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Songs of Innocence and of Experience is a collection of 45 poems by English poet William Blake. "Songs of Innocence" is the first part of the collection and appeared in 1789 with engraved illustrations by Blake. The second part, "Songs of Experience", also illustrated, was added in 1794 when Blake published the whole under the full title of Songs of Innocence and Experience Showing the Two Contrary States of the Human Soul.

Blindness in the 1950s was a social stigma. Stephen's mother wanted a normal life for him, so he fought desperately to uphold the illusion of sight. For a child frantic to fit in, each day was an exhausting pretence. He managed to ride a bike, when even reading involved pressing his nose to the page and painfully forcing his eyes to concentrate. Head up, he strode through a carefully memorized labyrinth of streets, hoping to fool passers-by that he could actually see.

Mas de cien anos despues de su nacimiento, la poesia de Pablo Neruda es tan vital y querida como siempre. Esta coleccion presenta cincuenta poemas esenciales de uno de los mas grandes poetas de la historia en nuevas traducciones dinamicas, fruto de una colaboracion sin precedentes entre un equipo de poetas, traductores y los principales eruditos del mundo.Una seleccion definitiva que se basa en toda la amplitud de los diferentes estilos, temas y periodos de Neruda.

One of the most distinctive periods in English poetry was the age of Romanticism, a movement which rebelled against the neoclassical forms and celebrated the imagination as a spiritual force

Botchan es un indiscutible clásico de la moderna literatura japonesa y, desde hace más de cien años, una de las novelas más celebradas por los lectores de aquel país. Considerada el Huckleberry Finn nipón, y comparada también con El guardián entre el centeno, narra las aventuras de...

The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.

This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic.

Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible.

Elizabeth Barrett Browning’s ‘novel in verse’ is an epic poem that voices with enchanting beauty and literary courage the perspective of Victorian women. Aurora Leigh forges her own path to become a poet, successfully proving her worth, defying the ideals of her era, and rescuing her spirit from the suppression of a routine domestic life. Infusing the work with her own experience and passion, Browning produced a true masterpiece.

This collection of 64 short poems has become a classic work of children’s literature. The poems are written from the point of view of a child. The author brilliantly recaptures the magical world of childhood innocence, in which the most mundane of experiences can become a source of wonder.

I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.

As the phoenix emerges from its ashes, Zebian emerges ablaze in these words, not only as a survivor of abuse, but as a teacher and healer for all those who have struggled to understand, reclaim, and rise above a history of pain. The book is divided into six chapters, and six stages of healing: Falling, Burning to Ashes, Sparks of Phoenix, Rising, Soaring, and finally, A New Chapter, which demonstrates a healthy response to new love as the result of authentic healing.

Dieses Ringelnatzische Lyrikaversum hat nicht nur den unerschrockenen Seemann „Kuttel Daddeldu“, der als Europapa viele Enkel von diversen europäischen Frauen hat, der Landratten kritisch sieht, der bei seinen seltenen, aber doch regelmäßigen Landgängen eine Schneise des totalen Vergnügens ohne Rücksicht auf Verluste zurücklässt, zum Thema. Im geistesblitzartigen Dauerzustand werden hier die wildesten, verrrrrücktesten und gegensätzlichsten Gedanken elegant miteinander verknüpft, so dass man mit einmaligem Anhören noch lange nicht genug hat.

In poems that can turn from laugh-out-loud funny to deeply moving, Wendy Cope offers reflections on love and life. From the joy of falling - and being - in love to ways to help you deal with a painful break-up or the memories of people loved and lost, this is an audio edition to savour and share with all your friends.

T.S. Elliot was likely the best read of any of his contemporaries. In his poetry, we often find an allusion to the works of other great writers. In "The Love Song of J. Alfred Prufrock" he makes reference to Dante Shakespeare and "To His Coy Mistress" by Andrew Marvel. Prufrock, as the name implies, is an indecisive wimp, whereas Marvel in his seduction poem, has his eye on the prize, and makes no bones about it.

O que a gente faz quando o amor acaba? Nesta colagem de poemas, pensamentos, bilhetes e desabafos, Bruno Fontes fala não apenas sobre a dor do fim, mas também sobre o aconchego adocicado que vem do abraço da saudade.

El Tarot es un arte. Y, como todo arte, llega a su cumbre cuando se transforma en poesía. En Yo, el Tarot, síntesis poética que Alejandro Jodorowsky nos ofrece de cada uno de los 22 arcanos mayores, se manifiesta la esencia y la voz de estos 22 "arquetipos". "Los Arcanos, para hablar, nos exigen un olvido de nosotros mismos... El poema, si el lector trata de desentrañarlo con el espíritu de un buscador de tesoros, podrá despertarle las regiones más valiosas de su alma..."

"Lavorare stanca" (nell'edizione del '36, con le poesie aggiunte nel '43 e le altre non raccolte), "La terra e la morte", "Due poesie a T.", "Verrà la morte e avrà i tuoi occhi": le composizioni piú conosciute accanto a quelle meno note, qui riunite sotto i titoli di Prima di "Lavorare stanca" e "Estravaganti scelte".

This inspiring collection, edited by Pádraig ó Tuama, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig's illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn't necessarily know how to do so.