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Iris Greene used to be a woman with a plan. But all of that changed after she met the love of her life at twenty-five, got pregnant and married…and then became a widow and a single mother all in a little over two years. Now, after years of hustling, Iris is the director of partnerships at a beauty company and raising sweet six-year-old Calla by herself. Despite her busy life, she still can’t help but feel lonely. She just needs to catch her breath—and one night, at her sister’s wedding, when she steps outside to do just that, she sees a certain singer who takes her breath away.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

A.J. Grayson has come a long way from adopted orphan to fast-rising executive at a cutting-edge technology firm. Now an anti-terrorist agency wants to use the revolutionary artificial intelligence system she developed to thwart a plot against Jafir's monarchy—and handsome, dynamic Damon Toca, the region's newly crowned king. In six short months, Damon has gone from gallery owner to controversial politician. When his cabinet hires A.J. Grayson—without his consent—he gets ready for a battle.

Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the field with two women, and inside his head was a ticking time-bomb.

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.

Risk-averse event planner Amerie Price is jobless, newly single, and about to lose her apartment. With no choice but to gamble on her shaky start-up, the last thing she needed was to run into her smug ex and his new, less complicated girlfriend at Amerie's favorite coffee shop. Panicked, she pretends to be dating the annoyingly sexy man she met by spilling Americano all over his abs. He plays along—for a price.

Kaliya Wilson has paid her dues. But all the years behind the reception desk at a flashy film studio have only pushed her movie-making dreams further out of reach. That is, until a surprise reunion presents an opportunity that could make her career, or break her heart…a second time.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance.

When Funke’s mother dies in a tragic accident in Lagos, she’s sent to live with her maternal family in England. Traumatised by grief and against a backdrop of condescension and mild neglect, conformist Funke strives to fit in, determined to become one of them. Free-spirited Liv has always wanted to break free of her joyless family, resolved to be nothing like them. Fiercely protective of Funke, she at last has a purpose. And an ally. The two cousins give each other what they need most: love. But the past casts long shadows and the choices made by their mothers haunt Funke and Liv.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the listener is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination.

Drawing on James Baldwin's own boyhood in a religious community in 1930s Harlem, his first novel tells the story of young Johnny Grimes. Johnny is destined to become a preacher like his father, Gabriel, at the Temple of the Fire Baptized, where the church swells with song and it is as if 'the Holy Ghost were riding on the air'. But he feels only scalding hatred for Gabriel, whose fear and fanaticism lead him to abuse his family. Johnny vows that, for him, things will be different. This blazing tale is full of passion and guilt, of secret sinners and prayers singing on the wind.

Harlem in the 1970s: the black soul of New York City. Tish is nineteen and the man she loves - her lifelong friend and the father of her unborn child - has been jailed for a crime he did not commit. As their families come together to fight for his freedom, will their love be enough?

Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school’s brand-new DEI committee. As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting.