検索キーワード： 制作 "Bloomsbury Publishing" ユーモア・風刺文学・フィクション

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

Timothy ‘Timbo’ Smith, part-time healer and self-styled security analyst, travels down the dark canyons of global capitalism, from short-selling scams in the City to the depleted rainforests of Brazil. His accomplices in this irresistible safari through the late modern world are two reformed alcoholics, the lovely and brilliant Lee ‘Lethal’ Thorold, and her husband Professor Luke Deverill, lecherous Oxford philosopher and caustic computer wizard.

New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.

Judith Lane, not-quite-beautiful but charmingly serious, is the young widow of the war hero Anthony Lane, and an editor at the successful if rather rakish publisher Hanescu Lane & Co. Ltd. But one evening she receives her first visit from Baldwin Reeves, who reveals that Anthony’s wartime adventures were not quite as glorious as the newspaper reports would have her believe. To protect Anthony’s family from the scandal, Judith reluctantly acquiesces to the repellent but attractive Reeves’s demands – but both blackmailer and blackmailee soon find themselves out of their depth.

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby—whom Nick had idolized at Oxford—and Catherine, who is highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family.

Tina wants to feel Indian. Really Indian. Not Indian in the sense of going to yoga in Brooklyn. She wants to know the real India – only whenever she visits, people take her to bars and restaurants and boutiques that could be anywhere in the world. So she jumps at the change to get to know the country when she heads to Delhi for her glamorous cousin Shefali's week-long wedding, with her best friend, her parents and her mother's all-American boyfriend in tow.

Millie wants to graduate, get a job and buy a house. She’s slowly saving up from her job on campus, but when a visiting professor offers her an unusual opportunity to make some extra money, she jumps at the chance. Agatha is a writer, recovering from a break-up while researching attitudes towards weddings and money for her new book. She strikes gold when interviewing the girls in Millie’s dorm, but her plans take a turn when she realises that the best material is unfolding behind closed doors.

The time is 1995, but everybody is linked by their past. Brilliant Australian Caroline can command everyone except her own ghoulish mother, which means that things aren't easy for Josh and Zoe, her husband and twelve-year-old daughter. In its mix of people from different spheres, the book throws up the complexity, cruelty and richness of the global world while, as a sequence of personal stories, it comes together like a dance; a masquerade in which things are not always what they seem.

Meet Me at Rainbow Corner follows the lives of Dot, Lilly and their friends, as they dance the nights away, fall in and out of love, and navigate the horrors of war. Lilly goes on a secret mission with her Colonel to France, and Dot becomes pregnant and returns to Liverpool. When the war is over, they are reunited, having travelled by boat to the US with countless other war brides to meet their repatriated fiancés again. Along the way, they uncover a case of inside espionage and learn the true meaning of love.

Elsa is struggling. Her formative, exhilarating relationship – with an older couple – has abruptly ended, leaving her depressed and directionless in her childhood bedroom. In the relationship’s wake, Elsa scrolls aimlessly through the internet in search of meaning. Faithfully, her screen provides a new obsession: a charismatic young actor whose latest feature is a gay love story that illuminates Elsa’s crisis. And then, as if she had conjured him, the actor arrives in her hometown, with an entourage of fellow actors, writers, and directors, for the annual theatre festival.

In this brash collection, we meet a sex bot trying to outlast her return policy, a skeptical lesbian grappling with her wife’s mysterious pregnancy, and a post-Earth colonist struggling to maintain her faith in humanity as she travels to “Planet B.” Whether they exist in the grounded realism of a college dance studio or the speculative world of Deep Space, these women push against social norms and family expectations to reclaim their power, understand their mistakes, and find a better future.

Following a ghastly row about a missing suite of diamonds, Tata Hawkins has flounced out of Monkton Bottom Manor with her daughter, Minty, and Executive Butler Ian Palmer in tow, decamping to the Old Coach House to teach her husband, Bryan, a lesson. But things don’t go to plan: Bryan disappears to Venice with a bikini designer; Selby Fairfax, the glamorous American divorcée who has inherited the beautiful estate next door, refuses Tata’s neighborly overtures; and Tata’s very best friends, Fernanda Ovington-Williams and Sophie Thompson, are distracted by their own heartaches.