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Belisarius and Antonina were titans in the Roman world some 1,500 years ago. Belisarius was the most well-known general of his age, victor over the Persians, conqueror of the Vandals and the Goths, and as if this were not enough, wealthy beyond imagination. She made a name for herself by traveling with Belisarius on his military campaigns, deposing a pope, and scheming to disgrace important Roman officials. This unadulterated power and wealth did not mean that Belisarius and Antonina were universally successful in all that they undertook.

Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism—storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for justice and the right to be heard.

Andy Griffith (1926-2012) is one of North Carolina's most beloved exports, capturing America's heart as Sheriff Andy Taylor. Evan Dalton Smith was born in the North Carolina Piedmont over four decades after Andy, just an hour south of Griffith's hometown of Mount Airy. Both were small-town boys who grew up in similar places, where the counties were dry and the churches plentiful. But for both, there was darkness, crushed hopes, and tragedy, hidden just below the surface.

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

Peace in the US Republic of Letters, 1840-1900 explores the early peace movement as it captured the imagination of leading writers. The book charts the rise of the peace cause from its sources in the works of William Penn and John Woolman, through the founding of the first peace societies in 1815 and the mid-century peace congresses, to the postbellum movement's consequential emphasis on arbitration.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

From Charles Chesnutt's The Marrow of Tradition to Toni Morrison's The Bluest Eye, Black writers, some of whom worked as maids themselves, have manipulated the stereotype in a strategic way as a figure to comment on Black-white relations or to dramatize the conflicts of the Black protagonists. In fact, the characters themselves, like real-life maids, often use the stereotype to their advantage or to trick their oppressors.

In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author.