absolute goodness and sovereignty over even the most painful events of our lives. Before Aya becomes Isaiah's prophetess wife, she cares for a little girl who young Prince Ahaz later agrees to marry.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

When Loretta surrenders her young girls to the county and then disappears, she becomes one more missing Native woman in Indian Country's long devastating history of loss. But she is also a daughter of the Mozhay Point Reservation in northern Minnesota, and the mother of Azure and Rain, ages three and four, and her absence haunts all the lives she has touched—and all the stories they tell in this novel.

Philbert Bono and Buddy Red Bird are about to prove that the spirit of the great warriors is still alive and kicking. Their "war pony," a burned-out, rusty 1964 Buick LeSabre, has left a trail of dust from Montana's Lame Deer Reservation halfway down Interstate 25 as they take off to bail Buddy's sister out of jail. The basis for the great movie of the same name, this quiet debut novel, first published in 1979, has become a classic of Native American literature.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.