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Vijaya and Sree are the daughters of the Deshmukhs of Irumi. Hailing from a lineage of ancestral aristocrats, their family’s social status and power over villagers on their land is absolute. Krishna and Ranga, brothers, are the sons of a widowed servant in the Deshmukh household. When Vijaya and Krishna meet, they forge an intense bond that is beautiful and dangerous. But after an innocent attempt to hunt down a man-eating tiger in the jungle goes wrong, what happens between the two of them is disastrous, the consequences reverberating through their lives into young adulthood.

Erika Krouse's Edgar Award-winning debut memoir, Tell Me Everything, was hailed by the New York Times Book Review as “lyrical, jarring, propulsive,” and the Washington Post as “mesmerizing on every page.” Now, with an electrifying new collection of stories, Save Me, Stranger, she further cements her reputation as an essential voice. From the coldest town on earth to a sex shop in Bangkok to a haunted bed-and-breakfast in the Rockies, we meet characters at hinge moments.

Antonia Scott has an unusually gifted forensic mind, whose ability to reconstruct crimes and solve baffling murders is legendary. She’s the lynchpin of a top-secret project, Red Queen, created to work across borders and behind the scenes to solve the most devious and dangerous crimes, those that are beyond the skills of the regular police forces. But the Red Queen project is under attack on all fronts. Across Europe, its agents are murdering each other and cases from the past, long believed resolved, are rearing their deadly heads again.

Emma Yoon dreams of opening her very own culinary school in Los Angeles. She’s saving up for it by teaching young ladies the art of Korean royal court cuisine, a prerequisite to marrying into the exclusive upper crust Korean families. Thanks to her godmother, a renowned Korean matchmaker, business is booming, and Emma doesn’t have the time, nor the desire, to settle down herself. But when rival matchmakers come after her godmother by taking issue with Emma’s single status, her godmother’s reputation and Emma’s dreams face potential ruin.

Rosalind Brown's Practice shows us just one day. Annabel, sitting in her small student room, attempts to write an essay about Shakespeare. She follows a meticulous, solitary routine but finds it repeatedly thrown off course as the day progresses: by family and friends who demand her attention and time, by thoughts of her much older boyfriend and his impending visit, by wild sexual fantasies and stories of her own invented characters—and by darker crises, obliquely glimpsed but capable of derailing Annabel's carefully laid plans.

Jingwen spends her nights as a showgirl at the Paramount, one of the most lavish clubs in Shanghai, competing ruthlessly to charm wealthy patrons. To cap off her shifts, she runs money for her grandmother, the exclusive surgeon to the most powerful gang in the city. A position her grandmother is pressuring her to inherit. When a series of dancers are targeted—the attacker stealing their faces—Jingwen fears she could be next. And as the faces of the dancers start appearing on wealthy foreign socialites, she realizes Shanghai's mirage of carefree luxury comes at a terrible price.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

Iggy Guerra is out of prison, but his homecoming is anything but smooth. His beloved mother is gone, his grief-stricken father Armando is deep in debt, and they are about to lose the butcher shop that has been in their family for generations. Iggy must earn his father’s lost trust in order to save La Carnicería Guerra from the threats imposed by a new rival business, a vigilante activist, and big-game hunter Orin, who has dragged Armando into his dangerous money-making schemes deep in the Everglades, where more than secrets are buried.

When twenty-six year old Shirin Bayat bumps into Kian at a house party in London, she is taken aback by the immediate feelings that resurface. It’s been a decade since they were close friends at school, before painful events pulled them apart, suddenly and seemingly forever. Ever since, Shirin has lived with the aching weight of things left unsaid between them. Now they're back in each other's lives, at a time when Shirin needs someone she can trust the most.

It’s 2015, and Tatum Vega feels that her life is finally falling into place. Living in sunny Chile with her partner, Vera, she spends her days surrounded by art at the museum where she works. More than anything else, she loves this new life for helping her forget the decade she spent in New York City orbiting the brilliant and famous author M. Domínguez. When a reporter calls from the US asking for an interview, the careful separation Tatum has constructed between her past and present begins to crumble. Domínguez has been accused of assault, and the reporter is looking for corroboration.

It’s 1999 in Southeast Texas and the Evans women, owners of the only funeral parlor in town, are keeping steady with…normal business. The dead die, you bury them. End of story. That’s how Ducey Evans has done it for the last eighty years, and her progeny—Lenore the experimenter and Grace, Lenore’s soft-hearted daughter, have run Evans Funeral Parlor for the last fifteen years without drama. Ever since That Godawful Mess that left two bodies in the ground and Grace raising her infant daughter Luna, alone.

Iðunn is in yet another doctor's office. She knows her constant fatigue is a sign that something's not right, but practitioners dismiss her symptoms and blood tests haven't revealed any cause. When she talks to friends and family about it, the refrain is the same—have you tried eating better? exercising more? establishing a nighttime routine? She tries to follow their advice, buying everything from vitamins to sleeping pills to a step-counting watch. Nothing helps. Until one night Iðunn falls asleep with the watch on, and wakes up to find she’s walked over 40,000 steps in the night.

Antonia is the lynchpin of the Red Queen project, created to work behind the scenes to solve the most devious and dangerous crimes. But she is unwilling to move past the last case, convinced it’s related to a personal tragedy, until a series of deadly events pulls her back in. In southern Spain, in the Costa del Sol, a key mafia figure is found brutally murdered in his villa, his pregnant wife, Lola Moreno, barely escapes an attempt to kill her in a shopping mall and is on the run.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

Ada always looks forward to her summers at the family villa with her mother and grandmother in a Turkish seaside town. It’s easy to leave life in California behind when the days are filled with boat rides, games at the beach, and long swims with friends. But no matter how much Ada feels she belongs in the country where her mother grew up, deep down, her connection to the culture seems as fleeting as the seasons. It’s certainly no help that her mother has lost her own sense of self, rootless and disoriented after so many years abroad.

American women—American wives—have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be “helpmeets” to their ambitious husbands with their own, inchoate impulse to “do good” for the people of Vietnam.

Daniel Rosenberg and Liyah Cohen-Jackson’s last conversation—fourteen years ago at summer camp—ended their friendship. Until they find themselves seated next to each other on a plane, and bitterly pick up right where they left off. At least they can go their separate ways again after landing... That is, until Daniel's marketing firm gets hired by the Chicago museum where Liyah works as a junior curator, and they’re forced to collaborate with potential career changing promotions on the line.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Taking over from her father and grandfather as the head of the Survivor’s Campaign, an organization whose purpose is to bring Nazi war criminals to justice, Milia Gottstein has dedicated her life to making sure the voices of Holocaust victims will never be silenced. It is an overwhelming and heartbreaking mission that has often usurped her time and energy being a wife to busy surgeon Julius, and a mother and grandmother. But now, just as she is finally ready to pass on her work to others, an unexpected phone call suddenly explodes all she thought she knew about her present and her future.

A grieving mother makes a spreadsheet of everyone she’s lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In Yiyun Li’s stories, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces—death, violence, estrangement—come to light. And even everyday life is laden with meaning, studded with indelible details.