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This Hindi play by Mohan Rakesh debuted in 1958 and is considered the first modern Hindi play. The play received a Sangeet Natak Akademi Award for best play in 1959. Before this play was written, Hindi plays were either idealistic or didactic, devoid of any connection with contemporary reality; above all their language remained the language of literature, which wasn't suitable for the stage. This play changed it all. Mohan Rakesh went on to write two more plays and left one unfinished at the time of his death in 1972.

प्रसिद्ध हिन्दी साहित्यकार रांगेय राघव ने शेक्सपियर के दस नाटकों का हिन्दी अनुवाद किया है, जो इस सीरीज़ में पाठकों को उपलब्ध कराये जा रहे हैं।

प्रसिद्ध हिन्दी साहित्यकार रांगेय राघव ने शेक्सपियर के दस नाटकों का हिन्दी अनुवाद किया है, जो इस सीरीज़ में पाठकों को उपलब्ध कराये जा रहे हैं।

Jeremy Benner hat nicht nur die ozeanblausten Augen, die Grace jemals gesehen hat, er ist vor allem wohlhabend, begehrt und legt eine aufstrebende Karriere als Arzt hin. Natürlich ahnt die 28-Jährige davon noch nichts, als sie ihm in einer Bar begegnet und sich - betrunken - ein Wortgefecht mit ihm liefert. Oder davon, dass sie sich am nächsten Morgen in seinem Bett wiederfinden wird. In der Hoffnung, ihn nie wiedersehen zu müssen, schleicht sie sich unbemerkt aus seinem Haus... und trifft Jeremy Tage später auf ihrer neuen Arbeitsstelle, dem örtlichen Krankenhaus, wieder.

Große Klappe, weite Klamotten, ständiger Heißhunger auf Schokolade und ein notorisches Desinteresse an Männern. Das ist Rebecca Lark, die eigentlich ganz zufrieden mit ihrem Leben war. Bis ihr der selbstverliebte Wanderpokal und Ex-Knacki Shane Rowboldt über den Weg läuft und ihr Selbstbewusstsein mit einer einzigen gemeinen Bemerkung zerschlägt. Fest entschlossen, diesen Unruhestifter zu ignorieren, lebt Rebecca ihr Leben weiter.

Seit ihrer Kindheit fürchtet Joy die Dunkelheit. Ausgerechnet eine To-do-Liste soll der zurückhaltenden Bibliothekarin helfen, ihre Ängste zu überwinden, denn sie wünscht sich nichts sehnlicher, als ein Leben ohne Zwänge zu führen. Während eines Selbstverteidigungskurses lernt sie den Frauenschwarm Caleb Bale kennen - und verfällt seinem Charme. Doch wer ist der charismatische Kampfsportspezialist wirklich? Schon bald zieht Caleb sie in einen Strudel aus Lügen, Leidenschaft und Gefahr, dem Joy nicht entkommen kann, ohne dass ihr Herz in Stücke gerissen wird.

Er muss sie auf Abstand halten. Insbesondere, weil sie ihm unter die Haut geht wie keine Frau je zuvor. Hope Kendall hat weiß Gott genug Probleme. Als sie das lukrative Angebot erhält, in einer Realityshow mitzuwirken, kann sie nicht ablehnen, denn so lösen sich zumindest ihre Geldsorgen in Luft auf. Allerdings soll sie die Freundin des Playboys Neil Wyler spielen, der nicht nur als furchtbar arrogant, sondern auch als äußerst schwierig gilt. Mit seinen moosgrünen Augen und einem Körper zum Niederknien wirbelt er ihre Hormone dennoch gehörig durcheinander.

Meet Eric Bogosian's unforgettable characters - the stud, the drug dealer, the money-hungry guru, and the molecule-spewing derelict on the train. Bogosian performed these solos as well as some of his other favorite riffs from his OBIE-award winning shows, Sex, Drugs, Rock & Roll, Pounding Nails in the Floor with My Forehead and Wake Up and Smell the Coffee live at the Bowery Poetry Club in NYC on July 28, 2003. The Worst of Bogosian, Volume One is available only from Audible.

Kaum ihrer Ehehölle entkommen, entdeckt Mia in der Zeitung ihre eigene Todesanzeige. Ein genialer Schachzug ihres brutalen Ehemannes - oder steckt etwas ganz anderes dahinter? Je näher sie der Wahrheit kommt, desto grausamer wird sie von der Vergangenheit eingeholt.

Dans cette maison où la femme est et n'est qu'une poupée, les hommes sont des pantins, veules et pleutres. Sans doute Nora incarne-t-elle une sorte de moment auroral du féminisme, alors qu'être, c'est sortir, partir. Et Ibsen, grâce à ce chef-d'œuvre, accède au panthéon de la littérature mondiale. Mais si sa poupée se met, sinon à vivre, du moins à le vouloir, au point de bousculer au passage l'alibi de l'instinct maternel, c'est qu'autour d'elle les hommes se meurent.

Emma Woodhouse é bela e inteligente, mas um pouco convencida. Ela vive bem com o pai na pequena cidade de Highbury. Quando sua querida amiga Miss Taylor se casa com o vizinho Mr. Weston, Emma é confrontada com um grande vazio e decide ajudar os outros para que tenham uma vida tão perfeita como a dela. Ela resolve arranjar casamentos e começa a proteger Harriet Smith, uma jovem simples de outro nível social.

August 2, 1991, Twentynine Palms, California: a troubled Marine who has recently returned from the Gulf War savagely murders two young girls. One was about to turn 16, the other 21. Exquisitely and inexorably, Deanne Stillman uses this tragedy as a prism through which she examines a rootless culture of fatherless families, shattered dreams, and relentless violence. She also traces the family histories of each murder victim back for generations, in one case to the Donner Party and the other to a shack in the Philippines.

Crushed between a truck and a tree, Simon and his wife were both pronounced dead at the scene of a horrific car accident. Enduring a broken skull, jaw, arms, clavicle and pelvis, followed by a coma, Simon lives to tell his remarkable journey from tragedy to triumph.

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

On a sunny spring day, in an ordinary kitchen, Rosemary answers an unexpected phone call. A car has hit her husband, Hugh. Rosemary arrives at the hospital just in time to see him before he's rushed into surgery. Thinking of their twin daughters, Rosemary pleads with her unconscious husband as he lies on a gurney. "Don't you leave me Hugh Rawlins. Anna and Mary need you. I love you." Overwhelmed, but determined to bring Hugh back home, Rosemary leans on family and friends as Hugh endures two emergency brain surgeries, a coma, and a confused awakening.

American writer Samuel Clemens, better known by his pen name Mark Twain has given us some literary gems with Tom Sawyer, Huckleberry Finn and his travel adventures in 19th-century Europe and to Australia and New Zealand. In How to Tell a Story and Other Essays, Twain discusses the telling of stories, rather than providing more stories.

Mark Twain composed this short essay on the "art of lying" in 1885 for a meeting of the Historical and Antiquarian Club of Hartford, Connecticut. In the essay, Twain laments the four ways in which men of America's Gilded Age employ man's "most faithful friend". The essay, Twain notes, was "offered for the thirty-dollar prize," but it "did not take the prize."

"Brother, you have often declared that you would not end your days in slavery. I see no possible way in which you can escape with us; and now, brother, you are on a steamboat where there is some chance for you to escape to a land of liberty. I beseech you not to let us hinder you. If we cannot get our liberty, we do not wish to be the means of keeping you from a land of freedom."

On New York's Long Island, in the unpredictable decade of the 1960s, a young boy spends much of his free time in the basement of his family's modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with figurines representing friends and neighbors. Their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas... and, unbeknownst to her siblings, moves around the inanimate clay residents.