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What if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling. Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Drawing on more than 30 years of therapeutic encounters with people facing hurdles in their love lives, former chair of the British Psychoanalytic Council Susanna Abse takes us deep inside one of the most fascinating realms there is: other people's relationships. From dealing with infidelity to navigating our changing role within a single relationship over the course of a lifetime, Tell Me the Truth About Love sheds vivid light on the human heart and its struggle to both embrace life's greatest gift and protect itself from pain.

What could possibly connect Prince, the great 20th century singer songwriter and Charles Dickens, the great writer of classics usually stuffed into the hands of adolescents too early? What could these two geniuses, one born in 1812 in England, and the other in 1950s Minneapolis, have in common? Tracing their lives, from the early years to their relationships with women, their finances to their inability to stop working, Dickens and Prince is a brilliantly surprising and joyous uncovering of the essence of a very particular and unique type of genius.

Discontent and Its Civilizations collects the best of Mohsin Hamid's writing on subjects as diverse and wide-ranging as Pakistan, fatherhood, the death of Osama Bin Laden and the writing of The Reluctant Fundamentalist. Unified by the author's humane, clear-headed and witty voice, the audiobook makes a compelling case for recognising our common humanity while relishing our diversity—both as readers and citizens, for resisting the artificial mono-identities of religion or nationality or race and for always judging a country or nation by how it treats its minorities.

Bittersweetness recognises that light and dark, birth and death—bitter and sweet—are forever paired. As Bittersweet shows, our obsession with happiness is not making us happy, healthy or whole. It's only by embracing our darker emotions—as well as the light—that we discover our deepest meaning and connection, love and joy. It can change the way we work, the way we create and the way we love—for it is the hidden source of our love stories, moonshots and masterpieces.

At once a deeply personal and searching history of one woman’s reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy—within ourselves, and with each other.

Keith Gessen was nearing forty and hadn’t given much thought to the idea of being a father. He assumed he would have kids, but couldn’t imagine what it would be like to be a parent, or what kind of parent he would be. Then, one Tuesday night in early June, the distant idea of fatherhood came careening into view: Raffi was born, a child as real and complex and demanding of his parents’ energy as he was singularly magical.

Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her.

When Phil Klay left the marines a decade ago after serving as an officer in Iraq, he found himself a part of the community of veterans who have no choice but to grapple with the meaning of their wartime experiences—for themselves and for the country. American identity has always been bound up in war—from the revolutionary war of our founding, to the civil war that ended slavery, to the two world wars that launched America as a superpower. What did the current wars say about who we are as a country, and how should we respond as citizens?

At 20, Londoner Ann Ingle fell madly in love with an Irish fellow she met on holiday in Cornwall. At the church to arrange their shotgun wedding, she discovered that he hadn't even told her his real name. Sixty-odd years later, Ann looks back on that first glorious fall, and in a series of essays considers what she has learned from the life that followed.

From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces, Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump and a pandemic.

We talk about achieving 'LGBTQ+ equality', but around the world, LGBTQ+ people are still suffering discrimination and extreme violence. How do we solve this urgent problem, allowing queer people everywhere the opportunity to thrive? In We Can Do Better Than This, 35 voices explore this question. Through deeply moving stories and provocative new arguments on safety and visibility, dating and gender, care and community, they map new global frontiers in the fight for LGBTQ+ rights.

In her 20s Rachel Kushner went to Mexico in pursuit of her first love - motorbikes - to compete in the notorious and deadly race, Cabo 1000. As fellow racers died on the roadside, bikes were stolen and friends abandoned one another in the heat of the chase, she crashed at 130mph and miraculously survived; soon after, she decided to leave her controlling boyfriend and manoeuvred her way into a freer new life.

Gathering pieces written between 2003 and 2020, including several never previously published, Languages of Truth chronicles a period of momentous cultural shifts. Across a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need, and what emerges is a love letter to literature itself. Throughout, Rushdie shares his personal encounters, on the page and in person, with storytellers from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison, and revels in the creative lines that can join art and life.

White Girls is about, among other things, blackness, queerness, movies, Brooklyn, love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Eminem, Louise Brooks, and Michael Jackson. Freewheeling and dazzling, tender and true, it is one of the most daring and provocative books of recent years, an invaluable guide to the culture of our time.

Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination.

In 1915, Puerto Rican activist Luisa Capetillo was arrested and acquitted for being the first woman to wear men's trousers publicly. While this act of gender-nonconforming rebellion elevated her to feminist icon status in modern pop culture, it also overshadowed the significant contributions she made to the women's movement and anarchist labor movements of the early 20th century - both in her native Puerto Rico and in the migrant labor belt in the eastern United States.

How did George Eliot's love life affect her prose? Why did Kafka write at three in the morning? In what ways is Barack Obama like Eliza Doolittle? Can you be over-dressed for the Oscars? What is Italian Feminism? If Roland Barthes killed the Author, can Nabokov revive him? What does 'soulful' mean? Is Date Movie the worst film ever made? A collection of essays that brims over with personality and warmth, Changing My Mind is journalism at its most expansive.

To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself.