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The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the very talented Nobel prize winning Swedish writer Selma Lagerlöf.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the North American male author whose time has now come again.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

In this wide-ranging collection our authors look at every facet and detail of theatre life. From the worries and lives of the actors to what can happen when a theatre is the prime location on which the story depends, be it comedy, theft, the bizarre and even murder.

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. Kate married Oscar Chopin in 1870 and the couple moved to New Orleans, and later to the rural setting of Cloutierville, Louisiana to raise their 6 children. By the early 1890’s her short stories were published nationally. Despite the criticism, which unnerved her, she continued to write though in the main her works, around 100 short stories and two novels, were not attributed with any literary worth.

Writing can be a lonely art. Distractions and writers block are just two of the many impediments to a burnished stream of prose. But sometimes two heads really can be better than one. Collaborating and sounding off of one another, in the right circumstances and with complimenting skills, can work wonders as these very talented duos now demonstrate.

In this volume we examine the German language. Or rather the authors who wrote in German but are here translated into English. German is most often called the language of philosophers due to its precision and clarity. However, if you’ve studied German, you will know that sentence construction can be difficult to grasp. However, within these stories the language of these great talents express themselves in dazzling prose and searching narratives. And the characters? Clearly the works of genius.

The German peoples spent centuries as tribes and regions without being a whole. Otto von Bismarck was instrumental in unifying these central European states into one country albeit based on the militaristic doctrine of Prussia. In the 20th Century its history was blighted by its capacity to resort to war to fulfill its ambitions, or right its perceived historical wrongs. In this volume the short stories by its greatest authors readily attest that their talents are equal to the greatest in World literature.

Whilst faith can be practiced anywhere religious faith is usually at a church or temple. The stories in this volume are centered both in houses of worship and with those with a strong association to its calling. Of course, short story authors have a determined belief in their undoubted talents to make us look at this subject from different angles. In this volume they take us on literary journeys that are revealing and challenging yet always entertaining.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. His poems, predominantly short and abstract, display another facet of his talent which questions, advises and presents his audience with much to contemplate. Some are difficult to engage with but with the effort comes the reward.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Our fear of the Devil, whatever his temptations and rewards, is amplified by the thought of eternal damnation in his hell house service. In this volume our authors are all from Europe and see the Devil in ways that we recognise and yet are culturally distinct to the European mainland.

In this volume our authors, including Ambrose Bierce, Nathaniel Hawthorne, Winifred Holtby, Bernard Capes and many others bring forth creations and contraptions that are both amazing and abstract as well as diabolical and delightful.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Richard Garnett C.B. was born on the 27th February 1835. Educated in Bloomsbury he then joined the nearby British Museum as an assistant librarian in 1851, shortly after his father’s death. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. Thus began a career that spanning three decades provided thirty-three novels, hundreds of short stories, and fourteen plays.

The duel is specifically about honour. A principle that humanity often takes too far, even today. In centuries past the duel was fought by two men who could resolve their quarrel in no other way. The victim felt anything from slighted to humiliated and must regain his honour, whatever the cost. Pistols at ten paces, or rather closer with swords, should see the matter settled. Of course, despite its arrival at violence there were many rules ands traditions to take account of.