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Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.

As they do every year, a small group of acquaintances pay a visit to the remote castle-like Water Mill House, home to the reclusive Fujinuma Kiichi, son of a famous artist, who has lived his life behind a rubber mask ever since a disfiguring car accident. This year, however, the visit is disrupted by an impossible disappearance, the theft of a painting, and a series of baffling murders. The brilliant Kiyoshi Shimada arrives to investigate.

While intensely attentive to its own tradition, Japanese literature has also embraced the outside world, particularly the influence of China. Beyond this, Japan boasts a powerful literary culture, made up of cultivated reading publics, both aristocratic and bourgeois, literary salons, specialized presses, authoritative judges of talent who cultivated and celebrated particular writers and styles, and a canon consisting of classics. This Very Short Introduction traces the rich history of Japanese literature from its beginnings over a millennium ago to the present day.

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

Japanese-American Rei Shimura is a 27-year-old English teacher living in one of Tokyo's seediest neighborhoods. She doesn't make much money, but she wouldn't go back home to California even if she had a free ticket (which, thanks to her parents, she does). Her independence is threatened, when a getaway to an ancient castle town is marred by murder. Rei is the first to find the beautiful wife of a high-powered businessman, dead in the snow. Taking charge, as usual, Rei looks for clues by crashing a funeral, posing as a bar-girl, and somehow ends up pursued by police and paparazzi alike.

A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sosuke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital.

Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation's shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald's deepest allegiances were to a fading antebellum world he associated with his father's Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts.

Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste. Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape.

Rei Shimura, a California girl living in Tokyo, has an antiques business that's only slightly more successful than her love life. When her aunt enrolls her in the Kayama School of Ikebana to learn how to arrange flowers, disaster strikes. A mean teacher is found with scissors in her neck, and Takeo Kayama, the sexy billionaire heir to the school, considers Rei's aunt the main suspect.

Life in modern Tokyo is a blast for Rei Shimura, a young Japanese-American woman who enjoys busy days as an antiques dealer and steamy nights with a devoted new boyfriend. But things come to a standstill when Rei overpays for a rare old chest of drawers for a wealthy client, the owner of a famous Zen temple in Kamakura. The exquisite tansu turns out to be a fake: the worst deal Rei has ever made. When the temple family turns on Rei - and the con man who sold the tansu is murdered - she realizes she's opened a Pandora's box of deception and death.

In The Guide to James Joyce's Ulysses, Patrick Hastings provides comprehensive support to readers and listeners of Joyce's magnum opus by illuminating crucial details and reveling in the mischievous genius of this unparalleled novel. Written in a voice that offers encouragement and good humor, this guidebook maintains a closeness to the original text and supports the first-time reader or listener of Ulysses with the information needed to successfully finish and appreciate the novel.

This Very Short introduction explores the major themes of Austen criticism through close analysis of her major and minor works, with particular emphasis on the literary, social, and political backgrounds from which the novels emerge, and with which they engage. Thomas Keymer combines critical introductions to each of Austen's six major novels with an exploration of the key themes in her works.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."

Drawing on her own experiences as a hostess and adult film actor, Gifted—Suzumi Suzuki's first novel to be translated into English—offers a nuanced, frank, and intimate portrayal of the lives of a mother and daughter getting by (or not) in an industry rarely depicted authentically in literary fiction.

In Ghostly Japan collects 12 ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.

Roger Ferris is one of the CIA's soldiers in the war on terrorism. He has come out of Iraq with a shattered leg and an intense mission: to penetrate the network of a master terrorist known only as "Suleiman". Ferris' plan for getting inside Suleiman's tent is inspired by a masterpiece of British intelligence during World War II: he prepares a body of lies, literally the corpse of an imaginary CIA officer who appears to have accomplished the impossible by recruiting an agent within the enemy's ranks.

March 1917 tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events. The absorbing narrative tells the stories of more than fifty characters during the days when the Russian Empire begins to crumble. The anti-Tsarist bourgeois opposition, horrified by the violence, scrambles to declare that it is provisionally taking power, while socialists immediately create a Soviet alternative to undermine it.

Free-spirited and easygoing Taylor Vandenberg left her hometown of Faircombe, Tennessee, as soon as she could, and in the twenty-five years since, she has rarely looked back. She wouldn't change anything about how her life has turned out—having traveled to nearly every country, never staying anywhere long enough to feel stifled. Brooke Watson has known Taylor for her entire life, and lifelong knowledge means that Brooke knows she's trouble: irresponsible, takes nothing seriously, and irritatingly attractive.

Author Kate Bornstein ushers listeners on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein's transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions.