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John Dies at the End is a genre-bending, humorous account of two college drop-outs inadvertently charged with saving their small town—and the world—from a host of supernatural and paranormal invasions.

Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead, she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her.

The city of Elendhaven sulks on the edge of the ocean. Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die.

In the slums of the sea-battered city, a young boy called Nathan Treeves lives with his parents, eking out a meagre existence by picking treasures from the Living Mud and the half-formed, short-lived creatures it spawns. Until one day his desperate mother sells him to the mysterious Master of Mordew.

Suzette knows her clever and manipulative seven-year-old daughter doesn’t love her. She can see the hatred and jealousy in her eyes. And as Hanna’s subtle acts of cruelty threaten to tear her and her husband apart, Suzette fears her very life may be in grave danger....

St. Medard’s Bay, Alabama is famous for three things: the deadly hurricanes that regularly sweep into town, the Rosalie Inn, a century-old hotel that’s survived every one of those storms, and Lo Bailey, the local girl infamously accused of the murder of her lover, political scion Landon Fitzroy, during Hurricane Marie in 1984.

Hazel has been gone from her small hometown of Kawdarn in the English countryside for years. Now returned in the wake of a traumatic divorce and crumbling personal life, her simple plans are to lay low at her parents’ vacated house, reconnect with her prickly sister Cathy, and slowly get back on her feet. Cathy is surprised when Hazel doesn’t show. Their relationship strained from a fallout half a decade ago, she didn’t expect them to get back into a sisterly rhythm…though she hadn’t counted on Hazel bailing, either.

Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect. Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son?

After Nancy was cast out of the Halls of the Dead and forced to enroll at Eleanor West's School for Wayward Children, she never believed she'd find her door again, and when she did, she didn't look back. She disappeared from the school to resume her place in the Halls, never intending to return. Years have passed. A darkness has descended on the Halls, and the living statues who populate them are dying at the hands of the already dead.

Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right. Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. The man she’s always known was too good to be true. No one thinks she deserves him—not even after surviving the serial cheater they wanted her to stick by—and soon they’ll all find out they were right.

Hundred of years after the first waves of the bubonic plague swept through Europe, a new, more dangerous version threatens London. Joe Ledger’s old enemy the Red Empire—reborn as a far more powerful political and military group—has bioengineered a weaponized version of yersinia pestis—the bacteria responsible for The Black Death that killed tens of millions in the Middle Ages.

Horror author Jill has just moved to suburban New Jersey, hoping to fit in with the new PTA moms and maybe not weird everyone out with her Final Girl coffee mug. You know. Make some real friends. But then a plastic face-masked serial killer begins slashing their way through town, one overly made-up mom at a time. The police are incredulous. The moms are indignant. And Jill is slowly wrapped into a killer’s murderous spree, until she might just be the last woman standing.

Dorothy Gale doesn’t know where she came from. She has only the vaguest memory of her life before landing in the dull, gray world of the vast Kansas prairie.

The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?”

As one of the infants taken from Alfheimr, I spent twelve lifetimes hidden away in the tunnels of the Resistance with a Lunar Witch to watch over me. I knew the truth of my existence and when the Veil fell, my discovery became inevitable. When the God of the Dead brought his human mate back to the tunnels after revealing the truth of his identity, he did so with the intent to return me to Mab. The Queen of Air and Darkness has waited centuries to find me on the other side of the Veil of Flesh and Bone, and she had sent her favorite weapon to do it.

Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

In the waning years of the Azalea Dynasty, the emperor is dying, the land consumed by famine, and poetry magic lost to all except the powerful. Wei Yin is desperate. After the fifth death of a sibling, with her family and village on the brink of starvation, she will do anything to save those she loves. Even offer herself as concubine to the cruel heir of the beautiful and brutal Azalea House. But in a twist of fate, the palace stands on the knife-edge of civil war with Wei trapped in its center…at the side of a violent prince.

Mission Lead Olivia O’Connor and her team from the Artemis Corporation, along with their military liaison, are in the final preparations for an undertaking that will alter the course of human history: a test flight that promises to open up new frontiers in the expanse of the universe. But their journey between dimensions is one they never trained for. Strange voices in the corridors. Long lost faces not forgotten. Strange symbols carved into the hull. And gathering outside the ship, ancient forces beyond reckoning.