検索キーワード： ユーモア・風刺文学・フィクション

A successful entrepreneur in the mushroom industry, Jaakko Kaunismaa is a man in his prime. At just 37 years of age, he is shocked when his doctor tells him that he's dying. What is more, the cause is discovered to be prolonged exposure to toxins; in other words, someone has slowly but surely been poisoning him. Determined to find out who wants him dead, Jaakko embarks on a suspenseful roller-coaster journey full of unusual characters, bizarre situations and unexpected twists.

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

Pelham Grenville Wodehouse (1881 1975), a native of Guildford, England, was probably the greatest writer of comedy in the 20th century. With each passing year, his work continues to grow in popularity. Jeeves, the omniscient, highly competent valet, and Bertie Wooster, the upper-class, feather-brained gadabout, are his two most famous creations. His stories are generally characterized by intricate plots dealing with human foibles and complex, romantic entanglements.

Virginia Miner, a 50-something, unmarried tenured professor, is in London to work on her new book about children's folk rhymes. Despite carrying a U.S. passport, Vinnie feels essentially English and rather looks down on her fellow Americans. But in spite of that, she is drawn into a mortifying and oddly satisfying affair with an Oklahoman tourist who dresses more Bronco Billy than Beau Brummel.

Becky and her two-year-old daughter, Minnie, have relocated to L.A. to join her husband, Luke, who is there to handle PR for famous actress Sage Seymour. Becky can't wait to start living the A-list lifestyle, complete with celebrity sightings, yoga retreats, and shopping trips to Rodeo Drive. But she really hopes to become a personal stylist - Sage's personal stylist - if only Luke would set up an introduction.

Born a Parsi in Bombay, sent to university and medical school in Vienna, Dr. Farrokh Daruwalla is a 59-year-old orthopedic surgeon and a Canadian citizen who lives in Toronto. Once, 20 years ago, Dr. Daruwalla was the examining physician of two murder victims in Goa, India. Now, 20 years later, he will be reacquainted with the murderer.

Summer 1977. The Blyton Summer Detective Club (of Blyton Hills, a small mining town in Oregon's Zoinx River Valley) solved their final mystery and unmasked the elusive Sleepy Lake monster - another low-life fortune hunter trying to get his dirty hands on the legendary riches hidden in Deboën Mansion. And he would have gotten away with it, too, if it weren't for those meddling kids.

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator.

In 1964, Little Big Man gave us the reminiscences of Jack Crabb - a white orphan raised among the Cheyenne - who returns to "civilized" society, where (among other things) he tangles with Wyatt Earp and Wild Bill Hickok, and ends up as the only white survivor of Custer's Last Stand. At the end of Little Big Man, Jack's supposed death at age 111 cut short his tale.

Mark Renton is a very sick young man. He's sick of heroin and sick of trying to get off it but, above all, Renton is thoroughly sick of himself. What with vampire ghost babies, exploding siblings and disatorous sexual encounters, it's pain to see why Renton gloomily contends that 'life does not get any easier'.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

Meg Langslow is at Trinity Episcopal locking up after an event and checking on the toucan that Rev. Robyn Smith is fostering in her office. After hearing a hammering in the crypt, Meg finds an elderly parishioner lying dead on the floor. Several niches have been chiseled open, several urns knocked out, and amid the spilled ashes is a gold ring with a huge red stone. The curmudgeonly victim had become disgruntled with the church and ranted all over town about taking back his wife's ashes.

Reformed art forger Tilda Goodnight reluctantly joins forces with semi-reformed con man Davy Dempsey. They want to steal a dubious painting and several million embezzled dollars from a lethal widow named Clea, who has targeted a mild-mannered art collector as her next dearly departed. Complications include her sister, the female impersonator; his best friend, the reformed cat burglar; a recidivist embezzler named Rabbit; a hit man; some lousy sex; and a juke box.

There are three things you need to know about Elizabeth Finney: 1) She suffers from severe sarcastic syndrome, especially when she's unnerved, 2) No one unnerves her like Nico Manganiello, and 3) She knows how to knit.

Why Mummy Swears is the much anticipated new novel from Gill Sims, author of the hilarious Why Mummy Drinks and online sensation Peter and Jane. It’s every parents’ nightmare - the start of the school holidays - and instead of sitting in the sun, reading a book over a cold, crisp glass of Pinot Grigio, Mummy has two bored moppets to attend to. After frantically booking sports camps, child minder slots, not to mention time off work, Mummy is exhausted. But this is only the beginning....

When a mysterious text message summons May Wexler to a biker bar in downtown New Orleans, she knows something is very wrong. Her sister has sent out an SOS, but when May gets there, she's nowhere to be found and May is the one in trouble - she's wearing pink espadrilles, she's got a Chihuahua in her purse, and she's in the middle of a shootout.

When Fred formed his own parahuman clan out of necessity, he understood that it was going to come with new responsibilities. Much as he hoped those tasks would center around extra paperwork and perhaps the occasional mandatory class, enough time around the supernatural has taught him to be ready for anything. Or so he thought. As a freelance accountant for the Agency, Fred soon finds himself being tossed into new, unexpected, and perilous situations.

After discovering just how filled with magic, intrigue, and adventure the parahuman world of being an undead American can be, Fredrick Frankford Fletcher did exactly what was expected - he became a certified parahuman accountant. Myths and legends, as it turns out, are not so great at taking appropriate deductions and keeping their receipts, and Fred is more than happy to return to a life others view as woefully dull, expanding his accounting business to cater to various monsters.

A chain of events that will change the lives of each and every character will leave some of them wiser, some of them deader, and some of them definitely looking for a new line of work. With a wicked wit, razor-sharp observations, rich characters, and a plot with more twists than the Inland Waterway, Dave Barry makes his debut a complete and utter triumph.

Kevin Pace is working on a painting that he won't allow anyone to see: not his children, not his best friend, Richard, not even his wife, Linda. The painting is a canvas of 12 feet by 21 feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn't know or, more accurately, doesn't care. What Kevin does care about are the events of the past.