検索キーワード： ユーモア・風刺文学・フィクション

On doctor's orders, Bertie Wooster retires to sample the bucolic delights of Maiden Eggesford. But his idyll is rudely shattered by Aunt Dahlia who wants him to nobble a racehorse. Similar blots on Bertie's horizon come in the shape of Major Plank, the African explorer, Vanessa Cook, proud beauty and 'moulder of men', and Orlo Porter, who seems to have nothing else to do but to think of sundering Bertie's head from his body.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting). He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person).

Part of a six-instalment comic book series, Mapp and Lucia, which recounts the eccentric tales of various women in the 1920s and their fight for social status, Mapp and Lucia sees the two iconic protagonists – Emmeline Lucas and Elizabeth Mapp – finally cross paths. It is the fourth book in Benson’s hugely successful series. Renowned show-off Mrs Emmeline ‘Lucia’ Lucas decides to take up summer residence in the small seaside resort of Tilling, home to none other than the formidable Miss Elizabeth Mapp.

When Marilyn Kleinman is caught making out with the rabbi’s son in front of the whole congregation, her parents ship her off to her great-aunt Ada for the summer. If anyone can save their daughter’s reputation, it’s Philadelphia’s strict premier matchmaker. Either that or Marilyn can kiss college goodbye. To Marilyn’s surprise, Ada’s not the humorless septuagenarian her mother described. Not with that platinum-blonde hair, Hermès scarf, and Cadillac convertible. She’s sharp, straight-talking, takes her job very seriously, and abides by her own rules…mostly.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at 50, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

When Jack and Elizabeth meet as college students in the '90s, the two quickly join forces and hold on tight, each eager to claim a place in Chicago’s thriving underground art scene with an appreciative kindred spirit. Fast-forward twenty years to married life, and alongside the challenges of parenting they encounter cults disguised as mindfulness support groups, polyamorous would-be suitors, Facebook wars, and something called Love Potion Number Nine. For the first time, Jack and Elizabeth struggle to recognize one another, and the no-longer-youthful dreamers are forced to face their demons.

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.

Nous sommes au théâtre, nous dans la salle, lui sur scène. On vient de le primer pour l'ensemble de son œuvre. Il remercie son monde. Enfin, il essaie. Et Claude Piéplu prête son inimitable voix à cet exercice de gratitude où le rire le dispute à la fureur, et dont personne ne sort indemne, surtout pas le lauréat. La fureur, la tendresse, la fausse ingénuité, la rêverie, l'ironie, l'acidité : tout y est, parfois mêlés jusqu'à l'étrange.

In Jim’s absence, Zorlando has been doing a pretty good job keeping Windfall safe. He doesn’t know - and may not be equipped for - what is heading straight toward Noobtown, though. Will Jim beat the Pirates while he is on Glorious Roberts’ ship? Will he make it back to his beloved city before Maggie, the assassin, gets there? Why are there pirates attempting to sack Windfall? Most importantly, will Shart ever be the opposite of inside out again?

The last thing Jim remembered was being tossed unceremoniously through the Demon Door. Now, he's right back where he first started his adventure, sans demon and badger. Jim’s got to make some fast choices if he has any hope of making it back to Windfall and defeating Charles. But after Jarra's death, is Windfall even what he wants anymore?

Here are the excruciatingly funny adventures of Suzanne Vale — a young film star and drug addict — who survives a rehab clinic only to rejoin the equally harrowing world of Hollywood. Out there on the edge, despair flips into hilarity, and we're left laughing as Suzanne struggles to come to terms with her various fantasylands.

"Monsieur Haneda était le supérieur de monsieur Omochi, qui était le supérieur de monsieur Saito, qui était le supérieur de mademoiselle Mori, qui était ma supérieure. Et moi, je n'étais la supérieure de personne. On pourrait dire les choses autrement. J'étais aux ordres de mademoiselle Mori, qui était aux ordres de monsieur Saito, et ainsi de suite, avec cette précision que les ordres pouvaient, en aval, sauter les échelons hiérarchiques. Donc, dans la compagnie Yumimoto, j'étais aux ordres de tout le monde."

Anthony Trollope's classic novel centers on Mr. Harding, a clergyman of great personal integrity whose charitable income far exceeds the purpose for which it was intended. On discovering this, young John Bold turns his reforming zeal toward exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter, Eleanor.

Two necromancers, a dwarf kingdom, and a sky city - it sounds like a prelude to mayhem, and given Timmy’s luck, that’s exactly what’s going to happen. To keep his castle and earn his pardon, Timmy has his work cut out for him. Whether it’s rescuing princesses, crushing hordes of goblins, or dealing with eldritch abominations, Timmy and the gang are there to save the day - and rob the occasional crime lord. But saving the day isn’t always easy.

Until 12 years ago, geneticist Don Tillman had never had a second date. Then he developed The Wife Project and met Rosie, 'the world's most incompatible woman'. Now, having survived 4,380 days of marriage, Don's life-contentment graph, recently at its highest point, is curving downwards. Rosie has just returned to work and is struggling with an obnoxious co-worker. Don, meanwhile, is in hot water after his latest lecture goes viral. But their real worry is their son, Hudson, who is having trouble at school: his teachers say he isn't fitting in with the other kids.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

Honestly, what amazes me the most with a lot of the people I meet is that they think they’re so big. They think, ultimately, that the universe revolves around them. And I’m beginning to think that it’s only when you live a life like mine - it’s only when you’re in a position where you don’t even really own yourself, when you can’t even really say that you’re a citizen of any particular country - that you realize that we’re all just tiny pieces of cosmic dust floating through the void until we disappear forever and we’re never heard from again.

Bridget Jones, the iconic character who sold 15 million books worldwide, inspired a major motion picture franchise, and became beloved as a Chardonnay-swilling everywoman, is back in this hotly anticipated third installment.