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Kenton's career as a journalist depends on his facility with languages, his knowledge of European politics and his quick judgment. Where his judgment sometimes fails him however, is in his personal life. When he travels to Nuremberg to investigate a story about a top-level meeting of Nazi officials, he inadvertently finds himself on a train bound for Austria after a bad night of gambling. Stranded with no money, Kenton jumps at the chance to earn a fee helping a refugee smuggle securities across the border.

It is 1940 and Mr Graham, a quietly spoken engineer and arms expert, has just finished high-level talks with the Turkish government. And now somebody wants him dead. The previous night three shots were fired at him as he stepped into his hotel room, so, terrified, he escapes in secret on a passenger steamer from Istanbul. As he journeys home, he enters a nightmarish world where friend and foe are indistinguishable. Graham can try to run, but he may not be able to hide for much longer.

Nicky Marlow needs a job. He's engaged to be married and the employment market in Britain in 1937 is pretty slim. So when his fiancée points out the position with an English armaments manufacturer in Italy, he jumps at the chance. Soon after he arrives, however, he learns the sinister truth about his predecessor's departure and finds himself courted by two agents with dangerously different agendas. In the process, Marlow realises that it's not so simple just to do the job he's paid for - not in fascist Italy, on the eve of a world war.

Anna Karenina seems to have everything - beauty, wealth, popularity and an adored son. But she feels that her life is empty until the moment she encounters the impetuous officer Count Vronsky. Their subsequent affair scandalizes society and family alike and soon brings jealously and bitterness in its wake. Contrasting with this tale of love and self-destruction is the vividly observed story of Levin, a man striving to find contentment and a meaning to his life - and also a self-portrait of Tolstoy himself.

With his face swaddled in bandages, his eyes hidden behind dark glasses and his hands covered even indoors, Griffin—the new guest at The Coach and Horses—is at first assumed to be a shy accident-victim. But the true reason for his disguise is far more chilling: he has developed a process that has made him invisible and is locked in a struggle to discover the antidote. Forced from the village and driven to murder, he seeks the aid of his old friend Kemp. The horror of his fate has affected his mind, however—and when Kemp refuses to help, Griffin resolves to wreak his revenge.

James Tiptree Jr., the pen name of Alice Bradley Sheldon, is widely considered to be one of the most influential American genre writers ever, and a pioneer of feminist science fiction. 10,000 Light Years from Home, her brilliant debut collection, displays all her trademark humour, intensity and originality, with dark dystopian thrills, fast-paced intergalactic satire and hardboiled tales of alien invasion.

Created by an Irish clergyman, Melmoth is one of the most fiendish characters in literature. In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

Truman Capote makes whisky-soaked fruitcake in Alabama; Laurie Lee slides across a frozen pond in Gloucestershire; and Shirley Jackson is outwitted by a wily Santa Claus at the bank. Ghosts haunt the Christmases of Muriel Spark and Elizabeth Bowen, while Dostoyevsky, Daphne du Maurier and Italo Calvino take a cynical view of the season and Selma Lagerlof and Angela Carter celebrate its miracles. Ranging from Cork to Lagos to the Wild West, and from Paris to San Paolo to outer space, this is Christmas as imagined by some of the greatest short-story writers of all time.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

Twenty-year-old Jenny Bunn is supremely beautiful and stubbornly chaste, which is why Patrick Standish, an arrogant schoolmaster, wants her so much. This perceptive coming of age novel about a northern girl who moves south, who wants to fit in and yet wants to preserve her principles, challenges our assumptions about the battle of the sexes and classes in Britain. It is a story about 'the squalid business of the man and the woman' and 'the most wonderful thing that had ever happened' to Jenny Bunn.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

After reading Christmas Carol, the notoriously reclusive Thomas Carlyle was 'seized with a perfect convulsion of hospitality' and threw not one but two Christmas dinner parties. The impact of the story may not always have been so dramatic but, along with Dickens' other Christmas writings, it has had a lasting and significant influence upon our ideas about the Christmas spirit and about the season as a time for celebration, charity and memory.

The terrible spectacle of the beast, the fog of the moor, the discovery of a body: this classic horror story pits detective against dog. When Sir Charles Baskerville is found dead on the wild Devon moorland with the footprints of a giant hound nearby, the blame is placed on a family curse. It is left to Sherlock Holmes and Doctor Watson to solve the mystery of the legend of the phantom hound before Sir Charles' heir comes to an equally gruesome end.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.

Beautiful and independent, Arabella has been brought up in rural seclusion by her widowed father. Devoted to reading French romances, the sheltered young woman imagines all sorts of misadventures that can befall a heroine such as herself. As she makes forays into fashionable society in Bath and London, many scrapes and mortifications ensue - all men seem like predators wishing to ravish her, she mistakes a cross-dressing prostitute for a distressed gentlewoman, and she risks her life by throwing herself into the Thames to avoid a potential seducer.

Set in English society before the 1832 Reform Bill, Wives and Daughters centres on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister, Cynthia, enters Molly's quiet life. Loveable but worldly and troubling, Cynthia's arrival alters Molly's daily life. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

Competition is stiff for the position of sub-librarian in Aberdarcy Library. For John Lewis, the situation is complicated by the attentions of daunting and desirable village socialite Elizabeth Gruffyd-Williams, who is married to a member of the local Council. Pursuing an affair with her whilst keeping his job prospects alive is John's predicament, as he finds himself running down Welsh country lanes at midnight in a wig and dress, resisting the advances of local drunks and suffering the long speeches of a 'nut-faced' clergyman.

Brimming with gluttony, booze and lust, Roger Micheldene is loose in America. Supposedly visiting Budweiser University to make deals for his publishing firm in England, Roger instead sets out to offend all he meets and to seduce every woman he encounters. But his American hosts seem made of sterner stuff. Who will be Roger's undoing? Irving Macher, the young author of an annoyingly brilliant first novel? Father Colgate, the priest who suggests that Roger's soul is in torment? Or will it be his married ex-lover Helene? One thing is certain - Roger is heading for a terrible fall.

Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons. As long as Jim can survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand.

The quickest way to get rich is to marry someone rich, but how do you do this if you aren't yet rich? TV chat-show host Ronnie Appleyard is preoccupied with this question as he pursues wealthy heiress Simona Quick over two continents in the company of braying aristocrats, Greek shipping magnates, American dandies and the dreaded mother-in-law-to-be.