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There’s never a good time to learn you are your father’s secret child—especially not at the reading of his will. With their father’s affairs laid bare and Nora’s sensible reputation in tatters due to a viral video scandal, she and her free-spirited sister have nothing left but a rustic inn in the middle of nowhere and each other. What’s more, they need to revamp the inn before Labor Day or they lose it all.

One doomed love affair after another has made lovely Alex Walton swear off men. Now, she's determined to try something that maybe she can succeed at: a writing career. Little does she know that a chance meeting with a strikingly handsome stranger, a mysterious obelisk, and a lost kingdom will change her life forever. As Alex is about to discover, truth can be stranger—and far more dangerous—than fiction.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance.

Harlem, 1936: Lena Aldridge grew up in a cramped corner of London, hearing stories of the bright lights of Broadway. She always imagined that when she finally went to New York City, she’d be there with her father. But now he’s dead, and she’s newly arrived and alone, chasing a dream that has quickly dried up. When Will Goodman—the handsome musician she met on the crossing from England—offers for her to stay with his friends in Harlem, she agrees.

Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school’s brand-new DEI committee. As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting.

Violet is a highly successful celebrity stylist but away from the red carpets, her life is in shambles. After a very public breakup she is determined to focus on her career, and nothing else. That is, until she sees Xavier Wright. High school sweetheart, and total heart throb. After she bumps into him on a birthday trip to Vegas they decide to join groups and celebrate together. But the next morning they wake up next to each other - With rings on their fingers.

Distilled over many years from Henry Louis Gates Jr's legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world – a “home” – for Black people destined to live in a bitterly racist society.

Louise Lloyd is finally living the quiet life she’d longed for, working in a parfumerie by day and spending time with her new friends every night at the Aquarius club in Paris. When a desperate mother asks for help locating her artist daughter, Louise initially refuses to keep her hard-won but fragile peace intact. But the woman comes with a letter of introduction from an old friend in Harlem, and Louise realizes she has no choice but to do what she can to find the missing young woman.

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

Early one morning, at the close of St Colibri’s carnival, a young female steel pan player is found dead beneath a cannonball tree. It is a discovery that will transform the lives of everyone on this small island.

A collection as remarkable for the force of its feeling as for the range of its vision, End of Empire explores the tensions of Black and American identity within an ecological framework. Inspired by the language and landscape of the poet’s rural Kentucky hometown and the ways that inherited religious and political narratives shape our relationships with our surroundings and ourselves, these poems reckon with the ways the speaker, their body, and their natural and ideological surroundings continuously remake each other.

When Funke’s mother dies in a tragic accident in Lagos, she’s sent to live with her maternal family in England. Traumatised by grief and against a backdrop of condescension and mild neglect, conformist Funke strives to fit in, determined to become one of them. Free-spirited Liv has always wanted to break free of her joyless family, resolved to be nothing like them. Fiercely protective of Funke, she at last has a purpose. And an ally. The two cousins give each other what they need most: love. But the past casts long shadows and the choices made by their mothers haunt Funke and Liv.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the listener is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination.

Drawing on James Baldwin's own boyhood in a religious community in 1930s Harlem, his first novel tells the story of young Johnny Grimes. Johnny is destined to become a preacher like his father, Gabriel, at the Temple of the Fire Baptized, where the church swells with song and it is as if 'the Holy Ghost were riding on the air'. But he feels only scalding hatred for Gabriel, whose fear and fanaticism lead him to abuse his family. Johnny vows that, for him, things will be different. This blazing tale is full of passion and guilt, of secret sinners and prayers singing on the wind.

Harlem in the 1970s: the black soul of New York City. Tish is nineteen and the man she loves - her lifelong friend and the father of her unborn child - has been jailed for a crime he did not commit. As their families come together to fight for his freedom, will their love be enough?

Welcome to the Northwestern Hemisphere, 2529. An equally exciting and terrifying world born from the ashes of our own, where almost half of people are born invisible, and thus relegated to second-class citizenship. Sweetmint, a young invisible woman, has done everything right her entire life, from excelling in school to landing a highly sought-after apprenticeship with a mysterious, powerful inventor.