検索キーワード： ユーモア・風刺文学・フィクション

Foster brothers Terence Service and Gregory Riding could not be more different from one another—Terry “a quivering condom of neurosis and ineptitude” and Greg a “bundle of contempt, vanity and stock-response.” After the shocking killing of Terry’s child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

Everett and Kincaid present a fictitious chronicle of South Carolina Senator Strom Thurmond's desire to pen a history of African Americans—his and his aides' belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, A History follows the letters of loose-cannon congressional office workers, insane interns at a large New York publishing house, and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic.

What a Way to Go has descriptive copy which is not yet available from the Publisher.

Ein Paar, das zusammen mordet, bleibt zusammen Für Krankenschwester Aly gibt es nichts Besseres, als die maskierten Männer, deren Videos sie online von ihrem Alltag ablenken. Ein Account hat es ihr besonders angetan: perfekte Choreographien, heiße Musik, und der Typ ist echt sexy.

Meet Frankie the cat. He’s a stray who belongs to no one, and that’s just how he likes it. Until one day, everything changes. He crosses paths with Richard. Richard isn’t doing so well. Grieving the loss of his partner, he’s turned his back on hope and is ready to end it all. But his plans are halted when Frankie the cat is injured on his doorstep. Frankie needs help. But then, so does Richard. What Richard doesn’t know is that Frankie is no ordinary cat.

Maria, Niall and Celia have grown up in the shadow of their famous parents. Their father is a flamboyant singer and their mother is a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts.

Susanne Fröhlich ist eine begnadete Interpretin ihrer eigenen Romane. Der 13. humorvolle Roman um die Kult-Heldin Andrea Schnidt ist wie ein Treffen mit lieben Freunden, die uns jedes Mal mit den lustigsten Geschichten unterhalten. Über 60 und Andrea Schnidt muss einmal wieder selbst aktiv werden in Sachen Arbeitsbeschaffungsmaßnahmen. Ihre Idee – »Old Romance«-Liebesgeschichten für die Generation Ü50. Die könnte ein wenig Hoffnung sehr gut brauchen, findet Andrea und einen Verlag findet sie auch.

For months, Luke and his underground revolutionary group have been planning their biggest operation yet: kidnapping 23-year-old Adeline Woolsaw. They don’t want a ransom—they want to expose the Woolsaw Group, the source of Adeline’s parents’ enormous wealth, a vast yet largely anonymous company that runs everything from military bases and mental hospitals to commuter trains, call centers, and prisons.

Underground revolutionaries, The Nail, and their rookie, Luke, snatch 23- year-old heiress Adeline Woolsaw. Her parents, the Woolsaws, control a vast empire outsourcing everything from prisons to bases. The Nail aims to expose this shadowy power grab. But their plan twists. Adeline's pregnant. Her child, about to be born, isn’t human. It’s a supernatural being, product of a demonic ritual in the Woolsaws’ Highgate mansion. The family’s endgame? An infernal kingdom with Adeline's son as king.

Sharyn Tregonning wanted a holiday somewhere glamorous for her 60th birthday. So when her husband Barry surprises her with a caravan trip from Adelaide to Broome, she is furious—and bitterly disappointed. Even worse, Barry's annoying friend Ray, and Ray's reclusive frumpy sister Kathleen are coming along.

Known as the man who introduced rosé to the US, legendary wine importer Kermit Lynch is as lauded for his writing as he is for his impeccable taste in wines. In his debut novel, Lynch presents Kendrick Thomas, an easygoing American wine merchant happily residing in Provence. Ever eager to visit old friends and enjoy all the gastronomic pleasures available in France, he often finds himself on the doorstep of Henri Poupon. Built as ruggedly as a boxer, thick of finger and feature, Poupon is as physically untamed and earthy as his skill as a chef is delicate and exquisite.

Dale Figgo is the only hate-monger ever to be kicked out of the Proud Boys for being too dumb and incompetent. Now his already messy life is about to get more complicated, thanks to two formidable adversaries. The first is Viva Morales, a clever woman recently taken to the cleaners by her ex-husband, now working at the supposedly philanthropic Mink Foundation and renting a room in Figgo's apartment; the second, Twilly Spree, a millionaire with an anger management problem, especially when it comes to those who deface the environment.

The Year is 1883 and Emma M. Lion has returned to her London neighbourhood of St. Crispian’s. But Emma’s plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispian’s. Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be, which comprise a series of volumes. Armed with wit and a sideways amusement, Emma documents the curious realities of her life at Lapis Lazuli House.

Ted’s missing briefcase has become a cause célèbre.Ever since the day he left it behind in the woods, and someone else took it, it’s remained his primary mission to get it back. And now, that undertaking has lead him to foreign climes and a daring rescue mission. Many people have asked Ted what’s in the briefcase, and why getting it back means so much to him. Maybe the answer lies with the film supremo Quentin Tarantino, who said the value of the briefcase in his classic 1994 movie Pulp Fiction lay not in its contents, but actually in the briefcase itself.

Reclusive author Sarah is seeking refuge in the quiet village of Budbury, and the last thing she needs is a fake boyfriend. Except that’s exactly what she gets – and the fake boyfriend just happens to be gorgeous, rugged Aidan, complete with an easy charm and an old soul that makes him seem like he’s just stepped straight out of the pages of a novel. Using him to keep her nosy family at bay, he’s happy to do her a favour in return for help with his rather unusual dog-sitting predicament.

Lucy and her eight-month-old son live in a Winnipeg housing project filled with single mothers on the dole. Still dealing with her own mother’s sudden death, and new to the ever-multiplying complications of life on welfare, Lucy strikes up a friendship with her neighbour, Lish. On the whole, they’re pretty happy… But Lucy wants to make sure they stay happy. And she has a plan.

Knute is a twenty-four-year-old single mother who returns home to Algren with her daughter to look after her father Tom, who has suffered a heart attack. Meanwhile, Hosea Funk, a friend of Tom’s and the mayor of Algren has a lot on his mind. The prime minister has promised to pay a visit to whichever town in Canada has the smallest population. Algren has held this position for some time but recent baby booms and returning families, like Knute, threaten to tip Algren over the magic 1500 …

Lucy is fifty, frazzled and fed up. After spending half her life working, she’s tired, and her idea of inner peace involves a sofa, wine and a takeaway. But when her boss announces his retirement, Lucy gears up for a well-earned promotion – that is until Tara, her annoyingly perfect colleague, swoops in, dazzling the CEO with her #BossBabe energy and commitment to a wellness bootcamp so hardcore it sounds like a cult. Desperate to compete, Lucy lies about joining the same program — even though her body feels more landfill than temple.

not to let being the number one ranked hitman at the UK’s second-best agency get in the way of her having the social life of any other 30-something Londoner, but it’s tough to date when your hours are extremely unpredictable and you can’t share any details of your day. So she can't tell her friends about the guy that keeps showing up on her missions. Will. He's cute, really cute, and he insists he has crucial information for her. Maisie is sure Will works for the competition but it soon becomes clear that a much greater danger stalks them both.