検索キーワード： ユーモア・風刺文学・フィクション

Angus is a reformed ne’er-do-well looking forward to the birth of his first child when he’s murdered by a man who is in love with his pregnant wife, Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife—a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get very crowded and Angus finds a way to reconnect with his wife, Gracie, and maybe even seek revenge on his murderer.

It’s the year 2000 in Dublin and, following some traumatic events, Detective Bunny McGarry is taking a well-earned break from the force. Bunny’s former partner died in the line of duty under dubious circumstances, but his murky background has suddenly resurfaced, threatening Bunny’s reputation as well. As if that isn’t enough, a young boy is in danger and a woman from the big fella’s past is trapped in a loveless marriage to a monster. They both need Bunny’s help, but he must get to work fast - it seems someone is trying to frame him for murder.

Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.

Sally has recently left an unfulfilling job to volunteer at a living history museum, where she is assigned to the Death House. Every day, she dons Victorian mourning garb and describes traditional funeral services to tourists. It sounds depressing as hell, but for Sally, it’s less depressing than her tepid marriage to her childhood sweetheart. This becomes all too clear when she accidentally travels through time and space to a liminal world where the ghosts of the living history museum haunt its grounds. There, she meets and falls hard for Victorian-era pretty boy Nathaniel.

Margherita Dolcevita è una ragazzina allegra, intelligente e appena sovrappeso, con un cuore che di tanto in tanto perde un colpo. Vive con la famiglia fra città e campagna. Un giorno, davanti alla sua casa, spunta, come un fungo, un cubo di vetro nero circondato da un asettico giardino sintetico e da una palizzata di siepi. Sono arrivati i signori Del Bene, i portatori del "nuovo", della beatitudine del consumo. Amici o corruttori? La famiglia di Margherita cade in una sorta di oscuro incantesimo, nessuno rimane immune.

История одного города - сатирический роман, написанный в форме исторической хроники. "В этом фантастическом мире нет ни страстей, ни увлечений, ни привязанностей.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

Everyone in Cedar Creek, Texas, knows Jack McNight is an arrogant devil. Physically, I get it: he’s tan and fit, with coal-black hair that’s clearly been scorched by hellfire. Oh, and his personality? It burns just as hot. When I show up on the doorstep of Blue Stone Ranch, I’m run-down and rockin’ my last pair of underwear. I’m hoping for a savior, but instead, I find him. My opinion of Jack is marred by a dismal first impression, but his opinion of me is tainted even before I arrive. He’s heard I’m a spoiled princess there to take advantage of his goodwill.

Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

From the recipient of the 1998 Nobel Prize in Literature, a "brilliant...enchanting novel" (New York Times Book Review) of romance, deceit, religion, and magic set in 18th-century Portugal at the height of the Inquisition.

One of the best-loved of Nabokov's novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian emigre precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

Welcome to the World, Baby Girl! is the funny, serious, and compelling new novel by Fannie Flagg, author of the beloved Fried Green Tomatoes at the Whistle Stop Cafe (and prize-winning co-writer of the classic movie). Once again, Flagg's humor and respect and affection for her characters shine forth. Many inhabit small-town or suburban America. But this time, her heroine is urban: a brainy, beautiful, and ambitious rising star of 1970s television. Dena Nordstrom, pride of the network, is a woman whose future is full of promise, her present rich with complications, and her past marked by mystery.

Jane Austen skewers the novelistic extremes of her day made popular in many 18th-century Gothic potboilers. Dilapidated castles, locked rooms, inexplicable chests, enigmatic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly sardonic twist.

These are the voyages of the starship A.S.F. Willful Child. Its ongoing mission: to seek out strange new worlds on which to plant the Terran flag, to subjugate and if necessary obliterate new life-forms, to boldly blow the... And so we join the not-terribly-bright but exceedingly cock-sure Captain Hadrian Sawback and his motley crew on board the Starship Willful Child for a series of devil-may-care, near-calamitous and downright chaotic adventures through "the infinite vastness of interstellar space".

Why Mummy Swears is the much anticipated new novel from Gill Sims, author of the hilarious Why Mummy Drinks and online sensation Peter and Jane. It’s every parents’ nightmare - the start of the school holidays - and instead of sitting in the sun, reading a book over a cold, crisp glass of Pinot Grigio, Mummy has two bored moppets to attend to. After frantically booking sports camps, child minder slots, not to mention time off work, Mummy is exhausted. But this is only the beginning....

London, 2045. Three months into the Coffee Wars, and Britain's caffeine supplies are at critical levels. Brits are drinking even more tea than usual, keeping a stiff upper lip and praying for an end to it all. A secret government coffee stockpile could save the day...but then mysteriously disappears overnight. One man is asked to unravel the missing-coffee mystery. His name is Pond. Howie Pond. And he's in desperate need of a triple espresso.

The legendary Deep Thoughts and New Yorker humorist Jack Handey is back with his very first novel - a hilarious, absurd, far-flung adventure tale. "Are you a fan of books in which famous tourist destinations are re-purposed as unlivable hellholes for no particular reason? Jack Handey's exotic tale is full of laugh-out-loud twists. A reliably unreliable narrator and his friend, who is some other guy, need to get out of town. They have a taste for adventure, so they pay a visit to a relic of bygone days - a travel agent - and discover an old treasure map."

Kevin Pace is working on a painting that he won't allow anyone to see: not his children, not his best friend, Richard, not even his wife, Linda. The painting is a canvas of 12 feet by 21 feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn't know or, more accurately, doesn't care. What Kevin does care about are the events of the past.

Un grupo de niños encuentra un cadáver flotando en las aguas turbias de un canal de riego cercano a la ranchería de La Matosa. El cuerpo resulta ser de la Bruja, una mujer que heredó dicho oficio de su madre fallecida, y a quienes los pobladores de esa zona rural respetaban y temían.