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El profeta da a todos los hombres, de acuerdo con las leyes de Dios, impulsos para reflexionar y respuesta sobre los sucesos y anomalías que tienen lugar en este mundo. Además habla también sobre su tarea y así también sobre sí mismo.

This novel in verse, said to be the parent of all Russian novels, is a tragic story of innocence, love, and friendship. Eugene Onegin, an aristocrat, much like Pushkin and his peers in his attitude and habits, is bored. He visits the countryside where the young and passionate Tatyana falls in love with him. In a touching letter she confesses her love but is cruelly rejected. Years later, it is Onegin's turn to be rejected by Tatyana. Please note: This audiobook is in Russian.

The poems included in "Audio Book Edition, Slightly Blue Sky" are a collection of poems by Naoko Kudo that appeared in a number of editions over a two year period in the fashion magazine "MRS". The author of the poems is speaking as if to engage with their immediate surroundings. The poems will inspire the reader as they are being read with laughter and a sense of wonder. Naoko Kudo, the author of "Audio Book Edition, Slightly Blue Sky" recorded the poems herself. Please enjoy the author's superb combination of words and voice. Also included in this audio book (which can only be heard here)...

Some of the greatest poets and lovers in the English language speak of their love in this seductive and romantic collection. Here are the voices of Romeo, Robert Burns, Lord Byron and many others.

A Silvia è una poesia composta da Giacomo Leopardi, tra il 19 e il 20 aprile del 1828. Quando scrisse la poesia, Leopardi si trovava a Pisa, dopo un lungo silenzio poetico durante il quale si era dedicato a numerose opere in prosa. Riprese dunque a poetare ispirandosi a Teresa Fattorini, la figlia del cocchiere di casa Leopardi a Recanati.

Nel settembre e nell'ottobre del 1818 nascono le canzoni All'Italia e Sopra il monumento di Dante che si preparava in Firenze, che vennero subito pubblicate a Roma in un libretto dedicato a Vincenzo Monti. Nella canzone All'Italia vengono ricordati i giovani italiani periti nelle guerre napoleoniche subito associati, con il rievocare del canto di Simonide di Ceo, ai giovani greci morti alle Termopili.

Hugh John Lofting was born in Maidenhead, Berkshire, on January 14th, 1886 to English and Irish parents. Lofting was initially educated at Mount St Mary’s College in Spinkhill, Derbyshire, a Jesuit boarding school, from the age of eight. By 1905, at age 18, he was to study abroad, taking classes in civil engineering at the esteemed Massachusetts Institute of Technology (MIT) in the USA. Thereafter he embarked on a quest to travel widely before settling down to write of his adventures.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

Llewelyn Morgan explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest.

From Madonna to Deepak Chopra, celebrities have been recording and embracing Rumi's poetry for the past two decades, creating a resurgence of interest in this 13th century Sufi mystic. This beautiful collection of 196 of his poems, previously unavailable in English and now translated by native Persian speakers Maryam Mafi and Azima Melita Kolin, will appeal to Rumi lovers everywhere who want a guidebook for their inner journey.

An anthology of over 60 classic love poems, read by some of our finest actors. Love has always been the supreme inspiration for poets, whether romantic or platonic, reciprocated or unrequited. This collection contains a range of the very best love poems, including Andrew Marvell's "To His Coy Mistress", Keats' "La Belle Dame Sans Merci" and Byron's "So We'll Go No More A-Roving" - as well as several sonnets from the master himself, William Shakespeare.

Swimming Lessons explores the euphoric beginnings of young love, battling anxiety and depression in the face of fame, and the inevitable heartbreak that stems from passion. Relatable yet deeply intimate, provocative yet comforting, bite-sized yet profound, Lili's poems reflect her trademark honesty and unique perspective. Swimming Lessons reveals the depths of female experience, and is the work of a storyteller who is coming into her own.

Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores the boundary between what is real and what is imagined in a life saturated with fear. Gatwood asks, How does a girl grow into a woman in a world racked by violence? Where is the line between perpetrator and victim?

In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This audiobook presents the most essential poems in his dispensary: those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness or an excess of ego, there is something here to ease your pain.

In einem früheren Vorwort des "Hyperion" sagt Hölderlin: "Die exzentrische Bahn, die der Mensch, im Allgemeinen und Einzelnen, von einem Punkte (der mehr oder weniger reinen Einfalt) zum anderen (der mehr oder weniger reinen Bildung) durchläuft, scheint sich, nach ihren wesentlichen Richtungen, immer gleich zu sein.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes listeners through a journey of the most bitter moments in life and finds sweetness in them - because there is sweetness everywhere if you are just willing to look.

Joining us at Audible is Hollie McNish, the Ted Hughes Award-winning author and poet. Her latest collection, Slug, covers topics from birth to death, sex to sexism and many other everyday challenges we face in the 21st century. We'll be talking to Hollie McNish about her approach to poetry, what she’s most looking forward to about her next gig, and how she has come to feel comfortable discussing things that no one else does.

Chant païen halluciné, ce poème est une profession de foi, marquée par la quête du salut, les déceptions sentimentales et artistiques, et une réquisition contre la civilisation occidentale. "Prodigieuse autobiographie psychologique, écrite dans cette prose de diamant qui est la propriété exclusive de son auteur" (Paul Verlaine) Contenu : Mauvais Sang, pt. 1 Mauvais Sang, pt 2 Nuits de l'enfer Délires 1, pt. 1 Délires 1, pt. 2 Délires 2, pt. 1 Délires 2, pt. 2 Adieu.

All they could hear was the wind, and the waves crashing on to the rocks. All they could see was the night. They could not see the ship, broken in two. They could not see the people holding on to the dark wet rock, slowly dying of cold. And they could not hear the cries for help - only the wind. How could they save the people on the rock? Was their wooden boat stronger than the iron ship?